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George Byrne x Son of a Tailor *SS25

George Byrne x Son of a Tailor *SS25

Wear the Contrast
SON OF A TAILOR
*George Byrne’s Capsule for Wildfire Relief

 

written AMANDA MORTENSON

 

A city is never neutral in George Byrne’s work. Its forms, shadows, lines, and spaces absorb and reflect.

 

This sensitivity to urban rhythm now moves into textile, as Byrne unveils a limited-edition capsule of T-shirts created in partnership with Copenhagen label Son of a Tailor. The three-piece capsule is part of the brand’s Canvas series, which invites artists to use the T-shirt as a medium of expression. Byrne’s works for this collection were made during a focused period in Copenhagen, with all proceeds supporting California wildfire relief via the California Community Foundation’s CalFund.

 
George Byrne Clock Tower 2024 LE MILE Magazine Son of a Tailor

George Byrne
Clock Tower, 2024

George Byrne x Son Of A Tailor Shirt SS25 LE MILE Magazine
 
George Byrne Pink and Blue Wall 2024 LE MILE Magazine for SON OF A TAILOR

George Byrne
Pink and Blue Wall, 2024

 
 

“It wasn’t just fashion for the sake of it—there was a great cause at the heart of it, and that made it meaningful.”

George Byrne on his collaboration with Son of a Tailor
SS2025

 
 

The connection is personal. “Supporting wildfire relief in California gave the project a personal edge,” Byrne says. “It was a way to give back to a city that’s given me so much.” Printed on 100% Supima cotton, produced in Portugal and made-to-order, the shirts are available in both custom and standard fits. Each of the three artworks is limited to 250 editions, individually numbered and never to be repeated. The scale of the print dominates the back; the front carries a label marking its edition. These aren’t souvenirs, but archive-bound objects made for wear.

The pieces emerged through Byrne’s immersion in Copenhagen—his first time in the city. “Landing in Copenhagen from LA does feel like being dropped on another planet—in the best way,” he says. “The pace, the architecture, the way people move through space—it all shaped how I engaged with the project.” His compositions draw from what he calls a dialogue between environments: the structured rhythm of Copenhagen and the emotional texture of Los Angeles. Having lived over a decade in LA, Byrne is deeply familiar with its volatility.

“Wildfires are a part of life here. I grew up in Sydney, so I know that strange orange light, the acrid air,” he shares. “It changes how you see things. I wanted to take that emotional residue and build it into something constructive.”

 

For Son of a Tailor, choosing Byrne for the Canvas series was more than an aesthetic alignment—it was a reflection of shared intent. “There’s a kind of understated elegance in inviting an artist to work with the T-shirt,” says Andreas Langhorn, co-founder and product director of the brand. “George’s approach to architecture, color, and form felt right for the Canvas series. And knowing he already wore our T-shirts every day added another layer of authenticity.”

Langhorn had followed Byrne’s work since his book Post Truth and was particularly drawn to his interpretation of West Coast light. “That aesthetic struck a chord with me,” he notes. “My family lives in California, so there was also a personal draw. It all came together very naturally.”

 
 

“We designed this Canvas edition to let the artwork breathe... It’s wearable art with purpose.

Andreas Langhorn, Co-Founder of Son of a Tailor

 
 
 
George Byrne White Wall LE MILE Magazine Son of a Tailor SS25

George Byrne
White Wall

George Byrne x Son Of A Tailor Shirt_LE MILE Magazine
 
 

The collaboration is produced in alignment with Son of a Tailor’s values—zero overproduction, full transparency, and B Corp certification. Every shirt is made-to-order to avoid waste. “We designed this Canvas edition to let the artwork breathe,” Langhorn says. “The oversized prints reference vintage graphic tees but with refined construction.”

Byrne sees the gesture of donating all proceeds not as marketing but as an act of alignment. “You don’t often see that level of commitment—100% of proceeds,” he says. “It shows what’s possible when you lead with values.” Langhorn echoes the sentiment: “Sincerity is everything. People recognize when something is real. This collaboration reflects who we are—and who George is—on many levels.”

The George Byrne x Son of a Tailor capsule is available for pre-order from April 24 at sonofatailor.com

Dior Maison by Sam Baron during Salone del Mobile

Dior Maison by Sam Baron during Salone del Mobile

Salone Del Mobile
ODE À LA NATURE
*Sam Baron Presents Dior Maison

 

written Amanda Mortenson

 

Dior Maison returns to Salone del Mobile 2025 with a new collection designed by Sam Baron. Ode à la nature introduces a series of handcrafted glass objects that focus on form, material, and historic continuity.

 

The presentation aligns with the fair’s 2025 theme “Materia Natura,” which addresses the intersection of material culture and environmental attention. The collection includes vases, carafes, candlesticks, and dishes, all produced using Italian mouth-blown glass. Transparent surfaces reveal botanical motifs—branches, leaves, wheat—applied with precision and restraint.

 
Salone del Mobile LE MILE MAGAZINE EXCEPTIONAL PIECES FOR SALONE © LAORA QUEYRAS
 
Salone del Mobile LE MILE MAGAZINE EXCEPTIONAL PIECES FOR SALONE © LAORA QUEYRAS

DIOR unveils three exceptional vases of the "ODE À LA NATURE" collection, dreamed up by Sam Baron


seen by Laora Queyras

 

Each piece rests on a solid base. The silhouettes follow soft curves. The surface treatment, defined by a striated finish, reflects light and highlights the structure of the object. The design references the amphora of the original Miss Dior bottle from 1947 and draws on the archive’s historic elements, including a duck-shaped carafe.
The objects are produced through collaboration with Italian artisans. The glassblowing process brings slight variations in shape and density, making each work unique. The absence of superfluous detail leaves space for material and line. Presented in Milan among international contributions to contemporary design, the collection establishes a clear position for Dior Maison.

Attention is placed on craftsmanship, clarity of form, and respect for origin. Sam Baron’s direction follows an established aesthetic while proposing a new rhythm through proportion and composition.

Ode à la nature becomes part of Dior’s ongoing dialogue with domestic culture and seasonal materiality. Stay tuned.

 

Frank Gehry x Louis Vuitton *Art Basel 2024

Frank Gehry x Louis Vuitton *Art Basel 2024

Floating Vision with Louis Vuitton
Frank Gehry’s Architectural Dream at Art Basel

 

written Monica de Luna

 

Grand Palais, Art Basel Paris 2024—Louis Vuitton enters the scene with a bold vision that fuses fashion, art, and architecture into something entirely new.

 

Frank Gehry’s latest creation hovers above the space like an otherworldly presence, pushing past the expected and inviting us into a surreal, experimental universe. This is an awakening—a dynamic collision of creative forces that demands attention.

 
 
LE MILE Magazine Frank Gehry Louis Vuitton Art Basel Paris 2024_ARTY_CAPUCINES_D2A4858_Adb98
 

Perched on the Balcon d'Honneur, Gehry’s creations take command, embodying a raw force of nature. A colossal white fish hovers above the staircase, ghostly and alive with energy, fusing strength and fragility in a way that reflects Gehry’s signature approach.

The sculpture speaks to his relentless exploration of boundaries, where aerodynamics and chaotic elegance seamlessly converge, shifting our perception of space, function, and beauty into a realm that feels untouchable.

 

At the core of the exhibition is Louis Vuitton’s audacious vision, a bold move that embraces Gehry’s boundary-pushing creativity. Since 1854, Vuitton has thrived on fearless experimentation, and here they let Gehry fully unleash his architectural prowess.

His designs for the Capucines Mini Blossom and MM Concrete Pockets radiate with the same energy as his monumental structures. These bags transcend fashion, merging leather, glass, and metal into sculptural forms that carry the essence of Gehry’s architectural DNA.

 
 

Capucines BB Twisted Tower
seen (c) Philippe Lacombe

LE MILE Magazine Frank Gehry Louis Vuitton Art Basel Paris 2024_CAPUCINES_BB_SHIMMER_HAZE_CREDIT_PHILIPPE_LACOMB

Capucines Mini Blossom
seen (c) Philippe Lacombe

 

Gehry’s Twisted Box is the exhibit’s undeniable centerpiece. The trunk, a Louis Vuitton icon, undergoes a radical transformation. Every corner, every curve defies logic, as if the object itself has been stretched, fractured, and reassembled with an electrifying tension. Yet somehow, amidst the chaos, there’s a harmonious balance—an unexpected unity within the deconstruction.

This tension is the essence of Gehry’s work with Louis Vuitton. His bags transcend function, embodying the spirit of his most legendary structures. The BB Analog pulls directly from the IAC Building in New York, while the MM Floating Fish bag draws inspiration from Gehry’s signature scales, intricately embedded into leather. His architectural language seamlessly flows into the world of high fashion, turning each piece into a wearable masterpiece. In this exhibition traditional craftsmanship meets experimental design, immersing viewers and wearers in a powerful experience.

 
LE MILE Magazine Frank Gehry Louis Vuitton Art Basel Paris 2024_LVMH_sktch architectural sketch

Architectural sketch
(c) Frank Gehry

 
LE MILE Magazine Frank Gehry Louis Vuitton Art Basel Paris 2024_Key Visual (c) Yong Joon Choi

seen (c) Yong Joon Choi

 
 

Frank Gehry’s work with Louis Vuitton reshapes the concept of luxury itself. At Art Basel Paris 2024, the vision is unapologetically avant-garde and unsettling. Louis Vuitton and Gehry challenge conventions, leaving us curious for what follows.

 
 

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(c) Louis Vuitton & Frank Gehry for Art Basel 2024