NOMOS Glashütte *Club Sport neomatik

A New Worldtimer from NOMOS Glashütte
*Refined Color and Craft

written Amanda Mortenson

Understated design and horological finesse define the work of NOMOS Glashütte. With the Club Sport neomatik Worldtimer Volcano, the brand continues its dedication to color and function—all filtered through the lens of quiet elegance.

(c) NOMOS Glashütte

This timepiece is part of a limited series of six new color variants in the Club Sport Worldtimer line. Its dial, rendered in a bold anthracite tone reminiscent of volcanic rock, introduces a refined chromatic depth to the collection. The look is tactile and mineral, without becoming ornamental. It’s a precise composition of shape and substance.

The 40 mm stainless steel case features a domed sapphire crystal with anti-reflective coating on both sides. At just 9.9 mm in height, it wears flat and balanced, secured by a durable Club Sport bracelet with quick-change spring bars and a 20 mm lug width. With water resistance up to 10 ATM, the Volcano edition moves seamlessly from day to evening, city to travel.

(c) NOMOS Glashütte

(c) NOMOS Glashütte

(c) NOMOS Glashütte
S1 Club Sport neomatik Worldtimer Volcano

Its engine is the DUW 3202, an in-house automatic caliber designed for technical and visual harmony. The worldtime mechanism, paired with a red 24-hour hand and a day-night display, allows for simultaneous reading of two time zones, ideal for those living across borders. White Superluminova ensures readability in dim light, integrated into the hour markers and hands.

NOMOS assembles each movement in Glashütte using traditional methods and proprietary innovation. The DUW 3202 features the NOMOS swing system, a stop-seconds mechanism, and a bidirectional winding rotor. The balance bridge, blue balance spring, and regulation in six positions reflect a commitment to precision. A sapphire caseback showcases the rhodium-plated surfaces decorated with Glashütte ribbing and perlage, while the ratchet and duplex wheels display a sunburst finish.

On the wrist, the Volcano edition carries weight through detail rather than excess. It communicates clarity and control, with a dark dial that changes with the light, from cool slate to deep charcoal. The restrained color is interrupted only by the quiet accent of the red 24-hour hand, introducing just the right amount of tension within the harmony. This is a limited edition of 175 pieces only. Each watch is engraved accordingly: "Limited Edition – Volcano 1/175." It is a watch that travels, but does not shout. Its presence is refined and expressive of a design language that values materiality and nuance.

NOMOS Glashütte brings mechanical ingenuity into dialogue with restrained aesthetics. The Club Sport neomatik Worldtimer Volcano lives in this space—a watch of precision, made for individuals who move across time and space with intention.

also read NOMOS Glashütte Color Revolution *31 Shades of Time

George Byrne x Son of a Tailor *SS25

Wear the Contrast
SON OF A TAILOR
*George Byrne’s Capsule for Wildfire Relief

written AMANDA MORTENSON

A city is never neutral in George Byrne’s work. Its forms, shadows, lines, and spaces absorb and reflect.

This sensitivity to urban rhythm now moves into textile, as Byrne unveils a limited-edition capsule of T-shirts created in partnership with Copenhagen label Son of a Tailor. The three-piece capsule is part of the brand’s Canvas series, which invites artists to use the T-shirt as a medium of expression. Byrne’s works for this collection were made during a focused period in Copenhagen, with all proceeds supporting California wildfire relief via the California Community Foundation’s CalFund.

George Byrne
Clock Tower, 2024

George Byrne
Pink and Blue Wall, 2024

“It wasn’t just fashion for the sake of it—there was a great cause at the heart of it, and that made it meaningful.”

George Byrne on his collaboration with Son of a Tailor
SS2025

The connection is personal. “Supporting wildfire relief in California gave the project a personal edge,” Byrne says. “It was a way to give back to a city that’s given me so much.” Printed on 100% Supima cotton, produced in Portugal and made-to-order, the shirts are available in both custom and standard fits. Each of the three artworks is limited to 250 editions, individually numbered and never to be repeated. The scale of the print dominates the back; the front carries a label marking its edition. These aren’t souvenirs, but archive-bound objects made for wear.

The pieces emerged through Byrne’s immersion in Copenhagen—his first time in the city. “Landing in Copenhagen from LA does feel like being dropped on another planet—in the best way,” he says. “The pace, the architecture, the way people move through space—it all shaped how I engaged with the project.” His compositions draw from what he calls a dialogue between environments: the structured rhythm of Copenhagen and the emotional texture of Los Angeles. Having lived over a decade in LA, Byrne is deeply familiar with its volatility.

“Wildfires are a part of life here. I grew up in Sydney, so I know that strange orange light, the acrid air,” he shares. “It changes how you see things. I wanted to take that emotional residue and build it into something constructive.”

For Son of a Tailor, choosing Byrne for the Canvas series was more than an aesthetic alignment—it was a reflection of shared intent. “There’s a kind of understated elegance in inviting an artist to work with the T-shirt,” says Andreas Langhorn, co-founder and product director of the brand. “George’s approach to architecture, color, and form felt right for the Canvas series. And knowing he already wore our T-shirts every day added another layer of authenticity.”

Langhorn had followed Byrne’s work since his book Post Truth and was particularly drawn to his interpretation of West Coast light. “That aesthetic struck a chord with me,” he notes. “My family lives in California, so there was also a personal draw. It all came together very naturally.”

“We designed this Canvas edition to let the artwork breathe... It’s wearable art with purpose.”

Andreas Langhorn, Co-Founder of Son of a Tailor

George Byrne
White Wall

The collaboration is produced in alignment with Son of a Tailor’s values—zero overproduction, full transparency, and B Corp certification. Every shirt is made-to-order to avoid waste. “We designed this Canvas edition to let the artwork breathe,” Langhorn says. “The oversized prints reference vintage graphic tees but with refined construction.”

Byrne sees the gesture of donating all proceeds not as marketing but as an act of alignment. “You don’t often see that level of commitment—100% of proceeds,” he says. “It shows what’s possible when you lead with values.” Langhorn echoes the sentiment: “Sincerity is everything. People recognize when something is real. This collaboration reflects who we are—and who George is—on many levels.”

The George Byrne x Son of a Tailor capsule is available for pre-order from April 24 at sonofatailor.com

Dior Maison by Sam Baron during Salone del Mobile

Salone Del Mobile
ODE À LA NATURE
*Sam Baron Presents Dior Maison

written Amanda Mortenson

Dior Maison returns to Salone del Mobile 2025 with a new collection designed by Sam Baron. Ode à la nature introduces a series of handcrafted glass objects that focus on form, material, and historic continuity.

The presentation aligns with the fair’s 2025 theme “Materia Natura,” which addresses the intersection of material culture and environmental attention. The collection includes vases, carafes, candlesticks, and dishes, all produced using Italian mouth-blown glass. Transparent surfaces reveal botanical motifs—branches, leaves, wheat—applied with precision and restraint.

DIOR unveils three exceptional vases of the "ODE À LA NATURE" collection, dreamed up by Sam Baron


seen by Laora Queyras

Each piece rests on a solid base. The silhouettes follow soft curves. The surface treatment, defined by a striated finish, reflects light and highlights the structure of the object. The design references the amphora of the original Miss Dior bottle from 1947 and draws on the archive’s historic elements, including a duck-shaped carafe.
The objects are produced through collaboration with Italian artisans. The glassblowing process brings slight variations in shape and density, making each work unique. The absence of superfluous detail leaves space for material and line. Presented in Milan among international contributions to contemporary design, the collection establishes a clear position for Dior Maison.

Attention is placed on craftsmanship, clarity of form, and respect for origin. Sam Baron’s direction follows an established aesthetic while proposing a new rhythm through proportion and composition.

Ode à la nature becomes part of Dior’s ongoing dialogue with domestic culture and seasonal materiality. Stay tuned.

Milan Fashion Week Spring/Summer 2025 *Fashion Showcase

*New Collections
MFW Spring/Summer 2025
In Milan, Form and Function Run Apace

written Chidozie Obasi

This season’s show brought a poised twist on classic, with a sweet, daring vein in clothes that maintain a dynamic rigour.

MOSCHINO

Individuals, characters, humanity. The second Moschino fashion show designed by creative director Adrian Appiolaza is an expression of the uniqueness of people. Each look, like each person, lives individually and has something of its own to express. The collection is an exploration of sorts: exploring the world and the mind, exploring Moschino.

A passage from the urban chaos of the city to discover paradise in the literal sense and personal freedom.Moschino's characters are explorers moving between different spaces, ideas and ideals, escaping life through escapism. There is something positive - something beautiful - in getting lost, in finding places you never knew existed. Traditional tailoring loses its restrictions and boundaries. It is transformed, deconstructed and then reconstructed.

The rules on how to dress according to Franco Moschino, written on a fax machine featured in the Spring-Summer 1995 collection, are shredded to become a new form of "fur for fun" in a white Tyvek fur. Escaping the city, individuals true to their principles wear clothes that speak of the Italian countryside, the jungle wilderness, and finally a serenity that leads to inner peace. Lost, then found again. Symbols, glimpses and memories from Moschino's archives in an ongoing exchange with Franco's ethos. There are the prints of the 1990s reinterpreted, reworked and loved anew. Daisies, soccer balls, gravy stains left by a pizza, and the Italian flag. Twisted trench coats, lingerie dresses, "assemblages" of garments to create new ones. The "Survival Jacket" from the Spring-Summer 1992 collection is reinterpreted first for urban life, then for the great escape.

see more looks from MOSCHINO SS25

HENRIK VIBSKOV

Henrik Vibskov introduced The Orchestra of the Soft Assistance for SS25, a collection that harmonises the elegance of human empathy with the adaptive genius of the animal kingdom. The outing was inspired by the profound theme of hands; the ultimate symbols of assistance, compassion, and adaptability. The collection is also inspired by the natural world's marvels of adaptation and assistance, mirroring the transformative abilities of the octopus, which can morph its shape and colour to blend seamlessly into its surroundings. Their whole body is a large neural network that creates a web of understanding and feeling, and its many limbs could lend you many hands at the same time.

Let’s embrace the mutability, re-examine our past behaviours and adapt to create actionable goals to improve the future. The Orchestra of the Soft Assistance features fluid silhouettes, morphed patterns, and versatile garments that embody the themes. By dissecting the classic check; a jacquard woven chequered fabric has morphed with ocean motifs, and in a chequered knit the pattern dissolves completely. Hands are represented in prints - little fingers supporting you, chopped factory fingers, analogue gloves. Peace offering messages are hidden in the corners. Grey outline fingers is an exclusively developed textile, with a smock-like crinkle that resembles intertwined fingers, making use of a 30-year-old archive materials from Dutel.

Henrik Vibskov
Spring/Summer 2025
(c) HENRIK VIBSKOV

FENDI

Silvia Venturini Fendi, Artistic Director of Accessories and Menswear, considers FENDI as a travelling time capsule mirroring decades and destinations, with Italian craftsmanship as its forever North star. The Men’s Spring/Summer 2025 collection is an homage to the universal – sublimating House codes that predate the first men’s silhouette revealed at FENDI in 1990. Today, that wardrobe’s pillars become sartorial puzzle pieces, activating soft expressions of contemporary masculinity through the lens of modern luxury. Once emblematic of an international elite, the notion of uniforms for work and play are deconstructed and dreamed anew in powdery shades: a mineral palette of sherbet and mist, ivory, caramel and buttermilk mingle with soft blues and natural indigo, black and forest green. Somewhere between sports and ceremony, the idea of the FENDI Club emerges – its crest1 proudly emblazoned like a fantasy coat-of-arms on breast pocket and button.

From head to toe, the collection revels in the virtuosity of the Selleria stitch, a technique passed to the Fendi family by Roman master saddlers in 1925. Scaled up and down, it is re-interpreted as a broken pinstripe suiting jacquard and threaded as a stripe or tonal FF logo through linen and plush textures, applied as a surface on Japanese boro denim, or reduced to a minimalist frame on crisp wool outerwear and leathergoods.

see more looks from FENDI SS25

FENDI
Spring/Summer 2025
(c) FENDI

DSQUARED2

For Spring/Summer 2025, twin creative masterminds Dean and Dan Caten turn up the heat while bringing a renewed sense of focus to their vision of maximal multiplicity for Dsquared2. The brand hones in on a sense of duality - between elegance and edge, softness and strength - but in doing so, creates one of their most unexpected, exciting, and undeniably sexy fashion mashups yet. It is a liberated community of artists, athletes, and aesthetes, an underground milieu that is poetry salon, wrestling league, and kink scene all in one.
As always, the collection’s spirit of freeing multiplicity has its basis in Dean and Dan’s signature penchant for synthesising innovative material treatments and imaginative details with cross-genre references to fringe fashion subcultures. For Spring/Summer 2025, this practice takes shape as a particularly focused intersection of elegance and edge.

Sheer chiffons cascade poetically around the body, but reveal skin-tight bondage harnesses or barely-there bralettes beneath. Denim peels away into sculptural latex. Asymmetrical sheer jersey tanks are treated with laminating techniques, balancing brutalist geometry and soft bodily harmony. Laces coil up legs, holding outer garments together but exposing the skin beneath. Broad-shouldered suits with voluminous pleated pants reference 80s workday ensembles, while leather biker jackets and thick-soled studded creepers suggest that same stylish character’s nocturnal alter ego.
The colour palette, too, embodies a spirit of poetic softness anchored by the strength of desire.

DSQUARED2
Spring/Summer 2025
(c) DSQUARED2

see more looks from DSQUARED2 SS25

MSGM

Lines and horizons that connect archipelagos, Mediterranean perspectives of new routes, both real and imaginary. Painted, printed, woven, they bind summer memories, loves on the sand, afternoon siestas, sponge-like dreams. Turquoise, straw yellow, black, along with classic cream, red, and blue, but also sharp and acidic stripes, sharpen forms and movements. We dress and dream in a nautical style. Colours dripping, hues chasing each other, vibrating with music. Lobster and sideral blue shine on printed linens, colourful zippers become borders of freedom of forms.

Faded, tie-dye dissolves winter melancholies. Dolphins, crabs, and mermaids are games on the sand, stencils or carefree paintings in the warm summer afternoons of our childhood, appearing and disappearing on the textures. We play with clichés, knots become dresses, the sun becomes macramé in a new silhouette. Sailors in love, hinted at, desired, through light gestures and dissolving watercolours by Luke Edward Hall. Origami hats like fragile memories, materialise in jacquards and prints in blue and red. Umbrellas and deckchairs, of a sea that becomes a city, whose stripes transform into substantial waves, details, inlays in ajour memories.

MSGM
Spring/Summer 2025
(c) MSGM

MAGLIANO

This collection is dedicated to those tender and fleeting memories that catch up to us like unexpected storms. Memory turns archeological: reminiscences become fossil traces, analysed simply for what they are. Silhouettes are finally essential, at times gaunt, like in the memories of the 2000s. White, black and the greys in between. Classics are modular thanks to folk or beach-like additions. In the free beach, of Magliano coats are integrated by towels, trousers are swimwear, evening wear. Clothes assume crazy functions, or dysfunctions, as they brush against fantasy. The microscopic is now magnified: creating structure and decorative patterns. The knot, the intersection, the clasp of two allergic things but persistent in coming together.

The extremities of the clothes rattle and muddle: here lies the intrinsic nature of the project that, as usual, prefers the interwoven complexity of the reverse to the clear drawing of the straightforward. Childhood, a puzzle of unlimited limits, is evoked through the cross-stitch. Interpreted like a political medium, it composes strings of google searches, from poetry to porn, fragments of notable identities. Also the Cormio/Magliano embroidered sweaters hold the same weight, everything but naïve, exemplifying the symbol of an unconditional alliance between colleagues. The hero of the season is Pinocchio, a superlative symbol of trans-formation.

MAGLIANO
Spring/Summer 2025
(c) MAGLIANO

Paul Smith SS25 PITTI 2024

*New Collection
Paul Smith SS 2025
The shifting harmonies of Britishness

written Chidozie Obasi

In a big shift, Paul Smith returned to Pitti Uomo in Florence to debut its Spring/Summer 2025 collection. Presented by Sir Paul himself, he spoke to audiences by talking through the ‘60s-inspired designs.

Nestled in the sumptuous settings of Villa Favard, a gorgeously ornate 19th century compound in the heart of Florence, it was transformed into Bar Paul: a tribute to the Italian cafes that Paul frequented in Soho in the 1960s. Typically open all night, these cafes were a place for people to go after the likes of the Scene Club, Flamingo Club, and Whiskey-A-Go-Go had closed for the evening. Naturally, they drew a bohemian crowd of musicians, artists, and designers who helped to make Soho the epicenter of the creative world at that moment in time. The presentation space will be set up with cafe tables complete with ‘Bar Paul’ branded items such as napkins, coffee cups, sugar packets, and match boxes, to evoke those after-hours meetups of Soho’s artistic circle.

The collection itself expanded upon this theme, with a pleasingly louche and tactile approach to tailoring. Ties are worn loosely knotted, paired with denim chore jackets and unstructured blazers in cotton canvas – a look which suggests an artist heading to dinner straight from a day’s painting in the studio. Suits are cut from classic houndstooth and Prince of Wales fabrics, bringing to mind London in the ‘60s, while outerwear uses bold statement fabrics to eye-catching effect. One collection highlight – an oversized trench coat – is constructed from a custom Italian cloth with an exploded pastel check design, based on the Paul Smith Signature Stripe.

Paul Smith
Spring/Summer 2025

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Soho stalwarts Francis Bacon and Lucien Freud provide key inspiration, and this painterly influence is reflected back into the presentation space with art materials provided by Winsor & Newton. Seating throughout the venue was provided by Artek, in the form of their iconic Stool 60.

all images
SS 2025 during PITTI 2024 (c) Paul Smith

Emporio Armani Spring Summer 2025

*New Collection
Emporio Armani SS 2025
Embracing Boundless Horizons

written Amanda Mortenson

The Emporio Armani’s Spring/Summer 2025 collection is a breath of fresh air, taking the quintessential Armani man out of the urban jungle and into the heart of nature.

Gone are the constraints of city life. Instead, the Emporio Armani man saddles up and ventures into the open, rediscovering a life that syncs with the natural elements. The horizon is no longer a skyline of steel and glass, but a landscape of endless possibilities, bathed in the warm hues of wheat, sand, and sun-drenched chalk. Touches of lavender and bougainvillea breathe life into the palette, adding vibrant strokes to the otherwise organic color scheme.

The fabrics tell a story of their own—an artisanal blend of the lightest wools and silks, robust linens and hemps, and sumptuous suedes. The materiality of the collection is grounded in nature, with pieces that flow and breathe, perfectly designed for the airy freedom the collection embodies. Jackets with dropped shoulders and low buttoning give off a relaxed vibe, while blousons with elasticated waists mimic the lightness of shirts. Tunics made from malfilé linen feel like a soft breeze against the skin, an ode to comfort and effortless elegance.

This season’s trousers are a standout, drawing heavily on equestrian influences. Straight and soft, with high waists designed to be worn folded over, they come to life with buttons and zips at the cuffs, gathering volume and emphasizing their constructed, yet fluid nature.

The country and horseback theme continues with leather Bermuda shorts paired simply with a woven straw hat and cowboy bag, capturing the essence of rustic charm.

Does Emporio Armani forget the joy of summer? No way! The collection's vision of freedom extends to womenswear in a riot of bright colors and light-as-air fabrics. The women’s pieces rejoice in the same ethos of liberation, with flowing lines and fluid fabrics that dance with every movement. Jackets, long skirts, trousers, and tops are designed to caress the body, expressing a style that is both loose and instinctive, echoing the carefree spirit of the season.

also read
EMPORIO ARMANI Spring/Summer 2024 Review

Emporio Armani
Spring/Summer 2025

see more looks

Emporio Armani’s Spring/Summer 2025 collection is a call to abandon the rigidity of city life and embrace a softer, more sensual way of living. The collection is a reminder that true freedom lies not in the boundaries of our cities, but in the vast, unbounded landscapes of our world and our imaginations.

all images
SS 2025 Runway (c) Emporio Armani