Adidas x Arte Antwerp - North African Football Style

.new collection
Adidas x Arte Antwerp SS26
*Football Culture through the People of Marrakech

written MARK ASHKINS

The new adidas x Arte Antwerp capsule turns toward North African football culture with a clarity that feels grounded in the everyday. Marrakech becomes the setting, not as a backdrop but as a place with its own tempo, its own logic, its own way of holding people together around the game.

Photographer Ilyes Griyeb moves through this environment with a steady eye, meeting the neighbourhood at its own pace and letting the surroundings speak through surfaces, faces and small movements that occur without performance.

Arte Antwerp, shaped by the perspective of founder Bertony Da Silva, has always carried a sensitivity toward cultural intersections, and that undercurrent aligns naturally with adidas and its long engagement with football. The capsule reflects this shared ground. Red, green, white and black run through the pieces with a quiet confidence. Embroidery and lace trims bring texture without leaning into decoration.

Tracksuits, knit jerseys, loose trousers and graphic tops take their place within a vocabulary that feels purposeful. Arabic lettering translating to Sport Unites Africa appears on select garments and extends the conversation toward the communities that inspired the collection. Moving through the neighbourhood, Griyeb meets people whose presence gives the work its orientation. Groups gather near open fields, children pass through the frame as part of their routine, and moments of pause unfold in streets that hold the light in a particular way. The clothing settles into these scenes without seeking attention, becoming part of the environment. There is an ease in how bodies and garments share space, and that ease shapes the tone of the entire series.

Brahim Díaz appears in the extended visual material and quietly expands the field of reference. His Moroccan and European background reflects the cultural paths that define much of contemporary football, and his presence adds a subtle resonance. The project treats these layers with restraint, allowing them to take shape through observation, no explanation needed.
Footwear sits within the same framework. The Lightblaze POD ZIP, slides and upcoming sneaker silhouettes enter the visual rhythm without shifting its balance. Their forms respond to movement, dust, and the physicality of the setting, echoing the way the apparel interacts with the landscape. The progression of images feels continuous, guided by the structures, streets and open areas that hold the community together.

What remains is a capsule that finds its place within a lived environment where football is part of the day.

The collaboration between adidas and Arte Antwerp gains its strength from this proximity to real spaces and real routines, and the campaign keeps its focus there, letting the neighbourhood shape the story with a steady and unforced presence.

Campaign photography by Ilyes Griyeb, featuring members of the Marrakech community
all images courtesy of Adidas and Arte Antwerp, PR

Valentino Garavani DeVain - Age of Electric Couture

VALENTINO GARAVANI
*Craft, Code and the Curious Case of DeVain

Valentino Garavani DeVain appears in the digital ether with a calm, almost ceremonial presence, occupying that peculiar zone where craft speaks to code and the instinct of the atelier leans toward the logic of algorithms. A quiet meeting unfolds between centuries of handwork and the cool hum of computational imagination. The maison’s dedication to gesture, material and emotional precision finds itself mirrored by an AI engine that renders its own forms of ornament and atmosphere, a pairing that feels unexpectedly harmonious and gently provocative, as if couture and circuitry were testing the edges of each other’s worlds without losing their sense of poise.

Thomas Albdorf opens the procession. In his mirrored chambers the bag performs a gentle act of multiplication, slipping between reflection and refraction with the calm confidence of an object aware of its own charisma. His studio becomes a small observatory where materials converse with their own silhouettes and symmetry grows its own contemplative pulse.

Enter The Void descends deeper, their world resembles a dream rescued from a half-remembered video game and dipped in an extraterrestrial ocean. Fishes drift between cacti, hotel chandeliers rise from dunes and the bag glows like a passerby who has wandered into someone else’s subconscious. This is surrealism with the autofill function humming quietly underneath, the kind that feels familiar and feverish at the same time.

Maison Valentino presents DeVain as the new protagonist in a sprawling visual experiment, inviting five artists to take the bag far from the usual marble floors and closer to the evolving frontier where images appear before they exist. In a cultural landscape that worships immediacy, this series arrives as an ode to crafted illusion, stretching the definition of what creative authorship can become when imagination merges with machine logic.

Paul Octavious
still from the film below

Paul Octavious transports DeVain into the long corridors of art history. Sixteenth-century still lifes breathe again, except this time they blink, shift and fold into layered animations. The bag perches among fruits and goblets like a visiting character who has slipped through a tear in a tapestry. Octavious choreographs a conversation between centuries without asking for permission, giving classical composition a sly digital pulse.

Annie Collinge builds a world where objects and cut-out figures share the same mischievous logic, creating a tableau that feels playful on the surface and quietly uncanny underneath. The bag appears among her colours and silhouettes like a character stepping through a handmade stage set, moving through scenes where humour and strangeness sit comfortably side by side. Her universe blurs reality just enough to remind viewers that imagination always has its own rules.

Total Emotional Awareness
still from the film below

Total Emotional Awareness leads DeVain through a landscape where pop forms stretch, multiply and reorganize themselves with dreamlike intent. Geometry expands, colours pulse and the bag moves through a vision that feels sculpted from pure imagination. Their world hovers between play and philosophy, creating a visual rhythm that absorbs DeVain into an ever-shifting field of possibility.

Z_Captures throws DeVain into sharp contrast with everyday pop objects, creating collisions that feel playful and deliberately disorienting. The bag sits among bold colours and unexpected pairings, adopting a presence shaped by tension and surprise. His compositions turn contrast into structure, allowing fantasy and pop culture to occupy the same vivid frame.

Tina Tona finishes the first chapter by exploding the visual field entirely. Her collages vibrate with color and hand-cut energy, weaving fragments of memory, culture and playful rebellion. The bag slips between viewpoints, blooming into countless versions of itself. Tona’s world has texture, movement and a joyful refusal to stay still.

Albert Planella approaches the bag as if it were an apparition. Here DeVain becomes mutable and cinematic, drifting between clarity and haze with a rhythm that feels borrowed from dreams. His images hold their breath while shifting into new states of being, as if the bag were quietly considering who it wants to become next.

For a house that reveres human craftsmanship, this digital series introduces a new tension. Energy-hungry algorithms sit beside centuries of artisanal knowledge. The contrast generates friction, and the friction generates light. The visuals shimmer with a strange kind of beauty, born from human impulse and computational curiosity. DeVain emerges from the experiment slightly transformed, carrying the patina of a bag that has travelled through mirrors, deserts, dreams, archives, memories and machine logic. The result feels like a quiet promise that creativity, in all its evolving shapes, still belongs to those who dare to stretch the image until it reveals something unexpected.

note
The video and image works in this project were created by nine participating artists: Thomas Albdorf, Enter The Void, Paul Octavious, Albert Planella, Tina Tona, Animus Pax, Annie Collinge, Total Emotional Awareness and Z_Captures. The AI-generated visuals were produced by Enter The Void, Paul Octavious, Albert Planella, Animus Pax and Total Emotional Awareness; all imagery by Enter The Void was created with the informed consent of the portrayed models and all participating talents.

KVRT STVFF - New Jeans Line

.new collection
KVRT STVFF’s Debut Denim
*Denim as Body Frame

written AMANDA MORTENSON

When a label born from the intimacy of underwear begins to work in denim, the move feels instinctive. KVRT STVFF’s debut jeans collection expands its vocabulary without changing tone. The body remains center stage, form and movement leading the design.

From its Barcelona STVDIO, KVRT STVFF introduces three silhouettes: Loose, Loose Bootcut, and Straight. Each with its own tempo, each holding quiet confidence. The Loose falls in measured flow, the Bootcut releases a soft curve, the Straight keeps a disciplined verticality. In all three, the human shape commands the rhythm.

The palette is deliberate, Ecru, Espresso, washed Black, Indigo. Shades that refuse drama, relying instead on balance. Fabric becomes language and texture becomes punctuation. Logos stay nearly invisible; patches share the same denim, edges left raw, it all feels like a whisper of craftsmanship.

Inside, a concealed closure—signature to the brand’s design logic—invites openness. The jeans can be worn unfastened, undone, or sealed close. It’s a structural intimacy translated from the brand’s history with skin, nothing ornamental. Each detail exists because the body demands it.

The Straight model rests low, fits close at the seat, falls evenly through the leg. The Loose shape offers volume without weight. The Bootcut lets the hem drift outward in a controlled release. Across all cuts, the same raw-edged waistband patch and tonal restraint maintain unity. Everything begins and ends in the STVDIO. Patterns drawn, prototypes tested, adjustments repeated until balance arrives. Every seam tells of method, not machine, and luxury appears here as precision.
Since its founding in 2018, KVRT STVFF has moved through categories—underwear, swimwear, sportswear—without hesitation. Each step carries the same message: confidence as material. Every garment affirms the wearer’s shape, every proportion aligns with the body’s truth. Boldness is quiet here and strength wears minimalism like second skin.

The denim line follows that same current, clean cuts, technical clarity, human form as blueprint. The jeans sit at the intersection of discipline and sensuality, where structure becomes gesture. A wardrobe piece stripped of everything unnecessary. Sustainability, though never labeled, breathes through the process. Thoughtful sourcing, measured production, slow release. For KVRT STVFF, longevity exists in design that resists the noise of time. The future is already embedded in the present garment. There’s something meditative in how these jeans meet the body. Movement activates them; light changes them. The raw edges begin to fray, the denim softens, the skin writes its own pattern. The fabric records life, one crease at a time.

KVRT STVFF’s denim arrives without fanfare, it rests on the body with certainty, aware of its quiet power. The collection expands the brand’s language, but the tone remains unmistakable—precise, restrained, enduring. Denim becomes another surface for confidence. A continuation of what KVRT STVFF began years ago: redefining how clothing interacts with skin. A conversation between material and anatomy, designed not to cover, but to frame.

KVRT STVFF Jeans are available for Men and Women, priced at €290, via kvrtstvff.com and selected retailers.

KVRT STVFF Women

.new collection
Her Body. Their Rules.
KVRT STVFF Underwear.

written Sarah Arendts

First there were briefs. Then there were viral briefs. Then there were viral briefs on viral boys. Now there’s KVRT STVFF WOMEN — a proper new chapter, fully formed and stretching in every direction. A full-bodied rewrite stitched with intent, flesh, and very good lighting.

The brand that made swimwear feel like a controlled substance is no longer just for the male-coded torso. They’ve taken what already existed — Chad, Core, Mechanic, those infamous swim briefs that looked like they were designed by a Greek god with a design degree — and turned them, carefully but not cautiously, toward bodies that haven’t traditionally been at the centre of the KVRT STVFF lens. Until now. There are 100 new pieces. Underwear, swimwear, and that slinky category they’re calling bodywear — all made to mix, match, or ignore entirely. Sizes run from XS to XXL. Some cuts are unisex, some aren’t. It doesn’t really matter, because everything stretches.

KVRT STVFF
Espresso Core Bikini Shorts

KVRT STVFF
Macchiato KVRT Cheeky Bikini Bottom

Announcing nothing, explaining even less — just new shapes arriving like they’ve always belonged. The lines stay minimal, the energy moves forward, the proportions land exactly where they should. It’s KVRT STVFF, rerouted through hips, heat, and instinct. Like something a really hot science teacher would wear if science teachers taught physics in thongs.

It still starts in Barcelona, stitched and prototyped under the sharp eye of the KVRT STVFF STVDIO. The aesthetic remains tight, part techno nostalgia, part ‘90s sportswear fantasy, part softcore reconstruction. Not trying to be viral. Just inherently designed that way.

KVRT STVFF
Black Chad Cami Crop Top

KVRT STVFF
Ecru Mechanic Crop Top

KVRT STVFF
Black Chad Classic Boxer Brief

Sexiness speaks the same dialect, still cut in confidence, still built like it knows exactly what it’s doing. Now it lives in more bodies, stretches across more shapes, travels through more ways of standing in a room and taking up space. Underwear, system, uniform, suggestion — call it whatever fits. It shows up stitched to the point, ready before the question even lands. This isn’t a rebrand. This is the body, centre stage, lit from every angle. The frame just got bigger, thanks KVRT STVFF!