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alban e. smajli

RIMOWA Design Prize III

RIMOWA Design Prize III

The Future in Form
*RIMOWA and the Rise of a New Creative Vanguard

 

written SARAH ARENDTS

 

At the historic Gropius Bau in Berlin, the third edition of the RIMOWA Design Prize brought together emerging talents, mentors, and established voices in a shared moment of creativity and clarity.

 

The event honored human-centered design and celebrated the many ways design shapes experience, care, and connection. Presented by Valerie Präkelt, the event underscored RIMOWA’s ongoing commitment to nurturing the next generation of designers. Since its inception, the prize has championed students from leading German design schools, connecting them with established creatives and honoring work that seeks to improve lives in tangible ways.

This year’s first prize went to Elisabeth Lorenz and Marc Hackländer of the Hochschule für Gestaltung Schwäbisch Gmünd. Mentored by Nic Galway, their project, hottie, reimagines how we care for the body, specifically, those who experience menstrual pain. A discreet wearable device that combines TENS technology (Transcutaneous Electrical Nerve Stimulation) with adjustable heat therapy, hottie empowers its users with relief and autonomy. The project also confronts societal stigmas, creating space for empathy and visibility.

 
LE MILE Magazine RIMOWA Design Prize III Ceremony Marc Krause for RIMOWA

RIMOWA Design Prize III Ceremony
seen by Marc Krause

 
LE MILE Magazine RIMOWA Design Prize III Ceremony Marc Krause for RIMOWA Prize
LE MILE Magazine RIMOWA Design Prize III Ceremony Marc Krause for RIMOWA Karen and Christian Boros

Karen Boros + Christian Boros

LE MILE Magazine RIMOWA Design Prize III Ceremony Marc Krause for RIMOWA
LE MILE Magazine RIMOWA Design Prize III Ceremony Marc Krause for RIMOWA Herbert Hoffmann Highsnobility

Herbert Hoffmann

 
 

“Each project presented a perspective rooted in care and function. These are works shaped by awareness and a deep sense of purpose.”

Alban E. Smajli, Editor-in-Chief LE MILE

 
 

A special mention was awarded to Tom Kemter and Niels Cremer from the Bauhaus-Universität Weimar for their project Standalone. Mentored by Pierre Jorge Gonzalez and Judith Haase, the design transforms the classic forearm crutch into a sleek, ergonomic tool that stands on its own, literally and metaphorically. With its fold-out legs and elegant finish, Standalone promotes functionality and dignity, rethinking assistive design as something aspirational. The remaining five finalists—all of whom received monetary awards—brought forward bold, human-centric ideas grounded in sustainability and accessibility.

Each of the finalists received financial support for their work: €20,000 for the winner, €10,000 for the special mention, and €5,000 each for the other participants. Beside funding, the RIMOWA Design Prize offers visibility, mentorship, and a platform from which these ideas can grow into real-world solutions.

And while the projects themselves were impressive, what truly stood out at the event was the energy in the room, a sense of shared purpose, of mutual respect between generations of designers, and of hope for a more inclusive, thoughtful future.

The jury, comprised of respected figures from design, academia, and industry, including Niklas Bildstein Zaar, Dr. Mahret Ifeoma Kupka, Moritz Krueger, Ute Meta Bauer, Katharina Janku, and RIMOWA’s own CEO Hugues Bonnet-Masimbert, provided mentorship, context, and a meaningful connection between established design values and emerging perspectives.

As a brand long associated with precision and modern craftsmanship, RIMOWA continues to push its legacy forward—through its products and through cultural investment. With the Design Prize, it cements its role as a maker of iconic luggage and as a thoughtful patron of contemporary design innovation in Germany.

 
 
LE MILE Magazine RIMOWA Design Prize III Ceremony Marc Krause for RIMOWA The Jury

RIMOWA Design Prize III
Jury

 

LE MILE was proud to witness the beauty of this moment: creativity at its most purposeful, and design as an act of generosity. What we saw last night at Gropius Bau was a gathering of bold thinkers who dare to imagine tools for a better life and who now have the support to build them.

And that, in essence, is what design should do.

Valentino Fall 25 Campaign

Valentino Fall 25 Campaign

*New Campaign
VALENTINO Fall 2025
Chez Valentino: A Still World

 

written Alban E. Smajli

 

A figure pauses inside a diner. Outside, a horse walks past. A bowl of ice cream melts slowly in a hand. Each moment unfolds without hurry. Each frame stays still, long enough for the viewer to feel it.

 

The Valentino Fall 25 ADV campaign opens with a fixed gaze. Directed by Glen Luchford and shaped by the vision of Alessandro Michele, the campaign introduces a new rhythm. The world is quiet, grounded in repetition and gesture. This rhythm carries through every element—from styling to set design, from casting to soundtrack.

 
LE MILE Magazine VALENTINO FALL 2025 ADV CAMPAIGN by Glen Luchford images
 

The scenes exist as fragments of a larger fabric. A lavender heel rests on the edge of a step. A parrot perches beside embroidered fabric. Denim falls over worn tile. A varsity sweater with “CHEZ VALENTINO” stitched across the chest becomes part of the space around it. No hierarchy, no accent—only layers.

Jonathan Kaye’s styling anchors this language. Leopard prints, lace gloves, school socks, floral jacquards—each piece chosen to inhabit a mood. The silhouettes carry weight, softness, eccentricity, repetition. Hair by Paul Hanlon and makeup by Yadim Carranza follow the same path: clear, finished, quiet. Faces hold time. Eyes stay in place. Nothing interrupts.

The setting builds this continuity. An American-style diner, faded and sunlit, contains the action. A bar, a sidewalk, a bicycle. Elements repeat. Light falls evenly. Set designer Gideon Ponte constructs a container for gesture.

In his campaign note, Alessandro Michele writes of attention. His words shape the framework: “a policy of attention, an ethics for the gaze.” He draws focus toward gestures, toward morning light, toward a door that opens and closes. The camera remains fixed. The world continues moving inside it.

The talent list includes Amelia Gray, Sophie Thatcher, Kai Schreiber, Lorenzo Zurzolo, and others. Their presence offers texture. Their movement—slow, occasional, internal—forms the pulse of the campaign. Each person belongs to the scene. No character. No pose. Just observation.

Fabric plays its own role. A glittering Mary Jane steps onto concrete. Fringes catch wind. Mesh, velvet, satin, cotton—each fabric marks the body differently, holds the light differently. Each piece expands the world around it. Clothing becomes the pace.

Music by Juliette Armanet supports this tempo. Imaginer l’Amour plays softly, connecting one frame to the next. It opens space and adds tone without direction.

 
LE MILE Magazine VALENTINO FALL 2025 ADV CAMPAIGN by Glen Luchford images
LE MILE Magazine VALENTINO FALL 2025 ADV CAMPAIGN by Glen Luchford images
 
LE MILE Magazine VALENTINO FALL 2025 ADV CAMPAIGN by Glen Luchford images
 
 

Repetition forms the spine of the campaign. A frame. A gesture. A return. This structure creates clarity. There is no build-up, no conclusion, but only movement held in place. Time stretches. The Valentino Fall 25 campaign offers an aesthetic grounded in the everyday. The material speaks directly. The vision lingers. There is no urgency, no volume, no interruption.

Michele draws from observation, not intervention. The everyday becomes the shape. The rhythm becomes the message. Stillness becomes the container. Each choice—from casting to color, from cut to frame—builds this language. The world appears complete. Within this frame, Valentino opens a new chapter. The campaign steps forward through attention, repetition, and the poetics of gesture. Clothing rests inside the world. Scenes unfold in silence. The result is a steady, crafted introduction, it´s an invitation to remain. Enjoy!

 
 

VALENTINO
THE POETICS OF EVERYDAY
FALL 2025 Campaign


photographer + director GLEN LUCHFORD
art director CHRISTOPHER SIMMONDS
stylist JONATHAN KAYE
set designer. GIDEON PONTE
hair PAUL HANLON
make up YADIM CARRANZA
manicure LAUREN MICHELLE PIRES
casting RACHEL CHANDLER

talents
KAI SCHREIBER
SCARLETT WHITE
AMELIA GRAY
SOPHIE THATCHER
MARIE SOPHIE WILSON
LORENZO ZURZOLO
YURI FUKUHARA
SANIQUE
YILAN HUA
AIMEE PATRICIA BYRNE
YAR AGUER
FRANKLIN SMITH
BUKWOP
LUUKAS NISKANEN
SUYONG JUNG
HANK AKERLUND


(c) VALENTINO
video music. Imaginer l’Amour — written + performed by Juliette Armanet
© ℗ 2021, Romance Musique — published by Universal Music Publishing & Armanet Songs

Bottega Veneta - A Desert Dreamscape

Bottega Veneta - A Desert Dreamscape

.new campaign
Bottega Veneta Winter 24
*Alec Soth Shoots Ad Campaign in the Desert Wilds

 

written Monica de Luna

 

Bottega Veneta’s Winter 2024 campaign lands in the American West with an impact that feels strange and inevitable. Creative Director Matthieu Blazy teams up with photographer Alec Soth to create a visual dialogue between the desert’s stark beauty and the brand’s vision of luxury.

 

Captured in Nevada and Utah, locations notorious for UFO sightings, the campaign blends the eerie with the elegant. Models Mariacarla Boscono, Zayna Cisse, Imaan Hammam, and others inhabit the cloths, merging with the barren landscape like they belong there, yet stand out as otherworldly beings.

 
Bottega Veneta Winter 2024 Campaign by Alec Soth LE MILE Magazine
 
 

Blazy’s designs—feather-light skirts and imposing, sculptural coats—create a powerful contrast against the desert’s raw backdrop. They are protective, almost armor-like, yet fluid, interacting with the environment in a way that feels at once familiar and alien.

Alec Soth’s photography leans into this tension, capturing every detail with a clarity that makes the desert’s rough textures feel palpable. The intertwined craftsmanship of Bottega Veneta’s signature intrecciato accessories echoes the twisted resilience of desert flora. These elements—hardy yet intricate—ground the campaign in a tactile reality, even as it flirts with the supernatural.

 
Bottega Veneta Winter 2024 Campaign by Alec Soth LE MILE Magazine
 
Bottega Veneta Winter 2024 Campaign by Alec Soth LE MILE Magazine
 

Rahim Fortune’s accompanying film amplifies the campaign’s mood of quiet anticipation. Sweeping shots of the desert give way to closeups of models moving through the landscape with a sense of purpose, as though on the brink of a revelation. The soundtrack by Le Motel adds to the suspense, mixing ambient sounds of crackling fire and wind with an electronic hum that feels like a signal from beyond. The film creates a sense of impending discovery, of something hidden just out of sight.

 

Thew new Fall 2024 ad campaign is a stark reminder of Bottega Veneta’s refusal to conform to digital noise. Blazy and Soth have crafted a narrative that commands attention, drawing the viewer into a world where the line between reality and the unknown blurs. It’s a visual exploration of craft, design, and environment, where each element enhances the other. The visuals unfold in the endless expanse of the desert, challenging you to see beyond the horizon.

 
 
 
 

Hair
Duffy

Makeup
Dame Pat McGrath

Casting Director
Anita Bitton

Music
Le Motel

 

Bottega Veneta Creative Director
Matthieu Blazy

Photographer
Alec Soth

Film Director
Rahim Fortune

Location
Utah and Nevada

 
LE MILE Magazine Bottega Veneta Winter 2024 Campaign by Alec Soth
 
LE MILE Magazine Bottega Veneta Winter 2024 Campaign by Alec Soth
 
 

all content (c) Bottega Veneta 2024

Talents + Models
Mariacarla Boscono, Zayna Cisse, Luke Clod, Walid Fiher, Imaan Hammam, Liz Kennedy, Hoyong Kim, Hejia Li, Mamuor Majeng, Rolf Schrader, Hedi Ben Tekaya & Penelope Ternes