SENSES. The Label presents Vanilla Sky

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SENSES. The Label 

Why Vanilla Sky Sets the Mood for Berlin SS26

written SARAH ARENDTS

On 20 February, SENSES. The Label introduces “Vanilla Sky,” the central line of its Spring/Summer 2026 collection. Anchored in butter yellow, the drop consolidates the season into a concentrated colour narrative that runs through knitwear, light outerwear and relaxed tailoring. Released within the brand’s quarterly cycle, the line reflects a young label refining its cadence while clarifying its visual identity.

SENSES.The Label
Vanilla Sky Collection

SENSES.The Label
Vanilla Sky Collection

Founded in Berlin in 2024, SENSES operates through a language of feminine silhouettes and reduced forms. Rather than pursuing overt conceptual themes, the collection advances through calibrated colour groupings: Butter Yellow, Cardigans, Purple, Submarine Chic and Home & Gym Wear. The segmentation signals function without fragmenting the overall wardrobe, allowing the brand to move between layering pieces, coordinated sets and softer tailoring within one cohesive system.

“Vanilla Sky” centres on butter yellow, a shade balanced between pale cream and pastel warmth. It appears across lightweight pullovers, elongated coats and fluid trousers, creating tonal continuity without resorting to statement dressing. Within the collection, the colour acts less as trend quotation and more as atmospheric adjustment, subtly shifting the mood of familiar silhouettes.

Cardigans in cropped, oversized and fine-gauge iterations provide structural rhythm across the range. Ribbed trims, relaxed shoulders and straightforward necklines reinforce a clean construction logic that links graphic T-shirts, straight-cut trousers and pleated skirts. The emphasis lies in proportion and wearability.

Part of SENSES.’ quarterly release structure, with four collections per year — explore the full Spring/Summer 2026 collection at www.sensesthelabel.com

SENSES.The Label
Neon Nectar Collection

A purple spectrum extends from lilac to saturated violet, particularly within coordinated sweatshirt and jogger sets that define the Home & Gym Wear segment. Cotton jerseys and elasticated waists underscore the brand’s engagement with contemporary everyday dressing, where athleisure continues to merge with city wardrobes. Mint tones widen the palette while maintaining chromatic control.

“Submarine Chic” introduces a sharper note. Red-and-white striping cuts through butter yellow and mint, inserting graphic precision into the softened register of the collection. The maritime reference is distilled, functioning as contrast within the colour system while preserving the streamlined silhouette vocabulary. Material choices align with broader shifts in responsible production. The label references organic cotton, recycled polyester and REPREVE® fibres, alongside JEANOLOGIA® washing technologies and packaging composed largely of post-consumer recycled material. These elements situate the brand within a generation of German apparel labels navigating traceability and resource efficiency as baseline expectations rather than peripheral claims.

Across SS26, SENSES articulates a wardrobe shaped by tonal refinement and measured expansion. “Vanilla Sky” refines the brand’s design codes through focused colour direction and disciplined construction. Butter yellow, knit structures and controlled striping recalibrate the silhouette language, marking a label consolidating its position through precision and clarity.

SENSES.The Label
Neon Nectar Collection

SENSES.The Label
Riva Mare Collection

SENSES.The Label
Cin Cin Collection

Muller Van Severen - Inside the Belgian Design Duo

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How Muller Van Severen Built One of Today’s Most Influential Furniture Studios

Fien Muller and Hannes Van Severen began working together in 2011, bringing two independent artistic backgrounds into a shared studio. Fien trained as a photographer, developing a precise understanding of composition, surface, and colour, while Hannes studied sculpture and focused on spatial structure and the behaviour of materials in three dimensions. The partnership formed through ongoing conversations about objects and through a gradual interest in how furniture could serve as a direct extension of their artistic processes.

ALLTUBES Bench by Muller Van Severen, part of the ALLTUBES series
(c) Muller Van Severen

ALLTUBES Cabinet High + Chair 2 by Muller Van Severen
(c) Muller Van Severen

Detail of the ALLTUBES Wall Cabinet L by Muller Van Severen
(c) Muller Van Severen

The development of each piece begins with material examination and simple construction tests. Metal rods are bent or joined to explore tension, leather is suspended to understand curvature, and polyethylene sheets are evaluated for their stability and chromatic presence. Decisions emerge from these practical studies rather than from conceptual narratives. Lines, joints, and surfaces remain visible because every part of the object reflects the steps that shaped it. This approach creates furniture that carries the clarity of studio experimentation without decorative additions or concealed elements.

Colour selection follows the same principle of directness. Polyethylene retains the industrial tones originally used for classification in food-processing environments; metals age at their natural pace; leather develops patina through use. These properties guide the design process and influence the proportions and combinations of materials. Instead of treating colour as a secondary layer, the duo integrates it at the earliest phase of development, allowing it to act as a structural element within the work.

Diversity within their oeuvre arises from the range of functional questions they address. Seating pieces examine how minimal surfaces can maintain comfort through tension alone. Tables often incorporate lighting, creating merged objects that organise spatial arrangements through a single construction. Shelving systems explore vertical extension and load distribution, while carpets translate the duo’s sense of balance into textile form. Variations come from the specific technical requirements of each task, not from shifts in style. The relationship between Fien and Hannes remains central to the evolution of their work. Drawings, scale models, and continuous dialogue form the basis of their process, with both artists contributing to each stage until a coherent solution emerges. The studio functions as a place for daily testing and refinement, and this environment shapes the calm, straightforward presence found in their finished pieces.

Daybed designed by Muller Van Severen for Kvadrat’s “Divina: Every Color Is Divine” exhibition, 2014
(c) Muller Van Severen

Hannes Van Severen + Fien Muller
Muller Van Severen

A recent development in their practice is the opening of a dedicated showroom near Ghent, accessible by appointment. This space allows architects, collectors, and design professionals to encounter the work in a precise and controlled setting. The showroom presents their furniture in a scale and context aligned with its intended use, giving visitors the opportunity to study materials, proportions, and constructions directly. This addition extends the studio’s reach without altering its foundational methods, and it offers a clear view of the ongoing investigations that anchor their work.

Bridges cabinet series by Muller Van Severen for BD Barcelona
(c) Muller Van Severen

Collaborations with production partners, including long-term work with valerie_objects, extend their designs into international contexts while preserving the essential principles of the studio. Manufacturers follow material guidelines that reflect the duo’s priorities: clearly defined geometries, unaltered surfaces, and structural transparency. These partnerships allow the work to circulate more widely without shifting the foundation of the practice.

Muller Van Severen continues to build a body of furniture that reflects an uninterrupted engagement with material behaviour, proportion, and the practical demands of construction. Every object contributes to an ongoing exploration of how form and function can be approached with artistic precision, and the resulting work introduces a steady presence to interiors through disciplined use of colour, material, and structure.

Duo Seat + Lamp by Muller Van Severen, presented at Design Brussels in 2011
(c) Muller Van Severen

Pillow Sofa designed by Muller Van Severen, created with KASSL Editions and reimagined by BD Barcelona
(c) Muller Van Severen

header image credit

Crossed Double Seat (2012), designed by Muller Van Severen for the Future Primitives series at Biennale Interieur
(c) Muller Van Severen

Maintaining Clean Floors in Modern Homes: A Comprehensive Guide to Floor Care Strategies

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Maintaining Clean Floors in Modern Homes:
A Comprehensive Guide to Floor Care Strategies

Clean floors serve as the foundation of any healthy, welcoming home, yet countless homeowners find themselves caught in an endless cycle of ineffective cleaning routines. The real challenge isn't just the physical act of cleaning—it's understanding how different methods work in harmony to deliver lasting results. Success hinges on finding the right balance of techniques, equipment, and timing that matches your unique flooring and lifestyle demands.

Different Floors, Different Care: Tailoring Your Cleaning Approach

Whether you're wielding a traditional broom, operating a cordless vacuum, or experimenting with other cleaning tools, grasping the complete picture of floor care empowers you to make smarter decisions about your cleaning approach.

Your flooring material dictates everything about how you should clean it. Hardwood floors demand a delicate touch—gentle, pH-neutral cleaners and minimal moisture are essential to prevent warping and preserve those protective finishes you've invested in. Tile and stone surfaces can withstand more aggressive cleaning, but those grout lines become magnets for dirt and bacteria that require special attention.

Laminate and vinyl flooring might seem bulletproof, but moisture control becomes critical since water can seep through seams and cause irreversible damage. Carpet and area rugs present their own puzzle—wool fibers need gentler care than synthetic materials, while plush, high-pile carpets trap debris in ways that low-pile options simply don't.

Each flooring type has its Achilles' heel, and recognizing these vulnerabilities shapes your entire maintenance strategy. Think of material identification as your roadmap—without it, you're cleaning blind.

Prevention First: Reducing Dirt and Damage Before Cleaning Becomes Necessary

The smartest floor care strategy starts at your front door, not your cleaning closet. Strategic doormat placement inside and outside every entrance can slash tracked-in debris by up to 80%—a simple investment that pays dividends daily. Taking it a step further with a shoes-off policy in high-traffic zones keeps outdoor contaminants from ever reaching your floors.

Furniture pads and protective barriers act as insurance policies for hardwood and laminate surfaces, preventing those heartbreaking scratches and dents that seem to appear overnight. Meanwhile, immediate spill response isn't just good housekeeping—it's damage control that prevents stains from becoming permanent fixtures.

Families with pets or children can benefit enormously from designated eating and play zones equipped with washable rugs. These contained spaces turn inevitable messes into manageable cleanup tasks rather than floor-wide disasters. Don't underestimate the power of regular walk-throughs either. Catching potential problems early—when they're still small and inexpensive to fix—beats dealing with major damage later.

(c) Dyson Press

Cleaning Techniques: From Traditional Methods to Modern Equipment

The most effective floor cleaning isn't about choosing between old-school and high-tech methods—it's about knowing when to use each approach. Manual cleaning techniques like sweeping and mopping remain irreplaceable, especially for delicate surfaces that need a gentle human touch. Master the art of systematic sweeping by working from room edges toward the center, and match your broom type to your surface for optimal results.

Mechanical cleaning equipment brings efficiency and consistency to the table. Upright vacuums excel at extracting deep-seated dirt from carpets, while robotic cleaners handle daily maintenance for time-strapped households. Handheld devices shine where their larger cousins can't reach—stairs, tight corners, and around furniture legs.

The secret lies in strategic deployment rather than blind loyalty to one method. High-traffic areas might need daily mechanical attention, while your grandmother's antique hardwood might prefer gentle weekly hand-cleaning.

Selecting Appropriate Cleaning Solutions: Safety, Effectiveness, and Sustainability

pH levels aren't just chemistry class trivia—they're the difference between clean floors and damaged ones. Alkaline cleaners slice through grease like nobody's business, but they'll wreak havoc on natural stone. Acidic solutions dissolve mineral deposits beautifully, yet they can permanently etch marble surfaces.

Natural cleaning solutions crafted from pantry staples like white vinegar and baking soda offer powerful, safe alternatives for many cleaning challenges. But don't assume "natural" means "foolproof"—even these gentle giants need proper dilution and application to avoid unintended consequences.

Safety becomes non-negotiable in homes with children and pets. Always test new products in hidden spots first, and never skimp on ventilation when using any cleaning chemicals, natural or otherwise.

Creating a Maintenance Routine: Balancing Frequency and Effectiveness

Sustainable floor care thrives on consistent daily habits paired with strategic deep-cleaning sessions. Your daily routine might include sweeping high-traffic zones and tackling spills the moment they happen. Weekly deep cleans address every floor surface, while monthly intensive sessions target those areas that need specialized care.

Seasonal flexibility keeps your routine realistic—muddy spring months and holiday entertaining seasons naturally demand more frequent attention. Pet owners and parents typically need tighter cleaning schedules, while empty nesters might stretch intervals between major cleaning sessions without consequence.

Bringing It Together: Your Path to Consistently Clean Floors

Mastering floor maintenance means recognizing how prevention, proper techniques, suitable products, and smart scheduling work together as a unified system. The most successful homeowners don't rely on any single miracle solution—they blend multiple strategies that fit their specific circumstances.

Start small by implementing one or two preventative measures and watch how they transform your cleaning routine. Clean floors dramatically enhance your home's health and comfort, making every effort you invest in proper care practices worthwhile. Remember, there's no universal "best" approach—evaluate your unique situation and adapt these strategies to create a system that actually works for your lifestyle.

onomao - Handcrafted Ceramics

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onomao
*within Portuguese Craft Culture

written SARAH ARENDTS

onomao began in 2018 with a clear intention to bring traditional Portuguese craftsmanship into a contemporary context. The brand collaborates with small manufactories that work with regional clay and long-established production methods.

Every piece is shaped, glazed, and finished by hand, which creates subtle variations in surface and form. These variations are part of the identity of the objects and underline the direct connection to the people who make them. Packaging materials are reused, and shipments remain free of plastic.

onomao
small bowl pura rosa

onomao
aberta hand-painted orange

The founders Arthur and Felix Wystrychowski grew up in Munich and developed an early interest in Portugal. Their regular travels for surfing brought them into contact with local workshops and with the atmosphere of regions where craft is part of everyday life. Arthur studied landscape architecture in Berlin and strengthened his interest in materiality, spatial order, and quiet design solutions. Felix trained as a cook in Portugal, later moved toward graphic design, and gained experience in visual communication. Their combined perspectives shaped the direction of the brand and guided their search for small manufactories that value continuity, responsibility, and fairness.

The collections show a broad range of forms and colors. onomao does not work with a single design language. Instead, the assortment includes tableware with sculptural silhouettes, soft curves, and straight lines, depending on the collection. The best-known line is called Traditional. It features pieces with a clear structure, balanced proportions, and glazes that reflect the character of Portuguese ceramic traditions. Other collections explore different approaches. Some use matte surfaces in warm earthy tones. Others bring in more saturated colors or glossy textures that highlight the material. The diversity in the assortment allows each piece to stand on its own while still fitting into a cohesive visual family.

onomao
large bowl deep plate natural white

onomao
www.onomao.com

based in Cologne, Germany and working with small Portuguese manufactories to produce handcrafted ceramics and homeware

onomao Traditional Collection average price range: 12 € – 45 €

onomao understands tableware as part of the everyday situations in which people pause, cook, and sit together. Meals often form the central moments of a household, and the founders see ceramics as one of the elements that quietly supports these routines. The collections differ in shape, color, and finish, yet they share a steady and unobtrusive presence that works in simple weekday settings as well as in larger gatherings. Forms range from strict lines to softer curves, and the glazes include muted tones, natural textures, and more saturated colors. This variety reflects the different ways kitchens function and how people choose to organize their daily rhythm.

It also reflects the founders’ interest in creating objects that remain practical while offering a sense of calm and order on the table.
Their collaboration with small Portuguese workshops follows the same principles. The manufactories work with regional clay and long-established methods, and the production decisions are shaped by continuity, material awareness, and respect for craft. These relationships have grown over time and form the foundation of onomao’s approach to design. New pieces are introduced carefully, without compromising the pace and structure of the workshops. This approach allows the assortment to evolve in a steady and deliberate way, keeping a clear connection to the people and regions involved in the production.

onomao
small and large plate natural white

onomao
salad bowl sapphire blue classic

onomao
aberta hand-painted blue

Yerevan Fashion Week - Home and Away

Home and Away
*The Yerevan Portraits

written CHIDOZIE OBASI

Nestled amid the nature-meets-brutalist setting of a vibrant city, Yerevan Fashion Week provides a compelling backdrop for emerging and established design, merging threads of innovation and tradition with potential for consumers and insiders alike.

While Spring might feel like a faraway fantasy, that needn’t be reflected in your wardrobe offerings. A surefire way to make a wealth of occasions slightly more appealing? Choosing to eschew traditional cuts and volumes for breezier kinds – or at least, integrating some flashes of colour into the mix. The Wave’s sculptural pieces; Manuk Aleksanyan’s beading; Loro Piana’s timeless classics; Faina’s naturalesque details: from longline dresses to conceal under coats, to the pieces sure to enliven any outfit, LE MILE shows you 8 ways to channel your eclectic style.

dress THE WAVE

total look LORO PIANA

dress MANUK ALEKSANYAN
loafers LORO PIANA

total look BRIONI

dress THE WAVE
boots PREMIATA
eyewear CALVIN KLEIN via Marchon Eyewear

dress FAINA

blazer + skirt FERRAGAMO
shirt TORY BURCH

photography  LIDIA VIRABYAN
fashion direction  CHIDOZIE OBASI
fashion  LISA MANCINI
model  SOFIA
video  KARO TERTERIAN
fashion assistants  INGA and VALENTIN
project coordination  ELEN MANUKYAN and VAHAN KHACHATRYAN
special thanks  @fdc_armenia

SECRID and the Culture of the Pocket

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SECRID
*Industrial Design for Everyday Carry

written MONICA DE LUNA

Since 1995, SECRID has focused on pocket-sized accessories shaped by industrial design, clarity and careful material work.

Founded by René and Marianne van Geer in the Netherlands, the brand continues to produce locally, with assembly done in collaboration with social enterprises. This setup supports consistent quality and a transparent, regionally rooted production model.

SECRID
Cardprotector Hamerstones

SECRID
Chalk Combination of the Emboss Diamond and Chalk Edition

The Cardprotector introduced a compact aluminium format with a mechanical access system for cards. Its patented Autolock mechanism regulates the controlled release of cards and supports single-handed use. This simple movement aligns with everyday situations shaped by contactless payments, transit systems and workplace access. The Cardprotector became the structural foundation for the entire SECRID collection and continues to define its handling experience.

The Cardprotector+, introduced in 2025, strengthens this foundation. An internal reinforcement plate supports frequent use while maintaining the familiar format and lever operation. It forms the core of the premium+ collection — a fully vegan line that focuses on refined materials, structured surfaces and long-term usability.

Hammerstone adds a distinct material expression to the collection. It uses recycled aluminium finished through an industrial impact technique that produces a matte, textured surface. Available in Charcoal, Azure and Navy, Hammerstone supports a lifestyle shaped by movement, daily commuting and travel, where a stable, durable surface performs well and integrates naturally into routine handling.

SECRID
Cardprotector+ FW25 Fluted Cashmere

Prices from €34,50 for the Cardprotector, €39,95 for the Cardprotector+, €44,95 for Hammerstone, and €64,95 for the Emboss Diamond Chalk Edition

— explore the full collection at www.secrid.com

Emboss Diamond Chalk presents another direction within the premium+ collection. The geometric embossing, created with high-precision steel tools, forms a consistent pattern across the leather. Chalk introduces a controlled, mineral-like tone designed for visual clarity. Each model in this category is centred around the Cardprotector+ mechanism, linking the structured surface to SECRID’s most advanced internal construction.

SECRID’s relevance today lies in how its products support the organisation of everyday essentials. Many people move between physical cards, digital identities and various access systems throughout the day. A compact format that structures these elements reduces friction and creates a steady, predictable flow in daily use — whether at transport hubs, in shops, in offices or while travelling. SECRID’s accessories are designed to fit directly into this rhythm, remaining discreet in size and consistent in handling.
Across all categories, SECRID maintains local production and close material oversight. The brand works with European suppliers under strict environmental standards and assembles its products in supervised, inclusive workshops. The result is a collection shaped by Dutch industrial thinking, material discipline and a focus on pocket formats that support modern life with clarity and intention.

SECRID
Cardprotector+ FW25 Fluted Orange

SECRID
Cardprotector+ FW25 in Fluted Orange, Cashmere, Silver, Teal, and Black

OKM - The Heritage of Sleep

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The Heritage of Sleep with OKM 

*Eight Decades of German Bedding Craftsmanship

written SARAH ARENDTS

For almost eighty years, OKM has stood for precision, craftsmanship, and enduring quality in the production of bedding. Founded in 1946 and based in Altenberge, in Germany’s Münsterland region, the family-run manufacturer continues to operate where it began, guided by values of responsibility, transparency, and mastery of the craft. Every of their products is made in-house, by hand, combining traditional expertise with advanced manufacturing processes.

OKM pillows bring handcrafted comfort and quiet precision to contemporary interiors.

The company’s history reflects continuity and dedication to excellence. Over the decades, OKM has cultivated a clear identity focused on bedding that meets the highest technical and sensory standards. Each duvet and pillow is cut, filled, and finished under one roof through a sequence of precise manual steps. Quality accompanies every stage of production, supported by a controlled process that ensures consistency and reliability.

At the core of OKM’s philosophy lies an uncompromising approach to materials. The company works exclusively with new, Class I goose down and feathers from certified, traceable sources that comply with the DOWNPASS standard for ethical sourcing and full transparency. The fabrics that encase the fillings are tightly woven cotton of the highest grade, certified according to OEKO-TEX® Standard 100 and suitable for sensitive skin. The dense weave of the cotton covers meets NOMITE® criteria, creating an environment ideal for people prone to allergies and ensuring lasting purity in daily use.

This focus on material integrity defines OKM’s idea of quality. Each product is created with precision, technical skill, and attention to long-term performance. The brand’s visual language follows the same clarity: calm, refined, and functional. Every piece is conceived for comfort, tactile harmony, and durability.

OKM’s collection consists of two lines, Signature and Bespoke. The Signature line represents the essence of the brand — superior materials, handmade precision, and immediate availability within a few days. The Bespoke line extends the experience through full customization. Customers can configure every element of their bedding, from size and firmness to piping color and embroidered initials. This personal detail echoes the atmosphere of luxury hotel bedding and introduces a sense of individual refinement to the home.

The process of personalization turns bedding into an individual composition of comfort and identity. Each configuration allows the user to select their preferred balance of softness and support, adapting the product precisely to their sleeping habits. The Bespoke service brings together the principles of craftsmanship and hospitality, translating artisanal expertise into a contemporary form of service.
Behind every piece lies a clear vision, to combine traditional handcraft with sustainability and transparency. OKM works with natural, renewable materials and maintains European production standards that favor longevity and ethical responsibility. The company operates with measured scale, ensuring full control of production and maintaining a level of quality that reflects its heritage.

Down filling being measured by hand. Each pillow is precisely filled with ethically sourced down to achieve the desired softness.

Essential materials for OKM’s handcrafted pillows — fine cotton fabric, pure down, feather filling, and sewing tools prepared for precise hand assembly in the Altenberge manufactory.

OKM
www.o-k-m.com

based in Altenberge, Germany

producing handcrafted down and feather bedding — made from certified natural materials in their own manufactory

Custom-made 3-chamber pillows by OKM. Each piece combines a supportive feather core with soft down layers and can be personalized with size, firmness, and embroidered details.

Today, OKM continues to uphold its reputation for precision and trustworthiness. All product leaving the factory in Altenberge carries a distinct signature of German handcraft, attention to detail, and a dedication to lasting comfort. The brand stands for refined bedding that performs to the highest standard and preserves a tradition of excellence passed through generations. Enjoy restful nights with OKM.

SALZWASSER - Lennart Henze on Sustainable Fashion

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From the Coast to the Studio

*How SALZWASSER Turns Simplicity Into a Design Language

written SARAH ARENDTS

SALZWASSER was born where the wind carries salt across the shore and the horizon never ends. Founded in 2019 on the North Sea island of Norderney, SALZWASSER marks its sixth anniversary. What began on the coast has grown into a Hamburg-based studio that continues to work within Europe, maintaining short production routes and close collaborations.

Each piece starts with material selection: Merino wool, organic cotton, linen. Natural fibers chosen for their quality and origin. Production takes place in Italy, Portugal, and Germany, where every step is clearly defined and carried out with consistency. The result is clothing designed to last, made without synthetics, focused on fit, proportion, and longevity. The current collection continues this approach with knitwear made entirely from Merino wool — soft, breathable, and structurally stable for years of wear.

SALZWASSER
founder: Lennart Henze

Sarah Arendts
What was the starting point for the special quality that defines the brand today?

Lennart Henze
For me, it all begins with a deep love for good products — for things that stay with you for a long time and get better every day. I realized early on that true quality is never a coincidence; it comes from patience, care, and the courage to leave nothing to chance.
I’m fascinated by materials, construction, and tactile experiences — how a fabric falls, how a knit breathes. SALZWASSER was born out of this dedication: the ambition to create clothing that feels substantial, is impeccably crafted, and is not designed for just one season but for a life full of good moments.

The new knit styles made from 100% Merino wool expand your core collection. How did the idea for this collection develop?

The collection emerged from the desire to use natural materials in their purest form.
Merino comes with natural properties: temperature-regulating, soft, breathable — and without any synthetics, it performs better than many technical fibers.
After our more distinctive, technical-looking half-zip sweaters, we wanted to create knits that are even more reduced: simple crewnecks with subtle knit structures — understated and timeless.
Once again, made as a mono-material: no synthetics, 100% Merino wool. For us, this was a logical step — moving away from synthetics and towards a pure, natural material world that harnesses the best performance nature has to offer.

Your half-zip sweaters have long become synonymous with SALZWASSER. When did you realize they were more than just a classic pullover?

When I noticed that we hadn’t just adapted a classic half-zip — we had reimagined it.
The half-cardigan structure, used inside-out, the modern, slightly looser cut — that’s what made it unique. Bolder, more contemporary. And then came the decision to produce entirely without synthetics and even achieve GOTS certification — something rare in this category.
The fact that the sweater was so well received and that we were able to expand it twice through crowdfunding showed us that people value the full package: natural fibers and sustainability, quality, and European production.

Italy, Germany, Portugal — what connects these places for you?

First of all: quality and craftsmanship. Each of these countries has its own textile handwriting, and we value them all. Germany is our home, where everything began — on Norderney, in the far north. Portugal is a place of longing and inspiration for me — the coast, the light, the calm. Italy brings its own warmth and elegance — and a precise textile tradition.
And, of course, there’s something else connecting them: a transparent European supply chain.
Shorter routes, more personal relationships, responsible production. These places are part of our identity — reflected in our colors, our aesthetics, and our sense of nature and timelessnes.

How do you prevent sustainability from becoming rhetoric?

By not treating it as marketing, but as a mindset. And by enabling people to understand what real responsibility means: natural materials, European manufacturing, transparency. For us, sustainability isn’t a concept — it’s our starting point.

Where does design begin for you?

Design begins for us with reduction and responsibility. We follow a circular textile design approach, focusing on mono-materials, natural fibers instead of synthetics, and long-lasting construction. At the same time, we aim to create a stronger emotional connection to each piece — through timeless, minimalist forms that people can truly live with.
We don’t think in seasonal cycles or collections, but work on a continuous range. Our vision is clear: Focus on Essentials. Design evolves through subtraction — until only what is meaningful, beautiful, and lasting remains.

Timelessness — more about endurance or calm?

For me, timelessness is calm — and from that, endurance follows. A calm cut, reduced details, natural tones that never shout.

What role do places play — sea, light, the North?

SALZWASSER was born on the rough northern coasts. Coasts have always been places of longing and calm. Traditionally, people living by the sea have mastered a slow, minimalist, and simple way of life. They value durable gear and meaningful experiences with nature — they focus on what truly matters. With a contemporary design approach, SALZWASSER translates this lifestyle and mindset into modern everyday clothing — for city, countryside, and coast. It reminds people of moments of longing and allows a return to what’s essential. Focus on Essentials.

What should people feel when they wear SALZWASSER?

Freedom.

Calm.

And focus on what truly matters.

SALZWASSER
www.salzwasser.eu

based in Hamburg, Germany
designing timeless essentials from natural fibers — all made in Europe

At SALZWASSER, sustainability means durability, repairability, and transparent production within Europe. Every decision, from the yarn to the finished garment, follows this logic. The aesthetic remains consistent, defined by quiet lines, natural tones and functional clarity. As the brand enters its sixth year, SALZWASSER reaffirms its commitment to creating garments built for purpose and time.

Inside Shop Like You Give a Damn - Sustainable Fashion

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SHOP LIKE YOU GIVE A DAMN
*A Department Store for the Future of Compassion

written AMANDA MORTENSON

Shop Like You Give a Damn was founded by Alex Jansen, Kim van Langelaar, and Stephan Stegeman to make ethical choices straightforward. Early on, the team tried to verify the ethical claims of brands they admired and discovered that reliable data to separate intention from reality was missing.

Together with a tech partner, they built an AI-supported assessment framework and tested it on a selection of the most ethical brands, but none met every criterion. The lesson became their principle of better, not perfect. The platform has been 100 percent vegan since day one and curates brands around three non-negotiable pillars of animals, people and planet. Its goal is progress backed by proof, with transparency throughout the production chain, fair labour and a smaller footprint. The team has assessed thousands of labels, works closely with more than 150 of them and continues to raise the bar through dialogue, evidence and clear standards.

DAWN

Shop Like You Give A Damn
founding team: Kim van Langelaar, Stephan Stegeman, and Alex Jansen

Amanda Mortenson
“Better, not perfect” is a central idea behind what you want to communicate. How did this become a guiding philosophy for Shop Like You Give a Damn, and how do you embody it in your decisions?

Stephan Stegeman
“Better, not perfect” became our mantra after an eye-opening experience early in our journey. About five years ago, we set out to verify every ethical claim our brands were making. We give a damn about animals, people and the planet, so it was crucial to ensure every brand on our platform truly aligned with our values — always vegan, fair and as sustainable as possible.

But we quickly hit a roadblock: there wasn’t enough reliable information to say with confidence which brands were genuinely better than conventional fast fashion. That uncertainty kept us up at night. Then a tech startup approached us with an AI-driven tool to verify sustainability claims. We worked together for six months to build a framework and tested it on what we thought were the hundred most ethical brands. The results were humbling — not a single one met all our criteria.

That experience crystallised our philosophy. If we chased perfection, we’d have no brands left to support, and that helps no one. So we decided to champion progress — brands that are proudly vegan, treat workers fairly and work to minimise their environmental impact. Every decision we make starts with asking: is this better for animals, people and the planet? If yes, it’s on the right path. We’ve now assessed over two thousand brands, using that knowledge to keep raising the bar and helping good ones get even better.

In your view, what are the biggest misconceptions people have about “sustainable fashion” and veganism?

One of the biggest misconceptions about sustainable fashion is that it’s actually sustainable. It isn’t — at best, it’s a less harmful version of regular fashion. Producing new clothing always consumes materials, water and energy, and generates waste and emissions. The fashion industry still accounts for around ten percent of global carbon emissions — more than all international flights and shipping combined.

The most sustainable choice is not buying new clothes at all. Using what you already have longer and consuming less is the best way to reduce impact. After that comes reusing, swapping or buying second-hand. If you must buy new, choose responsible brands that use better materials and fair production.

When it comes to vegan fashion, many people don’t realise it’s more than diet — it’s also about what we wear. Materials like wool, silk and leather all involve animal suffering and serious environmental costs. Wool, for instance, often involves painful procedures like mulesing and enormous water use. Leather isn’t just a by-product of meat — it’s its own industry, with chemical-heavy tanning that harms both workers and ecosystems. True vegan fashion means avoiding all animal materials and choosing plant-based or innovative alternatives, from organic cotton to apple, mushroom or cactus leather. It’s not impact-free, but it’s far less harmful.

When you look at materials, what trade-offs do you see most often, and which ones surprise people the most?

When you start really looking into materials, you realise there’s no such thing as a perfect one. Every fabric comes with trade-offs — it’s about choosing what does the least harm while moving the industry in a better direction.
Many people are surprised to learn that most vegan leathers still include some form of plastic, like polyurethane. That’s not ideal, but compared to animal leather — which involves suffering, toxic tanning and high emissions — a responsibly made PU- or bio-based leather is still a better choice.

The same goes for plant-based fabrics. Cotton sounds sustainable because it’s natural, but conventional cotton is extremely water- and pesticide-intensive. Organic cotton is better, but not perfect. Recycled fibres and low-impact blends help, yet they depend on proper recycling systems that don’t exist at scale.

What surprises people most is that natural doesn’t automatically mean sustainable, and synthetic doesn’t always mean bad. A “natural” fibre like wool or silk can have major animal rights and environmental issues, while a recycled polyester might have a smaller footprint if it’s kept in circulation.

At Shop Like You Give a Damn, we try to navigate those grey areas honestly. We look for what’s vegan, fair and more sustainable — accepting imperfection while supporting innovation. Real progress happens not when we find one flawless material but when the entire industry shifts its mindset from exploitation to responsibility.

How do you draw the line between what’s “good enough” and what’s still too problematic?

For us, the line starts with being 100 percent vegan — that’s non-negotiable. From there, we ask whether something is genuinely better than the mainstream alternative. That means no greenwashing, no empty buzzwords — just real, evidence-based improvement.

We have clear internal guidelines on what materials we accept. Products must be made from fabrics that are not harmful to animals and significantly less harmful to people and the planet. On labour, it gets more complex. Ideally, every worker earns a living wage, but not every region is there yet. Sometimes a verified minimum wage plus transparent progress toward a living wage can be acceptable for now. The key word is progress.

So “good enough” doesn’t mean perfect; it means effort, transparency and direction. If a brand is vegan, pays fairly and uses better materials, we’re happy to stand behind them. But if any of those pillars — animals, people or the planet — are missing, it’s not good enough.

You require sellers to adhere to your values. How do you support them in improving over time?

When we assess brands, we ask a lot of difficult questions and explain why certain choices don’t meet our standards yet. Even if a brand isn’t ready to join us right away, we often see them come back after improving.

We’re now working with over 150 brands, so we have a good understanding of where they tend to struggle and what helps them grow. Our goal is to use that shared knowledge to bring brands together, because this isn’t a competition. If we want to change the fashion industry, we need to do it collectively. One twig breaks easily, but a bundle doesn’t. That’s how we see ethical fashion — as a community. In the near future, we want to invest even more in that network, helping brands learn from each other and expand our collective impact.

KnowledgeCotton Apparel

Kings of Indigo

How do you communicate nuance or “imperfection” to your customers, without alienating or confusing them?

We try to be as factual and transparent as possible. That means saying we’re “more sustainable,” not “sustainable.” It might sound small, but it matters. Every product has an impact, and the goal is to make that impact smaller — not to pretend it doesn’t exist.

We remove vague or misleading claims like “eco-friendly” unless there’s real proof. And we make sure our language never excludes or offends anyone. Ethical shopping should feel approachable, not moralising. When people buy from us, we want them to know they’re making one of the best choices available — not a perfect one, but a conscious one that’s better for animals, people and the planet.

Recently, Shop Like You Give a Damn acquired the website of NOAH Italian Vegan Shoes. What motivated that move, and how will you integrate its legacy?

Our decision came from deep respect for NOAH’s pioneering role in vegan fashion and a shared desire to carry its mission forward. Founded in 2009, NOAH spent sixteen years proving that high-quality design can be completely vegan and ethical. It was one of the first brands we partnered with after our launch in 2018 and had long been a pillar of the community.

When NOAH announced its closure, we didn’t want that legacy to disappear. By acquiring its website, we can ensure that everything it built continues — its vision of compassionate, high-quality vegan fashion will live on and reach new audiences.

As you scale, what are the hardest tensions you face?

One of the hardest parts of running a sustainable company is making choices that are good for sustainability but bad for business. We’ve onboarded brands that customers love but later had to remove because they no longer met our standards.

It’s tough, because building a truly ethical business is difficult. Many brands and platforms have disappeared for that reason. But to make a real impact, a company also needs to earn enough to sustain its team. Only then can it continue to drive change. Balancing credibility and survival is never easy, but it’s essential.

What keeps you and your team motivated?

Most people in our company are vegan for the animals, and that shapes everything we do. It’s about compassion — making sure we don’t exploit people or destroy the planet. Even in hard times, when resources are tight or things get complicated, those values keep us inspired and focused on why we started this in the first place.

Looking ahead five to ten years, what do you dream Shop Like You Give a Damn could become?

I hope that in the next decade we’ll be the leading vegan, fair and sustainable fashion marketplace in the world. I want us to continue raising awareness about the problems in fast fashion while offering people an easy, enjoyable and trustworthy alternative.

KOMODO

SUITE13LAB

SHOP LIKE YOU GIVE A DAMN
www.shoplikeyougiveadamn.com

based in Amsterdam, The Netherlands
offering over 20,000 vegan, fair and sustainable products

A recent step reflects that approach with the acquisition of the website of NOAH Italian Vegan Shoes, preserving the legacy of a pioneer in vegan fashion and keeping its mission accessible. For Stephan, it comes down to building a credible way to buy with less harm, buy better and keep compassion at the center of commerce.

Kuyichi

Thinking MU

Rotholz

One House - Art of Modular Homes

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ONE HOUSE
*Crafting Modular Living with Precision and Purpose

written SARAH ARENDTS

Form and precision meet in silence as ONE HOUSE unfolds its idea of how furniture should live with people. The German brand shapes a language of modular design, where every line and material decision grows from clarity and calm.

From its workshops in Germany, ONE HOUSE carries a spirit of Dutch-inspired minimalism through regional craft, building sofas, tables, and chairs that feel considered, measured, and alive. The phrase Dutch Design made in Germany describes a method where design is aesthetic and ethical, an approach that holds production and thought within the same gesture.

ONE HOUSE
Maatje Lounge Chair

ONE HOUSE
Meester Sofa

The foundation rests on three principles—local production, original design, and transparent pricing. Together they form a system that resists haste and honors the slow rhythm of making. Each piece feels like an open surface waiting for its owner’s life to fill it. The restraint of its forms creates room for rhythm, conversation, and quiet occupation.

The modular sofa collections trace this logic in movement. Every element connects through proportion, expanding and reducing with ease. A living space becomes many rooms inside one, shifting with the needs of work, rest, or gathering. The construction is meticulous, the seams deliberate, the volumes soft yet precise. The language of ONE HOUSE remains visible in these alignments, where comfort becomes composition and the gesture of sitting holds structure and care.

Ethics are woven into every layer of production. The principle of No Fast Furniture moves through the workshops like a silent code. Materials are sourced through local networks, every decision tied to the idea of longevity and traceable making. Dining tables hold the weight of daily life with grace, their wooden or metal frames shaped for continuity. Chairs stand nearby, attentive to their surroundings. Rugs and accessories add small changes of tone, creating rooms that breathe easily and hold light.

The identity of ONE HOUSE builds gradually through repetition and attention. Each action in the company, from the way fabrics are presented to how spare parts are supplied, speaks through openness. The showrooms in Hamburg and Munich extend that clarity into space, offering a kind of lived transparency. The furniture can be touched, reconfigured, and understood without distance.

ONE HOUSE
Hoogland Dining Table + Mattje Chairs

ONE HOUSE
Maatje Chairs

Among the collections, the Bolder sofa has become emblematic of the brand’s sense of proportion and restraint. The design has received recognition from design institutions, yet the work inside ONE HOUSE continues with the same steady rhythm. Every new project returns to the same questions of scale, material, and structure. The home remains the field where design and use meet in quiet collaboration.

The word house carries more than architectural meaning. It holds belonging, continuity, and presence. ONE HOUSE turns this word into practice, creating furniture that forms part of the daily choreography of life. Sofas that shift with time, tables that anchor memory, chairs that translate rest into geometry. The pieces align with the lives around them, forming small frameworks of stability inside movement.

To sit on a ONE HOUSE sofa is to sense the intelligence of the joinery, the balance of the stitching, the calm held in its weight. Each surface has been thought through until it reaches stillness. The result is a furniture language that values patience over noise and persistence over novelty. This patience becomes its own form of elegance, measured not by spectacle but by duration.

ONE HOUSE exists inside the rhythm of everyday life. The furniture follows that rhythm, adjusting to it quietly. The designs speak in proportion and tactility. They reward attention, not urgency. They invite touch, not display.

For readers of LE MILE, the appeal lies in this ongoing conversation between craft and presence. ONE HOUSE creates pieces that grow with the people who use them, furniture that welcomes time rather than resists it. Every surface, joint, and contour speaks the same language of grounded modernity.

The collection includes adaptable sofas, dining tables, and chairs built with precision and longevity in mind. Every piece follows the brand’s No Fast Furniture ethos, crafted in Germany with traceable materials and calm design logic.

Prices from: sofa modules €790, dining chairs €320, dining tables €1,290, accessories €95.

Explore the full collection: www.onehouse.de

ONE HOUSE
Marble Side Table

The idea of one house extends through every decision. It brings together maker and dweller, production and experience, design and use. The result is a home that feels both structured and free, a place that carries memory while remaining open to change. In this rhythm, design becomes a state of attention. Rooms unfold with purpose. Life arranges itself around lines that endure. This is ONE HOUSE—a study in clarity, movement, and the calm persistence of form.

MAY Citybike

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MAY Ltd.
*Bicycles in Their Purest Form

written SARAH ARENDTS

In Zurich, a graphic designer began rethinking how a bicycle could look and feel in the context of city life. What started in 2017 as a personal design study became a refined approach to everyday movement.

The first models appeared in 2018, shaped by the idea that precision and simplicity can coexist. From this, MAY developed, focused on proportion, quality materials, and on clarity of form. The bicycles quickly found an audience that values understatement and careful design.

Since 2023, Alex and Timo have continued this direction, they work from Zurich, where they design and coordinate production. The bicycles are assembled in Portugal and distributed through warehouses in Switzerland and Germany. Each step reflects the brand’s approach, a timeless design and functional purpose.
The YIWU+ continues this line of thinking, its steel frame with lugged forks refers to classic racing geometry while adapting it for today’s city use. The inspiration reaches back to the 1970s Giro d’Italia, when bicycles combined efficiency with elegance.

The model is available in Petrol Grey and Chrome, the frame weighs 11.3 kilograms and is equipped with an eight-speed Shimano system. Slightly wider tires add stability and comfort in urban traffic, each element is built for function and long-lasting use. The YIWU+ is designed for balance, between agility and stability, between strength and weight. The frame lugs add visible reinforcement, expressing the construction.

MAY’s work follows three ideas of timeless aesthetics, functional design and direct production. Timeless aesthetics remove everything unnecessary and keep what defines the bicycle’s character, functional design connects form and performance and components such as the 8-speed shifting or the precise welds are chosen for reliability and clean execution.
Direct production means involvement at every stage, ensuring traceable quality and consistent results.

The YIWU+ moves easily through the city, the gearing responds directly, the frame stays quiet and stable, and the proportions feel deliberate. MAY keeps refining the way a bicycle moves, shaping a rhythm where design and use merge into one continuous experience. Enjoy Yourself.

MAY - Minimalist City Bicycles
www.may-ltd.com

Operating from Zurich, Switzerland
Assembly: Portugal
Models: YIWU+ (Petrol Grey | Chrome) • YIWU (Chrome | Night Blue | Bordeaux | Rosé Pearl)

LUNETTES Selection Berlin - Vintage Eyewear

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The LUNETTES SELECTION Experience
*Vintage Eyes, Modern Rituals

written AMANDA MORTENSON

In the quiet hum of a Berlin street, a visitor steps into LUNETTES SELECTION and enters a different time. Eyeglasses carry identity, memory, and design. Since its founding, LUNETTES SELECTION has built a world where frames communicate, spaces respond, and vision unfolds as a poetic act.

LUNETTES SELECTION emerged from a pursuit almost cinematic in its specificity: to find frames that do not yet exist in one’s wardrobe, to uncover exceptions. Its archive of never-worn vintage eyewear — salvaged from opticians’ inventories and manufacturers’ storerooms — constitutes a measured museum of form. Each piece acts as an invitation, in Berlin and across other cities, LUNETTES SELECTION gathers collectors, costume designers, and seekers of individuality who explore its “archive eyewear” with a sense of ceremony.

In 2011, LUNETTES SELECTION introduced its own line, the LUNETTES Kollektion, conceived in Berlin, handcrafted in Italy. These frames, realised in Mazzucchelli cellulose acetate, bear the same reverence for material, color, and detail that animates the vintage curation. The collection progresses with quiet confidence, never loud, tethered always to vision as a personal narrative.

LUNETTES SELECTION extends beyond eyewear into the experience between object and wearer, between object and space. Its Berlin boutiques in Mitte, Charlottenburg, and Prenzlauer Berg exist as stages for vision and interior. Each location carries shared elements—linoleum floors, a tactile palette in harmony with acetate tones—and reveals its own architecture of encounter.

The Charlottenburg store, realized by designer Oskar Kohnen, functions like a refined mise-en-scène. A pastel-green apothecary cabinet climbs to the ceiling, drawers that invite curiosity and discretion. A white-cube shell frames iconographic furnishings: a Hank Kwint side table, a Jacques Adnet rolling cart, two Pierre Paulin “Butterfly” chairs. Underfoot, restored 1970s marble floors gleam, while a sculptural lamp by Sebastian Summa asserts presence without dominance. The atmosphere carries poetry and precision, forming an architectural lens for viewing eyewear.
At the Torstrasse location, Kohnen’s transformation creates a chamber of wonder. The space unfolds as a blue-toned dialogue, where frame histories appear as curated curiosities. Marienburgerstrasse’s boutique, defined by polished concrete, card catalog–style cabinets, and vintage lighting, presents a cinematic rhythm.

Behind every frame is an eye test conducted with care and LUNETTES SELECTION reclaims the slower, handwritten craft of subjective refraction, inviting patrons into a relation with their own perception. This act aligns with the brand’s ethos that intimacy with the instrument of vision is itself part of the aesthetic.

Through its Journal, LUNETTES SELECTION narrates alliances — with makers, artists, stories. Highlights from Petites Lunettes, its children’s eyewear initiative, appear beside collaborations, archival essays, and explorations of optical heritage. The text gestures outward, placing LUNETTES in dialogue with design, film, even myopia management.

The brand speaks through calm precision, it listens, collects, edits, and opens space. Within this dialogue between object and subject, LUNETTES SELECTION shapes a quiet insistence, choosing how we see becomes a reflection.

Stepping outside, the visitor carries a trace of the place — a resonance where design, history, and vision meet. LUNETTES SELECTION exists as an interface, curated and alive to the gaze. Enjoy Yourself!

LUNETTES SELECTION Vintage and Handmade Eyewear www.lunettes-selection.de

Locations: Torstrasse 172 | Marienburgerstrasse 11 | Bleibtreustrasse 55, Berlin / Prices range from Optical frames €280, sunglasses €320, vintage archive pieces from €220.

SUITE702 x Martens & Martens 2025

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SUITE702 x Martens & Martens
*The Art of Everyday Colour

written SARAH ARENDTS

Colour lives differently in the hands of artists. It carries rhythm, emotion, and a kind of silence that speaks through form. In Amsterdam, SUITE702 has built a reputation for giving daily rituals that same sense of artistry — soft geometry, playful tones, and fabrics that invite touch.

Founded by Shirley Muijrers and Olaf Arkauer, the brand believes that the bedroom and bathroom are spaces of reflection, of optimism, of joy. Their newest chapter brings this philosophy to life again through a collaboration with Martens & Martens, the design studio of the celebrated Dutch artist Karel Martens.

The new Martens & Martens Collection transforms functional textiles into living compositions. Made from luxurious, combed cotton and inspired by Martens’ 2017 art project Colours on the Beach, the collection plays with rhythm and structure. Each towel features a signature stripe on both sides, each with a different width and hue — a quiet nod to the artist’s fascination with repetition and variation. “The artistic view of colour and composition by Martens & Martens fits seamlessly into our design vision,” says Shirley Muijrers, co-founder of SUITE702. “This collection is both a tribute to Colours on the Beach and a successful translation of art into functional textile – with a beautiful balance between aesthetics, quality, and playfulness.”

That balance defines SUITE702’s universe; since its founding in 2018, the Amsterdam studio has become a symbol of modern comfort — bold colour, simple geometry, and an ethical approach to luxury. The brand’s world is guided by a single mantra: The SUITE Life — a state of being that turns moments of rest into gestures of art.

The collaboration with Martens & Martens extends that idea into the bathroom, where texture meets tone. Twelve expressive colours, twenty distinct designs, one shared sensibility. Vibrant shades blend with subtle ones across an ecru base, creating visual harmony that feels effortless and precise. The result is a collection that radiates warmth and clarity — towels, bath mats, guest towels, and beach pieces woven with thoughtful detail.

Every element of the collection is GOTS-certified, made from the highest-grade combed cotton. The structure is dense and refined, offering a soft, almost weightless sensation on the skin. Sustainable luxury becomes tactile, immediate, and quietly joyful. Muijrers speaks of the collaboration with an energy that feels contagious. “The vibrant colours and geometric designs of Karel Martens fit our brand perfectly. I’ve always been a fan of his work and feel proud to collaborate with him. The result is fantastic – everything aligns beautifully. It’s wonderful to bring so many colours together in one collection. I’m convinced that it will bring a touch of colour to many bathrooms.”

Her words capture the essence of SUITE702 — an optimism that turns everyday design into a shared celebration. Within the studio’s philosophy, colour is not a surface element; it is emotion rendered visible. Each stripe becomes an idea, a dialogue between order and spontaneity.

The Martens & Martens Collection continues SUITE702’s long-standing collaboration culture, inviting creative minds to reinterpret domestic space. Previous projects with artists such as Isabelle Wenzel have blurred the line between art installation and home object. Here, the conversation takes place in cotton and thread, a sensory continuation of Martens’ conceptual world.

From the Amsterdam studio to the ateliers in Portugal, every step of the production process follows SUITE702’s ethics of craftsmanship. Materials are traced, workers respected, and design treated as a shared craft. The towels are made to last as companions in the rhythm of everyday life.

The brand’s story continues to travel, its collections are available through suite702.com and in leading stores including Le Bon Marché Paris, Manufactum Germany, and the MoMA Design Store New York. Yet SUITE702 remains rooted in intimacy — in the texture of the morning, the softness of a towel, the warmth of a room filled with colour.

discover the new Martens & Martens Bath Collection: www.suite702.com

Prices from: Guest towel set €32.50, hand towel €22.50, bath towel €42.50, bath mat €44.95, beach towel €64.95.

With Martens & Martens, SUITE702 reaffirms its vision of functional beauty. Each design acts as a reminder that art can live in the smallest gestures — a folded towel, a stripe of colour, a texture against the skin. It is a collection for dreamers who live by the light of form and for those who believe that luxury begins with awareness. Enjoy yourself.

WHITE Milano September 2025

Inside WHITE Milano 2025
*New Visions, Emerging Voices, Global Connections

WHITE Milano returns to the Tortona Fashion District from September 25 to 28, reaffirming its role as a stage where the global fashion system meets craft, research, and identity.

With 364 exhibitors, supported by partnerships with institutions such as MAECI, ICE, the Municipality of Milan, and the Lombardy Region, the exhibition creates a vision of the Spring/Summer 2026 season that is anchored in innovation and guided by sustainability. Its direction is international and precise, reaching into new markets and strengthening Milan’s position as the place where creative languages converge.

WHITE Milano
2025 September Edition
Brand CLARA PINTO

WHITE Milano
2025 September Edition
Brand CHŪNCHÉN

The theme of this edition develops through new structures and projects, among them the inaugural RLC Fashion Summit at MUDEC on September 25, an invitation-only gathering that brings together leaders from fashion, retail, and luxury. It reflects the ambition of WHITE to act as marketplace and laboratory, aligning commercial exchange with broader dialogues about the structural shifts shaping the industry. Alongside the summit, initiatives such as ExpoWHITE, Inside White, and WHITE Resort expand the exhibition’s perimeter, offering spaces that showcase cross-cultural creativity, resort and leisure fashion, and experimental approaches to design. Secret Rooms once again highlight talent through an immersive format, placing the focus on identities that carry strong aesthetic signatures and cultural depth.

In this atmosphere, certain presences define the pulse of the edition. CLARA PINTO is a London-based brand exploring innovation through traditional wool felting techniques. Founded in 2019, it has gained international recognition for its sculptural, material-driven approach, reinterpreting the role of wool in contemporary design through craftsmanship rather than technology. From Colombia, Manuela Alvarez continues her path of building bridges between ancestral handwork and global design, and her collaboration with Adidas extends this narrative into a sphere where artisanal codes merge with the technical imagination of sportswear. The result is a dialogue that amplifies the voice of independent craftsmanship and the reach of global production, presented within the context of WHITE’s curatorial stage.

Scandinavian presence finds expression in RENÉ Copenhagen, founded by Jens Skov Østergaard, whose voluminous silhouettes and fluid tailoring channel a sensibility that draws on heritage while projecting forward with utilitarian clarity. The brand’s aesthetic enters Milan with strength, expanding the exhibition’s geography while affirming the role of Copenhagen as an epicenter of cultural fashion energy. Italian craft is given a distinct accent through RIEN Studio, which has chosen to concentrate on a single product, a shoe that merges the function of a slipper with the elegance of a design object. Its appearance at WHITE Resort emphasizes how simplicity, when mastered, can define a whole vocabulary of style. HIDESINS adds a different tone, presenting a collection marked by architectural volumes, material experimentation, and a sense of power in silhouette, reinforcing the importance of bold design languages in shaping the visual direction of the season. Joining from Asia, CHŪNCHÉN introduces garments conceived with precision and material awareness, extending the reach of the fair into a new cultural horizon and giving voice to a rising creative identity with strong narrative depth.

WHITE Milano
2025 September Edition
Brand HIDESINS

WHITE Milano
2025 September Edition
Brand MAZ MANUELA ALVAREZ x ADIDAS

WHITE Milano
2025 September Edition
Brand SPEKTRE

These presences coexist with an extensive program that includes Spanish, Indian, Armenian, Brazilian, Romanian, and South African designers, each contributing unique cultural stories that expand the collective vision of the exhibition. At Superstudio, BASE, and other Tortona venues, visitors encounter installations, fashion-art dialogues, and showcases that underline the multiplicity of voices brought together under WHITE. Highlights include the Flavio Lucchini retrospective at the FLA Museum and Roberto Miglietta’s sculptural explorations at BASE, which situate fashion within an expanded artistic framework.

By curating this complex ecosystem, WHITE Milano September 2025 embodies a direction that is curatorial and connective. It stages a landscape where identities as diverse as BAJA, Alvarez with Adidas, RENÉ, RIEN Studio, HIDESINS, and CHUNCHEN take their place among global peers, forming a collective voice that resonates across continents. In doing so, the exhibition affirms its purpose: to be a meeting point where craft, innovation, and vision define the present and shape the future of fashion.

Wildling Shoes - Sustainable Barefoot Shoe

WILDLING
*Ten Years Barefoot in Motion

written SARAH ARENDTS

It all began with a step. Ten years of Wildling. Ten years barefoot, from the very start. Anna and Ran Yona founded the label in Engelskirchen in 2015, reimagining what shoes could be. Shoes that feel like no shoes at all. Unrestricted, agile, radically minimal.

The idea did not emerge from a business plan, it emerged from children running barefoot across tiles, meadows, sand. When the German climate demanded sturdier shoes, there were no models that gave the same freedom. So Anna and Ran built them. A wooden last shaped from their daughter’s foot, a designer sketching from afar, a small factory in Portugal producing the first prototype. A crowdfunding campaign brought the first pairs to life. And quickly the question arose: could this be done for adults too?

Anna and Ran
photo by Dirk Bruniecki

Today, people across the world wear Wildlings. The bestseller Tanuki alone has been sold over half a million times. Yet Wildling has never measured success in numbers. Success here means circularity, regionality, radical transparency. It means partners who want to reshape the textile world from its very roots. Three partnerships embody this vision: Nordwolle, Virgo Coop, and Itoitex. Each one tells of a future built from old knowledge, reimagined. Nordwolle begins in the pastures of northern Germany. Hardy breeds like the Pomeranian Landsheep graze the fields, preserving biodiversity. Their wool was once dismissed as too coarse, too rough. Now it is washed, combed, spun. No dyeing, no bleaching. A material that warms, breathes, and speaks against synthetic fibers, against microplastics, against faceless supply chains. Since 2015 Wildling has used Nordwolle, crafting models like Kindur entirely from it. When shoes are returned, the wool is recycled — a closed loop, rare in footwear.

Virgo Coop works in southern France. Three founders, an old weaving mill, a young team. Reviving the craft of European hemp and linen processing, long abandoned. Machines designed anew prepare the fibers into fine yarns. Hemp grows with little water, no pesticides, enriching the soil as it matures. Wildling invested in Virgo’s machines, helping save the weaving mill. Today, Nordwolle sends fibers to Virgo, and Virgo weaves fabrics in return. A regional cycle, sustaining knowledge once thought lost.

And then Itoitex. Two emails crossing paths — one from Germany, one from Japan. Anna Yona and Mr. Itoi recognized a shared possibility in Washi paper. Traditional Japanese paper, refined into yarn. Wrapped around a polyester core, woven into fabric. Lightweight, breathable, antibacterial. From it came the Tanuki. A shoe with a thin, flexible sole, inspired by Japanese Tabi footwear. A design that connects the body to the ground, it´s a symbol of cultural exchange and the courage of improbable ideas.

Anna and Ran
photo by Sarah Pabst

photo by Lisa Pitz

Ten years of Wildling means ten years of radical textile research. Wool from Rügen, hemp from southern France, paper yarn from Japan. Each material is part of a larger story. A story about circular economies, collective innovation, and textile self-determination in Europe and beyond. A story about footwear as a vessel of vision, carrying ideas of how to live with the earth.

Wildling remains barefoot. From the beginning. And for the future.

discover more www.wildling.shoes

RESLIDES - Modular Slides

RESLIDES
*Modular Slides for a World in Flux

written AMANDA MORTENSON

RESLIDES arrives from Zurich with clear intent, a lucid system for feet and pace, authored by designer Benno Reichard and released to the public in Spring 2025. The project speaks in clean lines and steady rhythm, offering footwear as an editable experience and style as a living practice.

The brand presents a commons of fashion-conscious people who move through daily life with self-determination, who treat the planet with care and curiosity, and who welcome new ideas for living and consuming in a constant state of flux.

The message lands with clarity; DIVERSE – ADAPTABLE – SELF-DETERMINED. A pair of RESLIDES enters the wardrobe either pre-assembled and ready to walk or delivered as a kit for hands that enjoy process, order, and the small ceremony of building. Each element carries longevity in its brief. Components fit, refit, and return to service with ease, and the design welcomes repeated touch. Uppers and straps drop in regular waves through collaborations with artists, designers, and like-minded brands, turning the slide into a platform for edits, experiments, and mood shifts that follow the body through a day, a week, a season.

(c) pictures by Johanna Saxen

RESLIDES modular slides

The formal language orients on Dieter Rams principles and holds a timeless posture. Edges read calm, proportions feel balanced, and the silhouette glides through studio floors, café tiles, summer concrete, quiet corridors, garden paths. The wearer becomes an editor of detail: a textured upper for evening air, a monochrome strap for a stripped-back moment, a pattern that hums through errands and conversation. The system encourages change through choice, and choice arrives through parts that click into place with reassuring precision.

MODULAR – DURABLE – CIRCULAR. RESLIDES runs on update culture. Straps and uppers rotate, repair unfolds with purpose, and retired components loop back to the brand with rewards that close the circle. The promise is simple: material stays in play, style continues, waste loses its spotlight. A slide becomes a toolkit for personal evolution, and every selection writes another line in a growing archive. The act of exchange—one strap for another, one upper for a new texture—feels immediate and grounded, a small action with a steady consequence.

The community sits at the center. RESLIDES gathers people who claim their taste with confidence and craft, who enjoy a design that listens and responds. The brand talks in the first person plural for a reason; the project lives through shared choices, through images and gestures that pass from one pair of hands to another. The visual world surrounding the footwear stays close to real rooms and lived moments. The rhythm continues on Instagram at @reslides.official where fragments and process offer a window into the practice.

For those seeking a clear entrance, explore modular slides at RESLIDES. The site opens the system, the kit, the ready-to-wear path, the collaborations, and the return cycle that keeps materials moving through many lives. A wardrobe gains a living instrument: build, adjust, repeat, document, evolve. Each pair becomes a working notebook, each strap a fresh line, each return a quiet affirmation of care.

(c) pictures by Johanna Saxen

(c) pictures by Johanna Saxen

(c) pictures by Johanna Saxen

Zurich gave the project its first pulse and Spring 2025 the first release, yet the rhythm already escapes time and place, carried forward through the people who wear and rewear, who assemble and disassemble, who send parts back and wait for the next drop, who treat the slide as an ongoing conversation between body and object, surface and ground, past step and next step. RESLIDES is less an item to be owned than a process to be lived, a modular cadence where every exchange of straps and uppers becomes a gesture of care, every return a small ritual in circular design, and every walk a reminder that fashion can remain open, responsive, generous. Update over waste, and movement writes the rest. Enjoy yourself!

discover more www.reslides.ch

pos.sei.mo - Sustainable Luxury Knitwear

pos.sei.mo
*Crafting Timeless Knitwear

written SARAH ARENDTS

The German knitwear brand pos.sei.mo builds its identity on rare natural fibers, refined craftsmanship, and a clear commitment to sustainability. Every collection is shaped by the idea that luxury can coexist with responsibility, creating garments that are precious and enduring.

The name pos.sei.mo brings together three materials that define the brand’s essence: possum, silk, merino. These fibers, often blended with cashmere, set the tone for the distinctive softness and resilience of the collections. The story began with a dedication to natural yarns and the decision to work with partners who share the same values. Early collaborations with Woolyarns in New Zealand established a foundation of trust and access to high-quality, ethically sourced fibers.

Production is anchored in Germany and the EU, where skilled workshops apply traditional and advanced knitting methods. Techniques such as Seamless Knitting and Fully Fashioned enable precise shaping, minimal waste, and garments that carry the signature of careful craftsmanship.

pos.sei.mo presents knitwear as a long-term companion. The brand pursues an approach that emphasizes continuity, thoughtful design, and accountability across every step of creation. A garment is envisioned for its moment of purchase and for years of use, with a focus on maintaining beauty and function over time.

This philosophy is extended through the Cashmere Spa, an in-house service for garment care and repair. By offering professional maintenance, the brand ensures that treasured pieces remain part of daily life for as long as possible. This service reflects a holistic vision: production and aftercare are inseparable elements of sustainable fashion.

Each collection reflects a dedication to elegance and refinement through knitwear. Fibers such as possum, silk, merino, and cashmere are chosen for their natural qualities and combined in innovative blends. Seamless construction techniques result in garments that feel fluid on the body, while Fully Fashioned knitting shapes each piece with precision.

Design language is rooted in clarity and timelessness. Natural and earthy tones dominate the palette, often complemented by muted neutrals that highlight the quality of the fiber itself. Silhouettes range from classic turtlenecks to draped cardigans, ponchos, and finely crafted scarves, all conceived to integrate effortlessly into a wardrobe.

Every stage of the pos.sei.mo process follows a consistent principle of responsibility. Fibers are sourced under strict environmental and animal welfare standards in New Zealand. Production takes place within Europe, allowing close oversight and fair working conditions. Knitting technologies reduce excess material, aligning efficiency with quality. By encouraging customers to renew and care for garments through the Cashmere Spa, pos.sei.mo adds another layer of responsibility to its practice.

pos.sei.mo represents an understanding of fashion as cultural craftsmanship. Each piece is both a product and a statement of values, shaped by a respect for natural resources, for skilled artisans, and for the wearer. The brand continues to expand its presence while staying true to its roots: fibers from New Zealand, European design aesthetics, and a dedication to sustainable luxury. Through its collections, pos.sei.mo demonstrates that knitwear can embody refinement, durability, and care. The vision is clear—garments created with integrity, carried forward with responsibility, and treasured across generations.

all images (c) pos.sei.mo
discover more www.posseimo.de

MOEBE - Pivoting Lamps 2025 Design

MOEBE
*Pivoting into Radiance

written MONICA DE LUNA

Yellow moves straight through the room, undiluted, unfiltered, an immediate surge of brightness that anchors everything around it.

The Pivoting Lamps by MOEBE in yellow unfold like punctuation marks written in steel, setting the rhythm of a space with their uncompromising geometry. The Pivoting Table Lamp arrives as an object of precision and weight. Four steel sheets shape its form: three folded into interlocking U-shapes, bound at the center, and a fourth stretched across the top as a deflector, redirecting the flow of light. A sculpture with a pulse, a light instrument that encourages constant adjustment. Ambient glow bends and reshapes through every pivot, producing a choreography of angles, shadows, reflections.

MOEBE
Table Lamp

MOEBE
Table Lamp

On the wall, its sibling performs a lean gesture of equal strength. Two sheets define its structure, one fixed, the other free at the waist. The pivot guides light upward, downward, or split across both directions, creating lines of illumination that frame the architecture around it. The switch hides in the body, leaving the gesture intact, the movement pure.

MOEBE brings steel into focus as raw matter, the lamps carry clarity of form, material, and function. Every cut and fold speaks of the Copenhagen workshop where architects and a cabinet maker refine their vocabulary into lasting design. A practice of reduction, a practice of endurance, a practice where utility turns sculptural.

In yellow, the lamps evolve into declarations. Sand offers quietness, stainless steel offers clarity, yellow offers radiance. The color functions as an event in itself, transforming lamp and space into theatre. A table lamp becomes punctuation, a wall lamp becomes cadence, each marking the room with energy that shifts across hours of the day.

The Pivoting Table Lamp measures 225 x 80 x 225 mm, a cube undone and redrawn, compact yet expansive in its effect. The Pivoting Wall Lamp stretches to 48 x 320 x 85 mm, a slender line of steel that extends across the surface like a precise incision. Both carry the G9 LED bulb, 2700K glow, an energy source contained yet expansive.

MOEBE
Wall Lamp

MOEBE
Wall Lamp

MOEBE, established in 2014, continues its exploration of modularity, longevity, and the honesty of visible construction. Every element can be assembled, repaired, or recycled, ensuring endurance over time. The Pivoting Lamps expand this philosophy into objects of light, creating atmospheres that grow with their surroundings. Yellow serves as the recommended color for the season, a direction from LE MILE toward bold clarity in interiors. The choice extends beyond palette into statement, beyond accent into anchor. Yellow speaks of light as presence, of steel as rhythm, of design as punctuation. Spring 2025 belongs to light that articulates space and pivoting lamps arrive as sculptural companions, folding steel into radiance, yellow as the emblem of the season. Enjoy!

discover more www.moebe.dk

Stack 'Em Up: How to Build the Perfect Gold Bracelet Combo

Stack 'Em Up:
How to Build the Perfect Gold Bracelet Combo

Every exceptional gold bracelet stack begins with thoughtfully selected foundation pieces

—those versatile gold bracelets for women that anchor your collection while offering endless styling possibilities. Like the perfectly tailored white shirt in a capsule wardrobe, these essential pieces create the framework upon which your personal style narrative unfolds.

Gold Bracelets: Anchoring with Timeless Classics

The cornerstone of any sophisticated stack lies in selecting pieces with enduring appeal rather than fleeting trend status. A well-crafted gold chain bracelet serves as the quintessential foundation element.

•Opt for 14k or 18k solid gold for pieces with investment value that will patinate beautifully over time

•Consider a Cuban link or paperclip chain as your first investment—both offer structural integrity while complementing additional layers

•Balance delicacy with substance; overly dainty gold bracelets may disappear in a stack

Balancing Statement and Subtle Elements

The art of the perfect gold bracelet combination lies in thoughtful contrast. Much like Sofia Richie Grainge's approach to "quiet luxury," your stack should include both whisper-soft elements and pieces with presence. A sleek gold cuff provides architectural structure, while a tennis bracelet adds luminous movement. This interplay between statement and subtle creates the visual rhythm that defines sophisticated stacking.

Mixing Metals & Finishes: Breaking the Old Rules

Forget the antiquated notion that gold tones must remain segregated. Today's most sophisticated jewelry collectors understand that the interplay between different gold finishes creates a narrative of personal style that's both nuanced and intentional. The modern approach to gold bracelets embraces contrast as a design principle rather than a styling mistake.

The Golden Ratio: Balancing Multiple Tones

The 60/30/10 principle brings architectural balance to your gold bracelet stack, creating visual harmony while maintaining interest. Choose one dominant gold tone (60%), a secondary complementary metal (30%) and an accent finish (10%).

• Yellow gold provides timeless warmth as a foundation

• Rose gold offers a subtle blush that softens the overall effect

• White gold introduces contemporary contrast, particularly striking against yellow gold

Textural Conversation Between Pieces

The true sophistication in a gold bracelet collection emerges through textural variation. Juxtapose a polished gold chain against a hammered cuff, or pair a twisted bangle with a brushed gold bracelet. This dimensional interplay creates visual depth that catches light differently throughout the day, ensuring your stack remains captivating from every angle.

The Art of Balance: Creating Harmony in Your Stack

Creating a perfectly balanced gold bracelet stack is like composing a visual symphony—each piece contributes to the whole while maintaining its individual beauty. The most elegant stacks achieve a delicate equilibrium between statement and subtlety, where gold bracelets of varying weights, textures and dimensions play complementary roles.

Understanding Visual Weight in Gold Composition

The foundation of a harmonious stack lies in understanding how different gold bracelets interact visually when placed together.

• Alternate delicate chain bracelets with more substantial gold cuffs to create rhythm

• Position heavier pieces closer to the wrist, with lighter elements extending outward

• Consider the negative space between bracelets as part of the composition

Building Around a Focal Piece

Much like how Sofia Richie Grainge anchors her "quiet luxury" aesthetic with a statement timepiece, your gold bracelet stack benefits from a central element that grounds the arrangement.

Creating Rhythm Through Repetition

The most sophisticated gold bracelet combinations employ the designer's principle of repetition with variation. This technique—evident in Hailey Bieber's signature stacks—creates visual cohesion while maintaining interest. Try repeating similar links or textures across different scales, allowing your gold bracelets to create a narrative that flows naturally around your wrist without tangling or competing for attention.

Occasion-Driven Stacking: From Boardroom to Brunch

The versatility of gold bracelets lies in their chameleon-like ability to transition between environments with subtle adjustments. In essence, your bracelet stack can articulate authority in professional settings while effortlessly pivoting to weekend elegance.

Refined Restraint for Professional Settings

The boardroom calls for gold bracelets that convey sophistication through intentional minimalism. Channel Sofia Richie Grainge's quiet luxury approach with thoughtfully curated pieces.

• Select slimmer gold bracelets with architectural detailing

• Limit stacks to three complementary pieces in similar tones

• Position a watch as your anchor piece, flanked by delicate gold chains
  

The Five-Minute Transformation

The true art lies in the seamless transition between contexts. Your gold bracelets become versatile players in this narrative.

• Keep statement pieces in your handbag for quick additions

• Layer bolder cuffs over your daytime minimalist stack

• Incorporate textural variety with both polished and hammered finishes

Bracelet Stacking for Different Wrist Types

The architecture of your wrist creates the foundation for your gold bracelet story. Understanding your unique proportions allows for intentional styling that enhances rather than overwhelms. Like the carefully considered jewelry moments in "The Crown," your bracelet stack should feel both deliberate and effortlessly elegant.

Flattering Combinations for Petite Wrists

For slender wrists, delicate gold bracelets create sophisticated dimension without overwhelming your natural proportions. Channel Zoë Kravitz's restrained approach to accessorizing with these thoughtful considerations:

• Select thinner gold bracelets with refined chain links or minimal cuffs

• Create visual interest through varied textures rather than substantial pieces

• Limit your stack to three or four complementary gold pieces with breathing room between each
  

Balancing Proportions on Larger Wrists

Embrace the generous canvas of a larger wrist by playing with visual weight and negative space. The key lies in thoughtful composition—much like Tracee Ellis Ross's masterful bracelet styling that balances statement and subtlety.

Creating Length Through Strategic Placement

The vertical arrangement of your gold bracelets can elongate the appearance of your wrist. Position longer pieces centrally, flanked by smaller companions. This architectural approach draws the eye upward, creating an elegant line that complements both casual ensembles and evening attire—a technique perfected by Rosie Huntington-Whiteley's red carpet moments.

Express Yourself: Crafting a Gold Stack That’s Uniquely You

A gold bracelet stack isn’t just an accessory—it’s a personal narrative worn on the wrist. Whether your style leans toward clean minimalism or bold expression, the true beauty lies in curating combinations that reflect who you are in this moment.

Meaning Woven Into Every Piece

The most memorable stacks go beyond aesthetics. They carry stories, emotions, and identity. Take inspiration from icons like Sofia Richie Grainge, whose signature look fuses sculptural elegance with personal symbolism.

• Reach for a vintage chain that nods to your heritage

• Add a charm that marks a milestone or speaks to your passions

• Pair sleek, engravable cuffs with ornate bangles for depth and contrast

Each choice becomes part of your visual language—quietly powerful, unmistakably yours.

Reinvent Without Rebuying

Your bracelet collection doesn’t have to grow to feel new. A thoughtful rearrangement can make familiar pieces feel fresh again. What once grounded a winter look can take on a new lightness for summer—simply by playing with balance, spacing, and contrast. Chunkier pieces can anchor airy chains; minimal cuffs can create rhythm between detailed designs.

Ultimately, stacking is about evolution. Your gold bracelets will change with you—and that’s the point.

DETJER - Storage Cabinets

DETJER
*The Architecture of Silence

written MONICA DE LUNA

Noise and novelty flood the visual field. DETJER responds with clarity. The brand's philosophy orbits around stillness, line, and the essence of material. Every object exists to endure. Rooted in a language of form that feels ancient yet precise, DETJER creates presence through design.

The Storage Cabinets are a meditation in symmetry and grain. Suspended with intention, it levitates above ground—a gesture of weightlessness, achieved not through illusion, but through structure. It opens with a quiet rhythm. The wooden fronts conceal rather than announce. Behind them: space, aligned.

This is furniture that listens. Built by hand, the cabinet reflects DETJER's intense relationship with wood—an understanding honed through time and tactile knowledge. The choice of darkened teak is deliberate. A wood that holds its age well, it carries the patina of presence. As light plays across its surface, the finish reveals depth rather than gloss, movement rather than noise.

The cabinet has no handles; access is integrated through subtle recesses along the edge of the front panels. The shape is straightforward—vertical and angular, marked by a balanced silhouette. The linear grain of the teak guides the eye and reinforces the structure’s visual clarity.

DETJER approaches design through a clear architectural mindset. Each object begins with a drawing, then takes shape in the workshop. The Cabinet is designed to be mounted on the left, directing the motion of the hand and offering a thoughtful interaction with its use.

Over time, the surface develops character. The darkened teak is finished with natural oil, which highlights the movement in the wood grain and gently responds to light. The surface quietly records touch and time. Its design avoids decorative distractions and focuses on coherence.

The brand, founded in the Netherlands, works closely with skilled artisans in Indonesia. Every surface, edge, and connection is refined manually. The result is an object that holds its shape with confidence. The Storage Cabinet reflects an interest in balance and proportion. It integrates easily into spaces of various scales—private interiors, transitional zones, or curated environments.

Its functionality is straightforward. Adjustable shelves allow for flexible organization. Whether used for books, clothing, devices, or objects, the interior adapts without forcing a system. The doors operate smoothly. Hinges are recessed and silent. The solid teak adds structure and warmth. The piece contributes a calm and steady rhythm to the space.

DETJER follows a design ethos grounded in long-term thinking and careful production. Their Storage Cabinets illustrate this approach through their precision and material honesty. The non-toxic oil used for the darkened teak maintains breathability and tactile depth. The result is a storage piece that settles into its environment and matures gradually. The form is not reduced to aesthetics. It invites daily use and rewards repeated interaction. Surfaces are made to be touched.

Within the broader collection, the Cabinets reflect DETJER’s ongoing dialogue between design, and function. Every piece shares a consistent attitude and material logic. Whether installed individually or as part of a larger spatial arrangement, the cabinet offers a visual pause and a place of order. Its darkened teak finish brings depth without distraction. It remains steady and deliberate. DETJER continues its exploration of design through materials and scale.

discover more www.detjer.com