Henrik Vibskov
*is Gone With the Wind


june 018


Three women, performers, dubbed the “VIBS Air Repair Service” remove cloths from wind turbines made of recycled sheets. In their tea-colored muslin uniforms they control the wind, and therefore, the show. Medieval bonnets, linen khaki suits, and chunky roped sandals make my acquaintance. A scalloped seersucker dress blows by; a raised polka dot shirt raises my heart rate. 


 “One can’t see the wind, but it shapes and changes things on its way forward,” said the program. Everything but my mind. I’m now convinced Henrik Vibskov’s high concept, slow fashion approach in this day and age, is rather avant garde in it itself. Even more so than the clothes to be worn. And to be honest, to dissect a collection like Vibskov’s is like taking the brush from a painter before their final stroke. 

Vibskov gave new breadth to the phrase, wherever the winds blows. Layering his models in parachute prints, vintage-like “Soap Opera” sweaters, and Madras button-ups. “Due to Sudden Weather Change,” (the name of the collection), was much like the human experience, it was vast, varied and wasn’t always easy to interpret. But like Tina Turner once sang,

“the wheels just keep on turning.”