SS26 Womenswear - REBEL SOUL with Brydie Cleveringa

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REBEL SOUL
*with Brydie Cleveringa

written CHIDOZIE OBASI

The hallmarks of painstaking tailoring include, but are not limited to a slimline silhouette, soft volumes and, usually, the addition of contrast accents found in sartorial textures. Designer brands were the initial catalysts for this trend, but it has since been fuelled by iterations from premium wear giants and high-street counterparts, too.

Brydie wears a total look by MCQUEEN

Emerging designers are also faithful adopters, and released their iterations throughout years of innovation. True to form, tailoring is very much in-keeping with the pared-back identity luxury has become known for, and pairs well with the puddling hemlines of the cosy separates seen across mainline collections. (The model’s shots on this story, styled by LE MILE’s very own Fashion Market Director, exemplify the multiple styling possibilities of these offerings.) Proof that they’ve been a hit? Wear-anywhere tailoring is available in several styles, as well as classic cuts that stand the test of a lifetime. As is the case with any cult high-street product, many Italians have welcomed these staples into their everyday wardrobes. I’ve seen them on the Tube, in pub gardens – and now that they’re included in the designer’s seasonal proposals, I expect they’ll become even more popular in no time.

Brydie wears blazers and pants by DOLCE&GABBANA, shirt by TAGLIATORE

Brydie wears a total look by FERRAGAMO

Brydie wears a total look by VALENTINO

Brydie wears blazer and white shirt by MICHAEL KORS, striped shirt by ARTHUR ARBESSER, skirt by MEIMEIJ, shoes by APEPAZZA

photography COSIMO BUCCOLIERI via STUDIO REPOSSI
fashion director and stylist CHIDOZIE OBASI
head of production JESSICA LOVATO
fashion coordination ALBERTO MICHISANTI + EDWARD PUSCA
make up DIANA DJURDJEVSKI via STUDIO REPOSSI
hair AMERICO TURTORO via MKS MILANO
model BRYDIE CLEVERINGA via D MANAGEMENT GROUP
photography assistant ANTONIO CROTTI
fashion assistants SIMONA VERNAZZA + ANGELINA PERSIANI + SOFIA FARINA + CHARISSE ORDINARIA + LUIZA ANGELOVA + CHIARA DE BONIS

credits
all Images (c) LE MILE
and Cosimo Buccolieri

SS26 Menswear - WILD COMPOSURE with Luca Cobelli

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WILD COMPOSURE
*with Luca Cobelli

written CHIDOZIE OBASI

Every Spring, I find myself reaching instinctively for one of the best breezy separates that has carried me through countless cold mornings, commutes, late-night dinners and far-fetched trips. No matter how many trends cycles come and go, a body-hugging essential is a mid-season constant. That’s why when investing in one, you need to think carefully about what to look for, what to avoid and the wear-anywhere styles worth considering.

Luca wears a total look by MIU MIU

Luxury brands like MIU MIU, Paul Smith and Michael Kors have practically built their reputations on expertly crafted wardrobes, but there are plenty of more affordable and brilliantly made options on the high street, too. Brands such as BePositive, Avant-Toi and Canaku now offer exceptional quality in the daily wardrobe department without breaking the bank. Also worth noting: Fit is key. A gently oversized cut allows room for billowing shirts underneath and gives a more relaxed feel, while a slimmer or more tailored number offers polish for eveningwear, but isn’t the best for layering underneath on the coldest of days. Aim for a staple that skims the body without swamping it, and make sure the sleeves are the right length – small alterations at your local tailor can make an enormous difference. You’re welcome.

Luca wears a shirt by HED MAYNER, pants by ACT N.1 and shoes by PREMIATA

Luca wears a polo sweater by AVANT-TOI, a shirt by ALESSANDRO GHERARDI, pants by QUARTO ATTO, shorts by CALVIN KLEIN, shoes by CHURCH’S and a tie by THE FRANKIE SHOP

Luca wears a sweater and shirt by MICHAEL KORS, pants by PAUL SMITH and shoes by BEPOSITIVE

Luca wears shirts by PAUL SMITH and LABO.ART, and pants by CANAKU

photography COSIMO BUCCOLIERI via STUDIO REPOSSI
fashion director and stylist CHIDOZIE OBASI
head of production JESSICA LOVATO
fashion coordination ALBERTO MICHISANTI + EDWARD PUSCA
make up CHIARA GUIZZETTI via THE GREEN APPLE ITALIA
hair FUJIWARA TAKAHASHI via MKS MILANO
model LUCA COBELLI via I LOVE MODELS MANAGEMENT
photography assistant ANTONIO CROTTI
fashion assistants SIMONA VERNAZZA + ANGELINA PERSIANI + SOFIA FARINA + CHARISSE ORDINARIA + LUIZA ANGELOVA + CHIARA DE BONIS

credits
all Images (c) LE MILE
and Cosimo Buccolieri

SS26 Menswear - DANCING TIDES with Simone Emili

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DANCING TIDES
*with Simone Emili

written CHIDOZIE OBASI

Simone Emili’s first approach to dance was quite unusual, and came almost by chance. “I was about ten years old, a very hyperactive kid, and I felt the need to practice a sport, but I couldn’t really find one that I saw myself in,” he tells LE MILE’s Fashion Director, Chidozie Obasi. “There was one thing, however, that came naturally to me: in every sport I tried, in moments of rest, I always ended up dancing.”

Simone wears a vest by FEDERICO CINA and pants by ISSEY MIYAKE MEN

Simone wears a cardigan by FIVEFOURFIVE, a tank top by SANDRO, a skirt by ACT N1, and pants by SETCHU

From then on, he never stopped: at first, it was simply a hobby, something that spontaneously became a part of his daily routine. Then, during adolescence, he began to understand that it could become much more. “I completely changed my mindset and approach: dance became a tool for transforming my body, my mind, and, ultimately, the person I am today.”

Emili believes that today, the relationship between fashion, expression, and dance is at its peak. “There’s an increasingly perceptible mutual contamination between these worlds, which now communicate naturally and continuously,” he reflects. “It’s as if they were a single form of expression: one doesn’t exclude the other, but rather complements it. Where there’s fashion, there’s also movement; and movement, ultimately, is the very essence of dance. Fashion, in my opinion, is a form of dance: it communicates through the body, lines, and attitude. Likewise, dance embodies an aesthetic, a sense of style and expression that deeply resonates with the language of fashion.”

The emotions Emili felt during the shoot were bountiful, but what struck him most was the stark contrast between them. “Wearing six different looks, I felt like I was experiencing six distinct emotional states,” he says. “Each outfit transported me to a different atmosphere, almost a new environment, capable of evoking specific sensations: from harmony to elegance, even a kind of anger,” he explains. “All these emotions then became part of my performance in front of the camera. It was precisely this emotional journey that allowed me to face a long and intense day with energy and awareness. My goal was to create a contrast between the looks: not just an outfit change, but a transformation of my entire personality time after time.”

Simone wears a cardigan by FIVEFOURFIVE, a shirt by CANAKU, shorts by HED MAYNER, and shoes by AQVA ALTA

Simone wears a cardigan by TOMMY HILFIGER, a shirt by BOSS, pants by MOSCHINO, shoes by SEBAGO, and jewellery by N21

Simone wears a sweater by MORDECAI, a shirt by MANUEL RITZ, pants by ACT N1, and shoes by BEPOSITIVE

Simone wears a total look by MOSCHINO

Simone wears a cardigan by TOMMY HILFIGER, a shirt by BOSS, pants by MOSCHINO, shoes by SEBAGO, and jewellery by N21

photography COSIMO BUCCOLIERI via STUDIO REPOSSI
fashion director and stylist CHIDOZIE OBASI
head of production JESSICA LOVATO
fashion coordination ALBERTO MICHISANTI + EDWARD PUSCA
make up DIANA DJURDJEVSKI via STUDIO REPOSSI
makeup assistant ANGELA CAMMALLERI
hair AMERICO TURTORO via MKS MILANO
model SIMONE EMILI
photography assistant ANTONIO CROTTI
fashion assistants ANGELINA PERSIANI + CHARISSE ORDINARIA + SIMONA VERNAZZA + SOFIA FARINA + VALENTINA INVERARDI + VINCENZO VITELLO + THEA OLOFSSON ROWCLIFFE

credits
all Images (c) LE MILE
and Cosimo Buccolieri

SS26 Menswear - SOFT PROJECTION with Matteo Guerrieri

.digital
SOFT PROJECTION
*with Matteo Guerrieri

written CHIDOZIE OBASI

Wear-anywhere separates are something of a paradox. Whether you choose breezy numbers or a style that stretches, something in neutral shades or a more tempered hue, their practical aesthetic can appear effortless – see Matteo Guerrieri’s proposal for the taking – however, the flipside is that for all their daily effortlessness, they require significantly more upkeep than their structured counterparts.

Matteo wears a blazer by CANALI, a bomber and scarf by ETRO, a shirt by BOSS, pants by RANDOM IDENTITIES by Stefano Pilati, and shoes by CHURCH’S

Quite simply, they deliver something different to classic true staples, which is why 24/7 wearers of soft tailoring will always have an ample range in their rotation. I own many: blazers, sweats and cardigans styles from both the high street and premium houses, which have a subtle aesthetic that teams nicely over sneakers or formal footwear. They serve different purposes, as you can probably tell by their shapes, but, crucially, both deliver polish in a mode that’s easy and undone.

They could pretty much be styled with any toppers, from a chunky knit by day to a long-sleeved cotton offering by night. (I also love a shirt-meet-sweat moment, although that might be too much for a night out.) My only note would be to score on the low-effort proposals, as the key is not overdoing it. Minimal layers, a quiet necktie and comfortable shoes – a lived-in Church’s loafer or a funky trainer, such as BEPOSITIVE – are the way to go. All that is left to do now is finding your staple of choice, and you’ll become the embodiment of Spring in no time. You’re welcome.

Matteo wears a polo sweater by FERRAGAMO, a knit T shirt by AGNONA, pants by FIVEFOURFIVE, and shoes by FERRAGAMO

Matteo wears a total look by VALENTINO

Matteo wears a total look by DIOR HOMME

Matteo wears a tank top by ISABEL MARANT, a vest by LUCA LARENZA, a shirt by LABO.ART, pants by ZEGNA, and shoes by CHURCH’S

Matteo wears a cardigan by EXTREME CASHMERE, a shirt by MORDECAI, pants by INSTITUTION, shorts by LUCA LARENZA, and shoes by BEPOSITIVE

photography COSIMO BUCCOLIERI via STUDIO REPOSSI
fashion director and stylist CHIDOZIE OBASI
head of production JESSICA LOVATO
fashion coordination ALBERTO MICHISANTI + EDWARD PUSCA
make up DIANA DJURD JEVSKI via STUDIO REPOSSI
makeup assistant ANGELA CAMMALLERI
hair AMERICO TURTORO via MKS MILANO
model MATTEO GUERRIERI via MASC AGENCY
photography assistant ANTONIO CROTTI
fashion assistants ANGELINA PERSIANI + CHARISSE ORDINARIA + SIMONA VERNAZZA + SOFIA FARINA + VALENTINA INVERARDI + VINCENZO VITELLO + THEA OLOFSSON ROWCLIFFE

credits
all Images (c) LE MILE
and Cosimo Buccolieri

FW25 Menswear - Truly, Softly, Preppy with Simone Pollastri

.digital
TRULY, SOFTLY, PREPPY
*with Simone Pollastri

written CHIDOZIE OBASI

For youngsters, in a society where the tides of change are evolving with increasingly ferocious pace, it’s a painful time to tell stories about the arts. For some, these are times shaped by transitions, informed by choices and decisions that helped define the state of our world—with a gumption to envision the future not as a destination, but as a point of greater clarity and a personal journey. For Milan-hailed creative Simone Pollastri, this year epitomised such an example: a time where he closed chapters, both professionally and personally, that no longer aligned with his vision or direction.

Simone wears a long-sleeved top by DSQUARED2, pants by SETCHU, shoes by ZEGNA, and jewellery by SWAROVSKI

Simone wears a jacket and pants by TAN, and shirts by MOSCHINO and ALESSANDRO GHERARDI

“I tend to set ambitious goals and see change as a necessary part of growth, rather than something to resist,” he tells me, with no peacocking braggadocio on display. “Both positive and challenging experiences contributed to a more focused mindset and a stronger sense of direction. Today, I feel more grounded and confident in the path I’m taking, aware that this phase is simply another step forward, not a final outcome.” His practice moves across a wealth of fields, all driven by the same approach to storytelling and aesthetics. “I’m naturally curious, drawn to movement, change and new challenges, and I try to channel my passions—namely, travel, sport and creativity—into a cohesive way of working and living,” he reflects. Pollastri works as a filmmaker and creative director through his production house, FilmVisual, where he develops visual campaigns and digital productions for fashion and sports brands.

“Alongside this, I recently co-founded TAN, an independent brand that represents a more personal extension of my creative vision,” he adds. “For me, creation is less about fitting into categorised roles and more about building a language that feels honest, dynamic and constantly evolving,” heconcludes, his face filled with excitement. But there’s more to the story, which you’ll probably read here first. You’re welcome.

Simone wears a brown sweater by ZEGNA, a black sweater by RANDOM IDENTITIES by Stefano Pilati, a shirt by TOM FORD, pants by DSQUARED2, shoes by CHURCH’S, and jewellery by LAG WORLD

Simone wears a jacket by THE FRANKIE SHOP, a shirt by MICHAEL KORS, pants by DIESEL, shoes by BEPOSITIVE, and a tie by TOM FORD

Chidozie Obasi
Taking a trip back memory lane: what’s your earliest approach with the creative field and with fashion, in particular?

Simone Pollastri
My earliest approach to creativity didn’t begin with fashion, but with images. At eighteen, I discovered photography and video almost by chance, and immediately felt drawn to the idea of using visuals as a personal language. What fascinated me wasn’t just the technical aspect, but the possibility of communicating what I had to say at that specific moment in my life through images, movement and storytelling. Over time, I started to realise how closely that process was tied to my own growth: how my perception of what felt beautiful or meaningful evolved alongside me. Fashion entered my path later, through visual work and collaborations, but always filtered through this lens. I never approached it as a system to belong to, but as a space where I could apply a subjective, evolving sense of aesthetics. That relationship with images remains the foundation of everything I do today.

You’re also a fond travel aficionado: how did such longing come about, and how has it blossomed over time?

I don’t think there was a precise moment when my desire to travel began: it has always felt like something inherent. Growing up, I often felt the need to look beyond my immediate surroundings. Travel represents the possibility to observe, understand and experience what exists outside of one’s own bubble. Over time, this curiosity became a driving force and naturally intertwined with my work.

Beside the fixtures of the fashion and travel realms, you’ve also dabbled into the world of film and motion storytelling...

Film and motion storytelling were never a separate ambition for me. Rather than stemming from a single moment, they emerged as a natural evolution of how I wanted to communicate ideas. Over time, I realised that still images alone weren’t enough: I was drawn to rhythm, sequencing and atmosphere. Motion allowed me to build narratives, not just visuals.

Today, film is less a discipline and more a framework, and that is precisely why I chose to found and work through my production house, FilmVisual. It’s the language I naturally return to when I want to translate a vision into something tangible.

As you’ve travelled and experienced many sides of the world, what values and lessons have you gained?

Travel has played a fundamental role in shaping both my personal and creative growth. I often see travel as a process of accumulation rather than escape. You leave with a blank page, and along the way it fills with impressions and perspectives. The most valuable lesson travel has taught me is inclusion; the ability to question your own point of view and remain open to complexities.

Simone wears a cardigan by NN.07, a sweater by EXTREME CASHMERE, a shirt by TOMMY HILFIGER, shorts by MOSCHINO, pants by CELINE, and jewellery by LAG WORLD

Could you unpack your biggest pinch-me moment from your professional journey, thus far?

My biggest pinch-me moment wasn’t tied to a milestone client, but to an experience that made me fully realise the path I had chosen. It happened during a work trip to Alaska, where travel, extreme sport and visual storytelling converged. That moment made it clear to me that, had I followed a more conventional route, many of those experiences wouldn’t have been possible. It reminded me of the importance of listening to myself and trusting the direction I had chosen.

How do you envision the future of influence and of the digital world at large?

I believe the shift within this industry has already happened. Today, influence is less about reach and more about relevance. Projects like TAN and FilmVisual are built on credibility, continuity and long-term vision. In a saturated digital environment, value and authenticity are what endure.

Leaning on your newly-founded brand venture, how did it all come about?

TAN was born from a clear and shared decision: the desire to stop expressing our creativity solely through other brands and start building a world of our own. Together with close friends, we felt the need to create something that genuinely reflected who we are: our relationship with the sea, sport, movement and travel. From the beginning, TAN was never conceived as a conventional fashion project. It’s a lifestyle-driven platform where the product exists within a broader context of experiences, community and storytelling. TAN is, and will remain, an independent Italian brand developed by friends, rooted in our lifestyle and designed to evolve without losing its identity.

Is there a wish to scale it and expand its base to international markets?

Our priority is to build a tangible relationship with people and allow them to experience our world firsthand. International expansion is welcome, but not chased. If a vision is authentic and well-rooted, it naturally travels. Rather than pursuing rapid growth, we’re focused on building something that lasts.

Any other exciting projects in the pipeline?

At this stage, my focus doesn’t lie in unveiling new projects, but on consolidating what already exists. The priority is to continue building TAN with intention, allowing it to grow into a solid and independent reality. Alongside its digital evolution, we’re interested in making the project more tangible. In the future, we’d love to open a physical space; not conceived as a traditional store, but as a creative hub. A place that can act as a meeting point for our community, where we can host events, music, gatherings and collaborative moments, and where the brand can be experienced beyond the product itself. Similarly, I want to keep developing FilmVisual. These two realities complement each other and represent the space where I feel most aligned. Looking ahead, my ambition is to grow both projects with patience, clarity and consistency, while expanding TAN organically, creating spaces and experiences that allow people to genuinely connect with our vision.

Simone wears a blazer and pants by HED MAYNER, a shirt by ZEGNA, and shoes by CHURCH’S

Simone wears a jacket by THE FRANKIE SHOP, a shirt by MICHAEL KORS, pants by DIESEL, shoes by ZEGNA, and a tie by TOM FORD

photography COSIMO BUCCOLIERI via STUDIO REPOSSI
fashion director and stylist CHIDOZIE OBASI
head of production JESSICA LOVATO
fashion coordination ALBERTO MICHISANTI + EDWARD PUSCA
make up KIM GUTIERREZ via STUDIO REPOSSI using FENTY BEAUTY and for skincare THE ORDINARY
hair DAVIDE NUCARA
model SIMONE POLLASTRI via WANNABE MGMTP
photography assistant ANTONIO CROTTI
production assistant LORIS VOTTERO
fashion assistants ALESSANDRO GIANESIN + SIMONA VERNAZZA + ANGELINA PERSIANI + CHARISSE ORDINARIA + DINA LABADI + MATILDE DALLA PIAZZA + MARIANA RAPOSO

credits
all Images (c) LE MILE
and Cosimo Buccolieri