Fashion Week SS26 *Highlights

Fashion’s Latest Side Quest
*In Fashion, the Outlandish and the Quotidian

written Chidozie Obasi

From Antwerp to Milan, designers are toying with convention and flamboyance. LE MILE rounds up key moments from the season.

Fashion’s fearless pursuit of the next trend continues apace, as the season — now in Paris — keeps gaining momentum, redefining classic silhouettes with a breezier, and softer approach. Volumes are getting looser and shapes are higher: menswear is all about functionality and soft practicality for next Spring.

PAUL SMITH
SS26

PAUL SMITH
SS26

Paul Smith charts a course through Paul’s own personal history of travel, with colours, prints and textures conjuring memories from his many voyagesIn an intimate salon-style show at the company’s Milan headquarters, Paul Smith presented a louche, sophisticated vision for the SS26 season through a series of 30 looks. A palette of warm, nostalgic tones like lime green, fuchsia, and coral evoked a fondly remembered summer voyage, but also brought to mind the practice of hand-dyeing which gives fabrics an exceptional depth of colour.

Above all, the palette elicited an impression of heat, with the bright standout colours complemented by an array of sun-bleached earth tones, inspired by a book of Cairo street photography which caught Paul’s attention during the early design phases. The collages incorporated fragments of photographs taken by Paul, his keen eye seeking out those things that others miss. This collage theme was echoed in a double-breasted jacket with applique birds, and a leather blouson with applique flora rendered in suede, offering a textural counterpoint.

“Clothing that holds a modern flair and heritage.”

Herbert Hofmann, Vice President of Creative and Buying at Highsnobility

SIMON CRACKER
SS26

SIMON CRACKER
SS26

SIMON CRACKER
SS26

For Simon Cracker, we live in a world where incompetence reigns supreme, and where the only way forward is to dig deeper. The result is a cleaner, more focused collection from the brand this season.

The colours are exclusively shades of white, rope, ecru and shades of grey and black, obtained by dyeing, painting and bleaching. There are no flashy fabrics, aside from the first Simon Cracker all-over pattern. The basic uniform consists of a square T-shirt and shorts inspired by men's tailoring. Each outfit highlights a single garment and its unique features. Crocs' iconic models complete the uniform, in the same palette but ’crackerised’ one by one with graffiti, patches and customized charms.

“We are bringing the focus back to the clothes, with few distractions,” the said. “The collection revives some of our iconic garments (the Siamese T- shirt, the earthworm jacket, the posture shirt...), with the clear objective of creating unique, upcycled pieces that can be reproduced: the same but always different.”

A different, flamboyant throughline that takes centre stage in the Royal Academy of Fine Arts Antwerp show, which presented the collections of its new guard of creatives that were straddling between craft, poise and optimism. This year’s show had a newfound ease to it, coupled with the eclecticism of the collections that brimmed with technical know-how and tons of playfulness. This year, designers seemed to be navigating two competing urges: experimenting with new shapes while delivering a “meaningful” look. Or, as Highsnobiety’s Vice President of Creative and Buying, Herbert Hofmann, puts it: “Clothing that holds a modern flair and heritage.”

As a member of this year’s jury, Hofmann’s role lies in weighing creativity against commercial viability — seeing whether students have the urge, or the ability, to turn great design into something today’s customer will actually wear.

dunhill
SS26

dunhill
SS26

“I’m keen on what’s new, what’s innovative, and how a designer addresses today’s challenges: sustainability, sourcing, marketing, and creative identity,” he says. “It’s interesting because sometimes you see someone who has the whole package but is quieter than others. We think about how we can push those talents — give them the tools to survive in this crazy market.” In Antwerp, Hofmann sees a balance of modernity and heritage passed down from Simons, Van Noten, and Van Beirendonck protégés.

“You look at the kids on the street and they’re wearing the most amazing outfits. There’s a lot of vintage, and it’s meticulously handpicked and layered. There’s a cosy speciality in the air,” he says. “I always associate Denmark or Sweden with furniture, interiors, and architecture — but here, it’s about fashion. Compared to other major fashion cities, you realize Milan, Paris, and others tend to follow overarching commercial trends. But here, creativity pushes past convention.”

Bally wanted to revisit its sports heritage as it celebrates the release of the new Tennis Collection. Since its inception in 1851, the Swiss brand has always had an affinity with the technical requirements of performance wear, as well as the artisanal expertise to make exercise elegant. In this latest collection, a number of the house’s legendary styles are undergoing a redux, marrying the brand’s history with its evolving visual identity.

The dunhill Spring Summer 2026 season from Creative Director Simon Holloway draws from a distinctly British duality, the rarefied dress codes of English aristocracy and their influence on the louche, cultivated rebellion of British rock icons.

Taking cues from the sartorial expression of the Windsor men - figures that continue to be a central inspiration to the evolving dunhill wardrobe - this formal code is interjected with the effortless attitude of Bryan Ferry and Charlie Watts, the most classically dressed British rock stars, resulting in a collection that transcends the referential. These culturally iconic men inherited societal elegance but wear it with disobedient grace. For Spring Summer 2026 dunhill embodies this tension: the formal undone, the classic made rakish.

In perpetuity, craftsmanship remains central to the practice of design in this storied House. The collection is grounded in a dunhillian legacy of handwork and provenance, with a deep reverence for artisanal fabric mills, traditional craft and only the most excellent materials. The collection moves through the season in chapters: Car coats, driving blazers and motoring trench coats - drawn from the House’s Motorities legacy - are sculpted in butter soft French lambskin, supple suedes, coated Linen or cotton-silk twill in various shades of British drab.

credit all images
(c) Paul Smith, Dunhill, Simon Cracker, Bally SS26

Walter Van Beirendonck SS26

.new collection
Walter Van Beirendonck SS26
*Reaches For The Stars

written Malcolm Thomas

“If you are sad and wondering: Where Have All the Flowers Gone?” to quote the show notes, they were probably body-deep, pushing their way into the Walter Van Beirendonck show (wallflowers, no).

Loud, experimental, and playful as ever, yes. Proudly displaying their Walter Van Beirendonck wears and hoping, albeit praying, for a chance to get inside the Odeon Theater. The kind of frenzy that can only be conjured by a designer who really resonates with his audience. An audience whose whimsy for fantasy is even more needed today.

Walter Van Beirendonck
SS26 Show during PFW

Walter Van Beirendonck
SS26 Show during PFW

Walter Van Beirendonck
SS26 Show during PFW

A fantasy hopping and skipping its way down memory lane. Here, you’ll find childhood photographs in black and white from the designer’s personal archive printed across suits, trousers, and the like. Anoraks with plush trim (a bit more fantastical in Wednesday’s 100-degree weather). Delicate florals on skeleton suits, a nod to the stylish lives of 18th-century’s most well-heeled children. Also on the menu: polka dot leggings, combs, hot rollers, shoehorns, and more, as cultural icons. Reminiscent of playing dress up in your parents’ things. Speaking of dress-up, when the if-you-know-you-know crowd is spotted wearing shoehorn earrings and hot roller bracelets, don’t say you haven’t been forewarned. More honorable mentions: Stephen Jones bowler hats pierced by paper flowers and those Vidal Sassoon-Esque Beatles bobs—remind us we are all flower children.  

Walter Van Beirendonck
SS26 Show during PFW

Walter Van Beirendonck
SS26 Show during PFW

Walter Van Beirendonck
SS26 Show during PFW

So, “Where Have All the Flowers Gone?” the designer wrote. “Look back. Look below. Look forward.” They are boys as girls as girls are boys, and we are all human. Cut from the same technicolor rainbow, bubblegum, cotton candy cloth. “From the sunny fields, they wink at us,” Beirendonck continues. “Softly swaying, with Starry Eyes,” he concludes. Hopefully, to a world that will love them as much as Walter Van Beirendonck does.

about the editor
When not reviewing shows or writing features for Le Mile Magazine, (or constantly hitting refresh on his wardrobe), Malcolm spends his time as Founder & Editorial Director of Malcolm + Friends Agency. A full-service agency powered by a global community of freelancers, consultants, and creative partners from leading brands and institutions. 

WHITE Milano *Resort 2025

Milano Fashion Week
WHITE Resort 2025
*Resets the Rules in Milan

written Amanda Mortenson

Milan, late June—Resortwear found its reset button. At the 2025 edition of WHITE Resort, held at Superstudio Più in Via Tortona, the language of summer dressing stretched beyond seasonality. It fused global luxury, smart matchmaking, and slow living into a platform that felt less like a trade show and more like a carefully orchestrated rhythm of exchange.

From the first step through the Garden’s curated paths, WHITE reasserted itself as a soft power force within Milan’s style scene. Less spectacle, more intention. Each booth, each piece, each buyer-to-brand moment echoed a shared logic: summer dressing is no longer a niche, but the pulse. The format drew global attention and sealed its positioning as a resortwear laboratory, fusing elegance and functionality through a lens sharpened by sustainability and story.

WHITE Milano Resort 2025
June Edition

WHITE Milano Resort 2025
June Edition

International presence surged. A 35% increase in foreign buyers underlined the weight this edition carried. Representatives from Japan’s United Arrows, France’s Le Bon Marché, and Saudi Arabia’s Rubaiyat moved through the space with purpose. From boutique hotels to luxury resorts, key names like Royal Atlantis, Belmond, and Hotel Kaiserlodge were on-site,scouting and closing. The Middle East, particularly, stood out (not as a trend, but as a central axis) of beach luxury and contemporary taste.

WHITE’s brilliant team again provided bespoke support to these buyers, identifying collections aligned with their DNA ahead of time. The result was meaningful encounters and actual business outcomes. Boutique names from the U.S.—Fearrington Village, Everything But Water, and Coco Boutique—mingled with fresh Latin American voices like Malva from Colombia and European staples like Abseit (Germany) and The Feeting Room (Portugal).

“We created a curated, widespread showroom where each buyer received personal attention, a formula that worked. We're now working on exporting it.”

Massimiliano Bizzi, the Founder of WHITE

WHITE Milano Resort 2025
Gran Canaria Swim Week, June Edition

WHITE Milano Resort 2025
June Edition

WHITE Milano Resort 2025
June Edition

Gran Canaria Swim Week took up residence in its dedicated exhibition space, a strategic partnership designed for longevity. Its presence signaled a new frontier for European swimwear, a continent-crossing collaboration that draws Gran Canaria’s creative identity into Milan’s orbit. Through this alliance, the event deepened its function as a connector.

The brand lineup hit a rare balance—global but tight, niche yet commercially potent. From the conscious elegance of Vivia Resort and Athoa to the relaxed silhouettes of Be Sunset and Niluu, WHITE Resort’s offerings spoke the language of subtle luxury. Tailored but loose. Lightweight but sharp. There were no high-decibel trends, only a soft confidence that translated through texture, drape, and detail.

Accessories amplified the tone with a precise curation—Tkees, Maison Lana, Azman Perfumes, De Siena, and Van Den Abeele offered statements that didn’t shout. Each object acted as punctuation to the garments, extending the narrative rather than disrupting it. The return of Rebirth—a Saudi brand under the Saudi 100 Brands project—was a touchstone. It stood as a watermark of intent: WHITE is building something lasting with the Gulf, through creativity and cross-cultural dialogue.

Even menswear found its moment in the Lounge with Summer Games and Alexandre Hekkers, among others. The pieces echoed the broader WHITE language: fluid silhouettes, ethical sourcing, thoughtful design.

Courtesy cars by Renord ensured the city flowed as the show did, while the food & wine partners—Italian Wine Brands, Pantura, Ape Cesare—anchored Milanese hospitality at the event’s core. WHITE Resort 2025 arrived to redirect the current. This was an edition that leaned into continuity over noise, intimacy over overload. A platform, a filter, a gathering of those rethinking how summer moves through clothing, commerce, and culture. Thanks for inspiring us!

credit all images
(c) WHITE MIlano June 2025

Der Eigene by RIMOWA

RIMOWA´s Queer Magazine
*300 Copies, 15 Portraits, Zero Apologies

written AMANDA MORTENSON

RIMOWA is publishing a magazine again. Because why just make suitcases when you can resurrect a 19th-century queer publication and throw it into a spiral of black-and-white portraits, quiet rebellion, and people called Shikeith.

It’s called Der Eigene (which translates, sort of, like The One Who Packs Their Own Bags and Also Doesn’t Explain Themselves) and it was born in 1896, two years before RIMOWA started making boxes for rich people who fear scratches. Now it’s on its fourth issue, back from the dead and better lit, thanks to photographer Collier Schorr who knows how to make identity look like a slowly smudged pencil line on expensive paper.

Collier Schorr, Self-Portrait
(c) RIMOWA

Issue Nr. 4, Der Eigene
(c) RIMOWA

Lío Mehiel
(c) RIMOWA

Roberta Colindrez
(c) RIMOWA

Shikeith
(c) RIMOWA

For this new edition, fifteen humans selected with casting director Nicola Kast—artists, dancers, lawyers, dreamers, possibly a Gemini or two—shot in classic Collier grayscale, two photos each, because one is never enough but three would be indulgent. There are questions too. The kind you answer while lying on a hotel bed in a towel, thinking about gender and snacks. Names drop like sequins: Amber Later, Chase Strangio, Lío Mehiel, Shikeith, and a Charlie Porter essay to send you home smarter (or at least with something to quote at brunch).

Limited to 300 copies because scarcity is sexy and so is paper. You can find it in places with intimidating staff and tasteful lighting: BookMarc in NYC, Andreas Murkudis in Berlin, Yvon Lambert in Paris, and Climax Books in London, which honestly sounds like a drag king in itself.

A magazine that side-eyes you while you pretend not to stare. The kind that travels light, carries heavy. Out June 24. Don’t run. Float.

Levi’s x Nike Air Max 95

.collab
LEVI´S x NIKE
Air-Made, Denim-Raised

written Sarah Arendts

Let’s be honest. When Levi’s and Nike team up, it’s folklore. It’s the kind of crossover energy that could collapse a timeline. And now, in July 2025, they’ve done it again — not with subtlety, but with a full-volume denim sermon stitched onto the back of an Air Max 95.

You already know the bones: Nike’s “Big Bubble” Air Max silhouette turns thirty. Levi’s, still the blueprint of Americana cool, slides in with its selvedge swagger. The Levi’s x Nike drop lands in full formation. Three Air Max 95s. One in indigo. One in black. One pale and ecru like dust on a summer boot. Red Tabs stitched like a secret handshake. Sock liners dressed in dollar-bill drama. The kind of shoe you see in a dream and wake up wondering if it’s real. Each pair comes in Levi’s-red packaging with batwing tweaks and dollar-bill sock liners that wink at capitalism with one eye open.

Keon Coleman
Levi´s x Nike

Levi´s x Nike

“By integrating our signature denim into one of Nike’s most iconic silhouettes, we’ve created a seamless fusion of sport and lifestyle—honoring the past while pushing the boundaries of design.”

Leo Gamboa
VP of Collaborations at Levi’s

This is a full-body experience. The drop includes a Levi’s x Nike Trucker Jacket and a Baggy Jean so wide you could run a wind tunnel through it — both rinsed in that perfect mid-light wash and blessed with off-white chain-stitching and the holy co-brand: Swoosh meets Red Tab. The trucker keeps its Type II roots but flashes selvedge in all the right places. The jeans? Designed to puddle perfectly around your sneakers, like they were born for the sidewalk and maybe for the runway too.

The casting is sharp and culturally loaded: Larry June brings West Coast calm, Paige Bueckers adds court-queen heat, NFL breakout Keon Coleman looks like a god among denim mortals, and Daniel Buezo reminds you that fashion is still a design game. It’s a vibe cocktail with just enough teeth to matter.

Paige Bueckers
Levi´s x Nike

Levi´s x Nike

Levi´s x Nike

Leo Gamboa, VP of Collaborations at Levi’s, calls it a “seamless fusion of sport and lifestyle.” Translation: we’re past the era of drop-culture chaos and into thoughtful chaos — where design is religion, and Levi’s x Nike is your temple.

This is a muscle-flex for the now. A reminder that sportswear is not always just about performance or street cred. It’s about legacy. Also texture and tension. The way denim folds against a mesh upper. The fact that a sneaker can carry thirty years of cultural weight and still look like it came from the future.

So yes, the Levi’s x Nike collab drops July 10th via Levi.com, the app, and in select flagship stores. SNKRS gets it on the 11th. But really, it’s already happened. You saw it on that guy in line who looked like he knew something. You felt it in the stitching of your old trucker jacket. You heard it in the Air Max sole squeaking across a concrete floor somewhere in 1995.

And now, it’s back. Worn, reworked, and very much alive.

Wes Anderson x Montclanc *Part 2

.second campaign
Let’s Write Something Absurd
Montblanc & Wes Anderson Are at It Again

written Amanda Mortenson

There’s a mountain. There’s a library. There’s a train powered by a man on a bicycle. There’s Michael Cera in a fur hat. And yes—there’s a fountain pen.

Welcome to Let’s Write, the second chapter in the unexpected love story between Montblanc and Wes Anderson. Think less luxury campaign, more theatrical fever dream. In classic Anderson style, this short film lives somewhere between a snow globe and a fevered sketchbook—playful, precise, and just weird enough to feel like it escaped from a forgotten paperback.

Joey King
in new Montblanc campaign
Charlie Gray / (c) Montblanc

Montblanc campaign
Charlie Gray / (c) Montblanc

"Anderson’s style defies traditional luxury storytelling. This film is meant to captivate and leave a lasting impression. By creating a sense of wonder, we encourage people to engage with the brand in a completely different way."

Stephanie Radl
Global Director Brand Relations & Communications at Montblanc

Returning to the Montblanc Observatory High-Mountain Library (yes, that’s a thing), Anderson assembles a cast of familiar oddballs: Rupert Friend, Michael Cera, Waris Ahluwalia, and the up-and-coming Esther McGregor. This time, the trio finds itself stranded, or perhaps perfectly at home, inside a narrative where writing becomes metaphysical therapy. Anderson himself even appears, just to keep things charmingly self-indulgent.

The film is peppered with poetic detours, sideways glances, and snow-drenched monologues on creativity and escapism. And just when you think you’re watching a Wes Anderson short, you realize you’re also riding a surreal train—the Montblanc Voyage of Panorama—gliding through pyramids, canals, and subconscious metaphors. The point? To blur literal, metaphorical, and poetic travel until they’re all the same thing. Also: to sell you a very elegant writing bag.

Products—yes, they’re there—drift in and out like characters themselves. There’s the Meisterstück (forever the diva), a new Writing Traveller Bag, a portable desk, a gorgeously obscure Minerva pocket watch, and a curious creature called the Schreiberling—a fountain pen designed by Anderson himself, of course. They’re not so much advertised as absorbed into the madness. The props are the plot.

“Montblanc has such a rich archive of material and ideas—it’s almost too generous,” Anderson says (probably in velvet). CEO Giorgio Sarné calls the campaign “a new kind of emotion,” and he's not wrong. There’s something oddly moving about watching fictional mountaineers pause mid-expedition to reflect on inner landscapes... and then jot them down with a very expensive pen.

Also involved: the dream team of Jeremy Dawson, John Peet, Roman Coppola (co-director), Darius Khondji (cinematography), Milena Canonero (costume), and Adam Stockhausen (set design). It’s basically the visual equivalent of caviar on linen napkins in a log cabin shaped like a snowflake.

And just when it’s all about to go off the rails (in the best way), the film ends where it always does—with the soft-spoken rebellion of creativity. “Let’s Write,” it whispers. Not a slogan. A mission. A dare.

Montblanc is no longer just a pen brand. It's a stage. A metaphor. A plot device in a Wes Anderson film. And possibly the most stylish excuse you've ever had to buy a notebook.

Waris Ahluwalia
in new Montblanc campaign
Charlie Gray / (c) Montblanc

Montblanc campaign
Charlie Gray / (c) Montblanc

Catch Let’s Write started June 19, 2025, on montblanc.com and everywhere else with Wi-Fi and wonder.

credits for images
(c) Montblanc / seen by Wes Anderson

SavoirFaire 2025 *Fair for Interior Design

SavoirFaire 2025
*A Living Showcase of Architectural Precision and Material Beauty

written SARAH ARENDTS

From October 23 to 26, 2025, Knokke-Heist becomes a destination for design professionals and aesthetes. At the Grand Casino Knokke, the second edition of SavoirFaire brings together over fifty interior design studios, architectural producers, and emerging voices. The format honors built quality, refined material processes, and advanced craftsmanship.

LE MILE Magazine joins as a proud media partner of SavoirFaire 2025, reflecting the shared focus on form, process, and thoughtful execution. The fair takes place in a spatially curated format. Exhibitors receive individual attention, and each presentation serves as a standalone architectural fragment. The expanded format includes returning pioneers such as Inti, known for sculptural lighting that defines presence in space, and Lanssens, a heritage studio specializing in historically rooted window systems.

New exhibitors include Baswa, a Swiss acoustic expert working at the intersection of silence and surface, and DeltaLight, whose innovations in lighting explore scale and integrated architecture. These participants present material concepts that function as structural components. Antwerp-based Slag-werk offers dense, architectural furniture works that explore proportion and edge. Their output emphasizes surface depth and volume. Isabel Gomez Studio, active internationally, contributes interior environments defined by calm geometry and tonal precision.

RV ARCHITECTS
seen by Charlotte Lauwers

ISABEL GOMEZ Penthouse Office
seen by Ruth Maria

A curated shuttle service connects visitors to real-time reference projects throughout Knokke-Heist. Guests move from the Grand Casino into finished homes and architectural interiors that apply the materials, objects, and systems featured at the fair. This direct experience bridges concept with completed space. It introduces scale, light, and atmosphere in real-world contexts.

The exhibition inside the Casino is constructed with intention. Each participating brand or studio receives space to articulate its approach. Every contributor offers its own clarity. Architectural finishes, bespoke hardware, precision lighting, and handmade furniture create an environment shaped by integrity and transparency. SavoirFaire’s reach extends across multiple disciplines. Architects, interior designers, builders, gallerists, and collectors will engage directly with the exhibitors. Over 2,500 professionals and more than 7,000 design-conscious visitors are expected. Conversations emerge around longevity and sensory quality.

The fair presents design as spatial language. Shapes hold stillness. Textures communicate presence. Acoustic panels, limestone slabs, and engineered joinery appear in settings that allow material weight to settle. Furniture pieces align with structural grids and light plans. Each element integrates with the others. Across the event, visual cohesion plays a central role. Curators focus on slow design, architectural logic, and reduction without absence. Bold pieces exist in balance with quieter statements. Ceramic objects and large-format textiles extend the material range while preserving spatial discipline.

LE MILE Magazine’s partnership amplifies this narrative. With its emphasis on form, clarity, and atmosphere, the magazine contributes editorial presence during and after the fair. Photography and reports will follow the event, tracing its spatial insights and its material contributions to the international design landscape.

BOMAT
The ArchiScape Lina Burnt Brick

“At LE MILE, we look for vision and integrity in design. SavoirFaire gathers both. Collaborating with them allows us to deepen our commitment to spaces and objects that carry intention.”

Alban E. Smajli, Editor-in-Chief + Founder LE MILE Magazine

LES CONFIDENTS Invisible Collection

Mercedes Maybach Shuttle

ISABEL GOMEZ Penthouse Living
seen by Ruth Maria

Tickets are available via savoirfaire.be. The program includes guided visits, presentations, and architectural moments across Knokke-Heist. The fair opens daily during its run at the Grand Casino and includes reserved access for professionals and collectors. SavoirFaire 2025 offers a full encounter with space, object, and method. The material decisions on display affect surface, structure, light flow, and echo. These elements interact quietly, forming environments grounded in precision and discipline.

Each participating studio contributes work rooted in continuous refinement. The outcome serves residential, institutional, and cultural applications. Every item reflects advanced production and studied proportion.

This second edition affirms SavoirFaire’s intention: to gather voices across architecture, interiors, and object design under one roof, with attention to process, place, and depth. From custom flooring systems to marble detailing, from modular cabinetry to integrated fixtures, each decision adds to a larger architecture of clarity.

With the support of LE MILE Magazine, SavoirFaire continues to highlight designers and producers who work with care, scale, and awareness. October in Knokke-Heist brings these principles into view — through form, through presence, and through the lived experience of space.

discover more www.savoirfaire.be

Martine Rose SS26 *A Love Letter to London

MARTINE ROSE
*SS/26: Martine designs for family.
And this is what love looks like.

written TAGEN DONOVAN

Martine Rose’s Spring/Summer 2026 show didn’t just present a collection, she offered a living portrait of London as seen through her deeply personal lens of the city.

Staged inside a derelict Marylebone Jobcentre, the space opened up into an unexpected salon: cascading curtains, parquet floors, and soft silky frills transformed the formerly institutionalised space into something strangely romantic. The show was a "lust for the unseen"—and it delivered with uncanny precision.

MARTINE ROSE
SS26 Show

There was a deep sense of mutual care, community not curated for optics but nurtured with sincerity. The atmosphere was unmistakably authentic and as a Londoner, it felt profoundly familiar: the chatter, the kids perched on laps, the casual flow of movement that didn’t obey the stiff codes of runway etiquette. Here, fashion didn’t preach from a pedestal, it mingled, nodded, and danced alongside the crowd. The pulsing soundtrack carried the same mood: with heads gently bobbing along in unison.

Rose’s tailoring has always walked a line between refinement and rebellion. This season, that language expanded. The cuts held their own character, sharp where needed, in-flux elsewhere. Graphics informed by juice-carton packaging and barbershop capes honoured the visual vernacular of the high street. Little aprons in lascivious fabrics nodded to the micro-economies running off-grid. And throughout, the thread of community held everything together.

MARTINE ROSE
SS26 Show

“In the age of the obvious, we lust for the unseen.”

Martine Rose, Creative Director

Toying with archetypes, and for Spring/Summer 2026, Rose sharpened her subversion. The collection flirted with eroticism—albeit in her signature off-kilter way, a subtle seduction unfolded with each look. Inspired by “retro erotica” the garments exuded quiet provocation.

Poodle hair and powdery pastels dressed the space with a dreamlike intimacy against the thoughtful contradiction of the utilitarian backdrop, while the clothes themselves explored new textures of exposure. Archetypal menswear was remixed: puffa jackets, trench coats, tailoring and shirts rendered in stretch fabrics that “virtually vacuum-packed the physique.” Stretch jeans hugged the legs like a second skin; denim sets were embossed to mimic tooled leather souvenirs from Spanish markets - part kink, part kitsch. Elsewhere, tailoring was softened with accents of lace, dancing against the set’s ruffled edges.

Echoing this charm through to the accessories, handbags wore vintage T-shirts like veils. Even the footwear told stories: driving shoes mutated into square-toed kitten heels, while the cult-favourite Nike Shox MR4 mules reemerged into new colourways.

Kinship wove itself into every corner of the show. Downstairs, the show's prelude played out in a market of vendors. It was here that the heart of the collection beat loudest. Rose doesn’t simply reference the community - she builds with and for it. This wasn’t fashion as gentrification, but fashion as home. “Total participation” , as stamped across one of Rose’s SS26 tees—was less slogan, more manifesto. Every element of this world, from kids sitting front-row on laps to the sway of the soundtrack, echoed a philosophy of togetherness.

MARTINE ROSE
SS26 Show

For Spring/Summer 2026, Rose distills a lived reality into garments surged with a charming wit and love for community. Centering an embrace of the unobvious and a reaffirmation thatfashion can still feel homegrown, messy, sensual and above all, real. This wasn’t just a show, it was a gathering shaped by unity.

creative director MARTINE ROSE
stylist & art direction TAMARA ROTHSTEIN
hair GARY GILL
make up MARINA BELFON-ROSE
manicurist LAUREN MICHELLE PIRES
casting ISABEL BUSH
music + sound design SASA CRNOBRNJA
pr AGENCY ELEVEN
production CEBE STUDIO
show set design POLLY PHILP
market set design SIMON GRAY + JAMIE BULL
movement direction MJ HARPER
show notes ANDERS CHRISTIAN MADSEN

The 10 Greatest Scents for *Spring/Summer 2025

PERFUME MONOLITHS
*10 Fragrances That Hold Space for SS25

written MONICA DE LUNA

Perfume creates presence. Each scent marks a place, a body, a moment. For Spring/Summer 2025, LE MILEpresents ten fragrances. The selection focuses on construction and atmosphere.

The presentation follows a sculptural approach. Photographer Maciek Miloch captured the bottles within structures by Studio Cuze. The layout avoids interpretation. Each perfume is given space. Each scent is described as it appears. The selection includes established houses and independent creators. The focus remains on composition and persistence.

NISHANE – EGE

An impression built from fennel, violet leaf, and basil. The notes drift across air and settle without weight. EGE evokes clarity. It speaks through rhythm and breath, not story.

NEANDERTAL – LIGHT

A scent that opens on sharpness. Citrus, mineral, resin. The structure is deliberate, with each layer shaped by trace materials. There is no blur. LIGHT remains steady, with a dry and clean finish.

FILIPPO SORCINELLI – HAC DIES

Incense, myrrh, and dry stone. The air cools around the core. HAC DIES does not alter. The scent stays as it is first found.

AMOUAGE – PORTRAYAL WOMAN

Gardenia dominates the top. Below it: tobacco, vanilla, and quiet warmth. The scent is built with attention to density. PORTRAYAL WOMAN holds its line without variation.

LOEWE – UN PASEO POR MADRID

Green fig and peony open this structure. Cypress follows without rush. Each element holds space, unforced. UN PASEO POR MADRID moves in even intervals.

ORMAIE – PAPIER CARBONE

Rooted in iris and benzoin. Powdered tones meet a touch of wood. The air is dry. PAPIER CARBONE does not shift. It remains close, without expansion.

NASOMATTO – FANTOMAS

Synthetic edges. A note of rubber. A suggestion of candy. The finish is brief, but the structure is intact. FANTOMAS operates on impulse and exits without trace.

BOTTEGA VENETA – ALCHEMIE

Ambrette opens the composition. Metallic elements follow. Amber closes the arc. The balance remains internal. ALCHEMIE is constructed without noise.

COQUET – VAUDOU

Patchouli sets the tone. Smoked wood and spice arrive next. The base stays low. VAUDOU carries weight without disruption.

STORA SKUGGAN – MISTPOUFFER

MISTPOUFFER begins in stillness. Soft florals, earthy undertones, distant spice. The atmosphere is thick, but never opaque. There is movement, though the frame stays intact.

photographer MACIEK MILOCH
set designer NINA LEMM c/o Liganord
set design assistant KRISTIN JAKUBEK
Retouch NITTYGRITTY
ceramic artist (Bottega Veneta + Stora Skuggan) STUDIO CUZE

Spring/Summer Selection 2025

Valentino *Vain Bag Campaign by Alessandro Michele

*The Vain Campaign
The Room Holds Her, The Bag Remains

written Monica de Luna

Light falls through the room in fragments. Two women move through it slowly, inhabiting space like breath. The Valentino Garavani Vain Bag is there, quiet and near, suspended in the atmosphere between them.

This is the second chapter of a visual journey led by Creative Director Alessandro Michele. The campaign, photographed by Sharna Osborne, unfolds through the texture of film grain, softened edges, and an emotional stillness that settles across every surface.

(c) VALENTINO
Vain Campaign

(c) VALENTINO
Vain Campaign

Each image holds time gently. Nothing presses forward. Isabella and Vera sit and reach without performance. The gestures are spare, deliberate, present. A hand resting on leather. A glance that lingers. A bag placed near the skin, absorbing the moment around it.

The Vain Bag enters this sequence with composure. No introduction, no demand. It exists as part of the room, part of the ritual. Surfaces tell the story—calfskin, glossy finishes, velvet, raffia, florals rendered in embroidery. Shape follows material. The new top-handle silhouette, the oval vanity box, the updated shoulder bags with prints from the ready-to-wear collection. The new Soft Vain clutch. Each element appears with continuity, held in the same tonal frequency.

The bag never moves to the center. It remains constant—alongside a figure, against fabric, beside a pillow. Always within reach. Always aligned with the rhythm of the body.

There is no staging but only observation. Osborne’s lens hovers with intimacy. Grain dissolves outlines. Skin meets shadow, and the bag rests in this gentle complexity.

Within the campaign, silence shapes the narrative. There are no declarations. The feeling builds through repetition and through the choice to let a moment hold.

Every surface speaks. The choice of beading, the way karung skin traces the handle, the way embroidered lines thread memory into form. The Vain Bag holds these decisions with clarity.

(c) VALENTINO
Vain Campaign

(c) VALENTINO
Vain Campaign

Nothing separates the object from the setting. The room, the body, the bag—each functions within the same visual sentence. There are no events here. No climax as well. Just a mood that accumulates. Time folds. Every frame brings a shift in posture, a shift in light, a continuation.

Alessandro Michele expands the vocabulary of Maison Valentino through rhythm and emotion. Each gesture within the campaign exists with intention. Every visual element supports the same atmosphere. There is no need for introduction. The women are already there. The bag is already held. The story is already in motion.

This collection of images does not guide. It allows. It creates the condition for presence. Within this setting, the Vain Bag is not defined by function. It becomes a participant in a private world. Its presence carries weight through detail—how it is made, where it is placed, what it reflects. The softness in the photographs is deliberate. Light moves through grain and color like thought. Osborne captures more than appearance. She gives space to texture and to the intimacy that unfolds when nothing is forced.

Each version of the bag exists within this visual tone. Whether resting in velvet or opening from a curved lid, the design remains grounded in its own material language. There is consistency without repetition. No element of the campaign moves toward resolution. Instead everything continues, open-ended. The gaze is held, not answered. The story lingers.

The Valentino Garavani Vain Bag campaign invites observation. Just attention. Within the codes of Valentino, this moment adds another layer. A new gesture, a pause, a softness drawn from craft. Everything remains close to the skin. Nothing speaks louder than it must. Nothing steps forward. Every element stays within reach.

The result is a composition of presence. A study in proximity, shaped by light, held by surface, made visible through rhythm. The Vain Bag becomes part of that rhythm. Not as symbol. Not as metaphor. But as presence.

And presence remains.

The Art of Natural Hair by *Èyí Dára

ÈYÍ DÁRA
*Botanical Alchemy for Natural Hair

written MONICA DE LUNA

In the evolving landscape of beauty, Èyí Dára emerges as a sanctuary for those seeking a harmonious blend of nature and self-care.

Founded by Ganiyat Salami, a Nigerian-American with a profound passion for natural hair, wellness, science, and sustainability, the brand offers a curated selection of hair care products designed to nourish and celebrate natural hair in its authentic form.

The name Èyí Dára, translating to "This is Good" in Yoruba, encapsulates the brand's commitment to quality and authenticity. Salami's journey began with a desire to transform the natural hair care experience, leading her to obtain a Diploma in Organic Haircare Formulation, along with certifications in Natural Cosmetic Preservation and Cosmetic Stability Testing from Formula Botanica. This educational foundation empowered her to create formulations that are effective and aligned with her values of wellness and sustainability.

(c) Èyí Dára

(c) Èyí Dára

Eyí Dára's product line is thoughtfully designed to transform routine hair care into a luxurious ritual. The Moisturizing Shampoo Bar offers a gentle yet effective cleanse, while the Leave-In Conditioner and Deep Conditioning Mask provide deep hydration and nourishment. Each product is formulated with natural ingredients known for their beneficial properties, creating a sensory experience that delights from scent to suds.

The brand emphasizes the use of high-quality, natural ingredients sourced globally. Botanical extracts like hibiscus, aloe vera, nettle, and rosemary are rich in vitamins and antioxidants, promoting scalp health and hair vitality. Butters such as shea, murumuru, tucuma, cocoa, and illipe offer deep moisturization, while oils like jojoba, avocado, olive, castor, and buriti provide nourishment and shine.

Beyond product offerings, Èyí Dára is committed to empowering women through education and community engagement. The brand invests in female financial literacy programs, aiming to support women in achieving personal and economic well-being.

Salami also hosts the "Unraveling The Knots" (UTK) podcast, a platform that explores natural hair experiences, lifestyle, history, and hair care practices. The podcast fosters a space of empowerment and authenticity, aligning with the brand's mission to celebrate natural hair in all its forms. Sustainability is a core value at Èyí Dára. The brand ensures that all ingredients are ethically sourced, cruelty-free, and environmentally friendly. This commitment extends to their packaging and business practices, reflecting a holistic approach to responsible beauty.

(c) Èyí Dára

“Participating in Formula Botanica courses helped enhance my understanding of formulation.”

Ganiyat Salami, Founder

(c) Èyí Dára

Èyí Dára stands as a testament to the power of combining natural ingredients, scientific knowledge, and a deep respect for cultural heritage. Through its thoughtfully crafted products and community initiatives, the brand offers a comprehensive approach to natural hair care that honors individuality and promotes well-being.

(c) Èyí Dára

discover more www.amouage.com

Amouage *Decision and Existence

The Final Elevation
*Amouage's Decision & Existence

written MONICA DE LUNA

Jebel Shams, the high mountain of the sun, stands above Oman in stillness and breath. Here, light cuts through juniper crowns and stone holds silence. From this summit, two fragrances arise—Decision and Existence.

Amouage offers them as the final compositions in the Odyssey Collection, a series shaped by time and devotion to sacred terrain. Under the creative direction of Renaud Salmon and through the hands of Quentin Bisch, these perfumes were born from intention and presence. The mountain offered scenery—it became origin. Its altitude, texture, and rhythm entered each formula with care and clarity.

(c) AMOUAGE

(c) AMOUAGE

Decision opens with tension shaped into elegance. Pink pepper sparks first—sharp, clear, with a lift that stirs the senses awake. Bergamot follows, cool and radiant, while cardamom moves through it like a steady current. The opening carries momentum, structured with fine detail. Simply adorable!

The heart unfolds with depth. Incense forms the central pillar. Juniper, resinous and green, curves around it with dry intensity. Myrrh completes the triad with density and warmth. These materials rise in tandem, each one distinct, yet gathered into harmony. They offer an interior space, held open by intention. At the base, patchouli enters the composition with steady depth. Cedarwood adds clarity. Vanilla brings warmth with round edges and a golden tone. The drydown arrives without gesture or flourish, it simply remains. So Decision becomes atmosphere on the skin, surrounding without overtaking.

The fragrance speaks with still force. Each stage holds structure. Its power builds with weightless control, carried by a resinous column and settled through soft wood. Worn close, it pulses. Carried on air, it gathers presence.

Existence moves in a different register. Its beginning is luminous. Lily of the valley rises first, delicate, vivid. Rose enters beside it, open yet serene. These florals radiate quietly, suspended in light.

Incense appears once more, placed with precision. Mystikal blends into the heart, airy and translucent. Labdanum introduces a golden resin, smooth and glowing. These elements hover between substance and shimmer, never forming edges, always in motion.

The base gathers softness. Amber breathes gently across the foundation. White musk lifts it upward. Benzoin holds the finish, smooth and lasting. These accords rest within the skin’s warmth, diffusing slowly across time.

Existence creates a space of calm expansion. It breathes without urgency. The transitions move with ease. Every phase lingers with intention, offering light without projection, depth without density.

(c) AMOUAGE

also read
AMOUAGE PURPOSE 50 *An Extrait of Skin, Memory, and Resonance

(c) AMOUAGE

(c) AMOUAGE
Quentin Bisch

Both fragrances reflect the patience of their creation. Decision contains 33% pure perfume oil. Its formula matured for three weeks in maceration and two in rest. Existence carries 20% concentration, shaped by two weeks of each process. Every phase, from blending to bottle, received time as a central element.

Together, Decision and Existence form a pair based in parallel movement. Each fragrance travels its own line—Decision through earth, fire, but also spice; Existence through bloom, air, and light. Their bond is origin, their shared source the mountain that gave them breath.

Here, the journey continues.

From May 19th, 2025, Decision and Existence will be available in 100ml Eau de Parfum, each presented at €365.
Their form reflects dedication. Their essence carries the trace of elevation.

discover more www.amouage.com

Italian High Jewelry *Tornaghi

TORNAGHI Spring/Summer 25
*The Architecture of Adornment

written AMENDA MORTENSON

In the high reaches of St. Moritz, at the corner of elegance and audacity, a quiet revolution glimmers.

Tornaghi—an Italian house of high jewelry with a 45-year lineage—presents its Spring/Summer 2025 collection as a tactile manifesto of emotion, strength and unfiltered beauty. This is a moment. A shimmer stretched across time.

Founded by Maria Tornaghi in Monza and now steered by her son Andrea, the family atelier honors its legacy while leaning toward bolder lines and unexpected finishes. The pieces are architectural gestures. They are declarations.

(c) TORNAGHI

(c) TORNAGHI

This season's epicenter is the Rock Collection, a convergence of ultralight titanium, luminous pavé diamonds, and form-defiant silhouettes. A cuff bracelet in burnished brown titanium pairs with rose gold connectors—weightless and magnetic. Rings glint in fuchsia and violet tones. Earrings shimmer with engineered precision. The titanium sings against the skin. Diamonds catch breath and light.

And yet, Rock is only the ignition point. Tornaghi branches into a garden of symbolic forms and sensorial touches. The 4LUCK Collection introduces shimmering clovers, delicate yet unwavering. Their subtle sparkle invites ritual. Each leaf, a private token. Each piece, a personal talisman. Then comes Baby Bang, an intimate rhythm in gold-plated silver or titanium, with a single bead of 18-karat gold and 0.24 carats of brilliant diamonds. It clasps the wrist like a whisper, humming with understated presence.

For those drawn to liquid curves and mineral light, Pure Pearl distills classic elegance into something breathable and light. A composition of restraint and grace, it allows the natural iridescence to speak without flourish. The pieces accompany spring like the echo of sunlight across linen—quiet, essential. Color erupts through the Summer Pop Rings—smooth stones, glossy surfaces, full-spectrum joy. Sculptural and spontaneous, they act as mood artifacts. Not statements or contrasts. Just form in motion.

The Mystique Series, marked by serpentine forms and textured scale motifs, offers a mythic edge. In white and rose gold, embedded with triangle and brilliant-cut diamonds, the snake rings wrap the hand with hypnotic certainty. A choker follows—fluid and commanding. A line drawn across the collarbones like an incantation. Tornaghi also revisits the Riviere with a necklace cast in 18-karat rose gold, drenched in multicolored sapphires. Over 31 carats of chromatic precision arranged like an ombré dreamscape. It pulses with intention.

(c) TORNAGHI

“Each piece in the new collection is a dazzling expression of artistry, designed to ignite the imagination and celebrate individuality.”

Official Tornaghi press statement

(c) TORNAGHI

Throughout the collection, tension is calibrated with exquisite care—rigid cuffs with yielding metals, industrial palettes with rare stones, elemental forms with refined finishings. There is discipline. And there is desire. Tornaghi's Spring/Summer 2025 is born from both.

Backdrops shift from the vaulted ceilings of Zürich salons to the high-altitude charm of Via Serlas in St. Moritz, but the spirit remains unshaken. Each piece is imagined to live beyond trends. These are lifelong companions—designed to be worn and to be lived in.

(c) TORNAGHI

As the house enters this new chapter—bolder, brighter, yet unmistakably grounded in its heritage—it does so with clarity.
There is no looking back. There is only brilliance ahead.

discover more www.tornaghiworld.com

RIMOWA Design Prize III

The Future in Form
*RIMOWA and the Rise of a New Creative Vanguard

written SARAH ARENDTS

At the historic Gropius Bau in Berlin, the third edition of the RIMOWA Design Prize brought together emerging talents, mentors, and established voices in a shared moment of creativity and clarity.

The event honored human-centered design and celebrated the many ways design shapes experience, care, and connection. Presented by Valerie Präkelt, the event underscored RIMOWA’s ongoing commitment to nurturing the next generation of designers. Since its inception, the prize has championed students from leading German design schools, connecting them with established creatives and honoring work that seeks to improve lives in tangible ways.

This year’s first prize went to Elisabeth Lorenz and Marc Hackländer of the Hochschule für Gestaltung Schwäbisch Gmünd. Mentored by Nic Galway, their project, hottie, reimagines how we care for the body, specifically, those who experience menstrual pain. A discreet wearable device that combines TENS technology (Transcutaneous Electrical Nerve Stimulation) with adjustable heat therapy, hottie empowers its users with relief and autonomy. The project also confronts societal stigmas, creating space for empathy and visibility.

RIMOWA Design Prize III Ceremony
seen by Marc Krause

Karen Boros + Christian Boros

Herbert Hoffmann

“Each project presented a perspective rooted in care and function. These are works shaped by awareness and a deep sense of purpose.”

Alban E. Smajli, Editor-in-Chief LE MILE

A special mention was awarded to Tom Kemter and Niels Cremer from the Bauhaus-Universität Weimar for their project Standalone. Mentored by Pierre Jorge Gonzalez and Judith Haase, the design transforms the classic forearm crutch into a sleek, ergonomic tool that stands on its own, literally and metaphorically. With its fold-out legs and elegant finish, Standalone promotes functionality and dignity, rethinking assistive design as something aspirational. The remaining five finalists—all of whom received monetary awards—brought forward bold, human-centric ideas grounded in sustainability and accessibility.

Each of the finalists received financial support for their work: €20,000 for the winner, €10,000 for the special mention, and €5,000 each for the other participants. Beside funding, the RIMOWA Design Prize offers visibility, mentorship, and a platform from which these ideas can grow into real-world solutions.

And while the projects themselves were impressive, what truly stood out at the event was the energy in the room, a sense of shared purpose, of mutual respect between generations of designers, and of hope for a more inclusive, thoughtful future.

The jury, comprised of respected figures from design, academia, and industry, including Niklas Bildstein Zaar, Dr. Mahret Ifeoma Kupka, Moritz Krueger, Ute Meta Bauer, Katharina Janku, and RIMOWA’s own CEO Hugues Bonnet-Masimbert, provided mentorship, context, and a meaningful connection between established design values and emerging perspectives.

As a brand long associated with precision and modern craftsmanship, RIMOWA continues to push its legacy forward—through its products and through cultural investment. With the Design Prize, it cements its role as a maker of iconic luggage and as a thoughtful patron of contemporary design innovation in Germany.

LE MILEcAir by Pin Jan Stackfleth

RIMOWA Design Prize 2025

Compath by Jonas Kraemer + Mahret Ifeoma Kupka

RIMOWA Design Prize 2025

Hottie by Marc Hacklaender + Elisabeth Lorenz

RIMOWA Design Prize 2025

Layers by Nick Geipel + Niklas Bildstein

RIMOWA Design Prize 2025

Tonbo by Marius Kintzel + Julian Solmsdorff

RIMOWA Design Prize 2025

RIMOWA Design Prize III
Jury

LE MILE was proud to witness the beauty of this moment: creativity at its most purposeful, and design as an act of generosity. What we saw last night at Gropius Bau was a gathering of bold thinkers who dare to imagine tools for a better life and who now have the support to build them.

And that, in essence, is what design should do.

Acne Studios x Jonathan Lyndon Chase *Exhibition

Acne Studios x Jonathan Lyndon Chase
*Celebration of Identity and Intimacy

written AMANDA MORTENSON

Visitors to Frieze New York 2025 are welcomed by a vibrant new encounter between art and fashion. Acne Studios deepens its creative dialogue with Philadelphia-based artist Jonathan Lyndon Chase through a capsule collection and exhibition at Greene Street, New York.

This collaboration is rooted in mutual admiration and expands on Chase’s earlier work for Acne Studios’ Spring/Summer 2025 womenswear show, where soft sculptures and expressive objects transformed the runway into a layered domestic setting.

The creative partnership flourishes once again in May, as Acne Studios Greene Street transforms into an exhibition space. The installation features an evocative blend of soft sculpture, painting, and sculptural furniture. Each work carries the emotional depth and physicality that define Lyndon Chase’s practice. Their characters, often drawn from personal relationships, appear across the space in a dynamic interplay of form and material.

(c) ACNE Studios
Jonathan Lyndon Chase Capsule Collection

(c) ACNE Studios

The setting channels a powerful sense of home and tenderness, shaped by Chase’s rich aesthetic language. Their pieces reinterpret familiar objects, lamps, fans, sinks, radios, picture frames, and place them into a new emotional context. Through this lens, domesticity becomes a site of queerness and personal narrative.

Alongside the exhibition, the exclusive capsule collection ‘Acne Studios Loves Jonathan Lyndon Chase’ launches with a range of expressive pieces. Chase’s illustrations, which evoke intimacy and connection, animate garments and homeware. Acne Studios’ iconic bow motif receives a vivid transformation through Chase’s hand, adding new texture to its recognisable design elements.

The capsule includes Acne Studios’ ‘1981’ jeans reimagined through Chase’s sensibility, as well as long- and short-sleeved T-shirts that serve as wearable canvases. Homeware pieces—cushions and a blanket—extend the collection’s narrative into interior spaces, offering warmth and visual storytelling. The textile choices play with illusion; denim-like finishes recall Acne Studios’ origins while welcoming softness and touch.

Chase’s artwork moves fluidly across these forms, creating a collection where each piece holds meaning beyond material. Their figures (often inspired by friends or/and lovers) emerge through loose, expressive lines that feel immediate and layered. The use of color and gesture carries emotion in every detail, inviting closeness and reflection.

The Greene Street space becomes a gallery and boutique, offering an immersive view of Chase’s world. It provides room for dialogue between fashion and art, and for personal histories to find shape through creativity. The pieces shown extend beyond the runway installation, including new works crafted especially for this moment.

Launched on May 7, the collection became available exclusively at Acne Studios Greene Street before expanding to selected Acne Studios stores and online from late June 2025. Its limited release mirrors the ephemeral quality of both the exhibition and the Frieze New York event, creating a sense of intimacy and connection with those who experience it. Jonathan Lyndon Chase continues to gain recognition for a practice that merges visual art, performance, and material experimentation. Their work often centers themes of identity, Blackness, queerness, and emotional presence. In this collaboration, Chase’s voice remains clear and celebrated, fully integrated into the Acne Studios universe without dilution.

(c) ACNE Studios
Jonathan Lyndon Chase Capsule Collection

(c) ACNE Studios

(c) ACNE Studios
Jonathan Lyndon Chase Capsule Collection

The exhibition and capsule are driven by shared values, an embrace of personal storytelling, emotional resonance, and visual boldness. Through this union, Acne Studios demonstrates once again its ongoing commitment to supporting visionary artists. This latest chapter in the Acne Studios x Jonathan Lyndon Chase collaboration reinforces the role of fashion as an expressive medium. It invites us all to engage with art beyond walls and to wear pieces that speak of connection and imagination.

NOMOS Glashütte *Club Sport neomatik

A New Worldtimer from NOMOS Glashütte
*Refined Color and Craft

written Amanda Mortenson

Understated design and horological finesse define the work of NOMOS Glashütte. With the Club Sport neomatik Worldtimer Volcano, the brand continues its dedication to color and function—all filtered through the lens of quiet elegance.

(c) NOMOS Glashütte

This timepiece is part of a limited series of six new color variants in the Club Sport Worldtimer line. Its dial, rendered in a bold anthracite tone reminiscent of volcanic rock, introduces a refined chromatic depth to the collection. The look is tactile and mineral, without becoming ornamental. It’s a precise composition of shape and substance.

The 40 mm stainless steel case features a domed sapphire crystal with anti-reflective coating on both sides. At just 9.9 mm in height, it wears flat and balanced, secured by a durable Club Sport bracelet with quick-change spring bars and a 20 mm lug width. With water resistance up to 10 ATM, the Volcano edition moves seamlessly from day to evening, city to travel.

(c) NOMOS Glashütte

(c) NOMOS Glashütte

(c) NOMOS Glashütte
S1 Club Sport neomatik Worldtimer Volcano

Its engine is the DUW 3202, an in-house automatic caliber designed for technical and visual harmony. The worldtime mechanism, paired with a red 24-hour hand and a day-night display, allows for simultaneous reading of two time zones, ideal for those living across borders. White Superluminova ensures readability in dim light, integrated into the hour markers and hands.

NOMOS assembles each movement in Glashütte using traditional methods and proprietary innovation. The DUW 3202 features the NOMOS swing system, a stop-seconds mechanism, and a bidirectional winding rotor. The balance bridge, blue balance spring, and regulation in six positions reflect a commitment to precision. A sapphire caseback showcases the rhodium-plated surfaces decorated with Glashütte ribbing and perlage, while the ratchet and duplex wheels display a sunburst finish.

On the wrist, the Volcano edition carries weight through detail rather than excess. It communicates clarity and control, with a dark dial that changes with the light, from cool slate to deep charcoal. The restrained color is interrupted only by the quiet accent of the red 24-hour hand, introducing just the right amount of tension within the harmony. This is a limited edition of 175 pieces only. Each watch is engraved accordingly: "Limited Edition – Volcano 1/175." It is a watch that travels, but does not shout. Its presence is refined and expressive of a design language that values materiality and nuance.

NOMOS Glashütte brings mechanical ingenuity into dialogue with restrained aesthetics. The Club Sport neomatik Worldtimer Volcano lives in this space—a watch of precision, made for individuals who move across time and space with intention.

also read NOMOS Glashütte Color Revolution *31 Shades of Time

George Byrne x Son of a Tailor *SS25

Wear the Contrast
SON OF A TAILOR
*George Byrne’s Capsule for Wildfire Relief

written AMANDA MORTENSON

A city is never neutral in George Byrne’s work. Its forms, shadows, lines, and spaces absorb and reflect.

This sensitivity to urban rhythm now moves into textile, as Byrne unveils a limited-edition capsule of T-shirts created in partnership with Copenhagen label Son of a Tailor. The three-piece capsule is part of the brand’s Canvas series, which invites artists to use the T-shirt as a medium of expression. Byrne’s works for this collection were made during a focused period in Copenhagen, with all proceeds supporting California wildfire relief via the California Community Foundation’s CalFund.

George Byrne
Clock Tower, 2024

George Byrne
Pink and Blue Wall, 2024

“It wasn’t just fashion for the sake of it—there was a great cause at the heart of it, and that made it meaningful.”

George Byrne on his collaboration with Son of a Tailor
SS2025

The connection is personal. “Supporting wildfire relief in California gave the project a personal edge,” Byrne says. “It was a way to give back to a city that’s given me so much.” Printed on 100% Supima cotton, produced in Portugal and made-to-order, the shirts are available in both custom and standard fits. Each of the three artworks is limited to 250 editions, individually numbered and never to be repeated. The scale of the print dominates the back; the front carries a label marking its edition. These aren’t souvenirs, but archive-bound objects made for wear.

The pieces emerged through Byrne’s immersion in Copenhagen—his first time in the city. “Landing in Copenhagen from LA does feel like being dropped on another planet—in the best way,” he says. “The pace, the architecture, the way people move through space—it all shaped how I engaged with the project.” His compositions draw from what he calls a dialogue between environments: the structured rhythm of Copenhagen and the emotional texture of Los Angeles. Having lived over a decade in LA, Byrne is deeply familiar with its volatility.

“Wildfires are a part of life here. I grew up in Sydney, so I know that strange orange light, the acrid air,” he shares. “It changes how you see things. I wanted to take that emotional residue and build it into something constructive.”

For Son of a Tailor, choosing Byrne for the Canvas series was more than an aesthetic alignment—it was a reflection of shared intent. “There’s a kind of understated elegance in inviting an artist to work with the T-shirt,” says Andreas Langhorn, co-founder and product director of the brand. “George’s approach to architecture, color, and form felt right for the Canvas series. And knowing he already wore our T-shirts every day added another layer of authenticity.”

Langhorn had followed Byrne’s work since his book Post Truth and was particularly drawn to his interpretation of West Coast light. “That aesthetic struck a chord with me,” he notes. “My family lives in California, so there was also a personal draw. It all came together very naturally.”

“We designed this Canvas edition to let the artwork breathe... It’s wearable art with purpose.”

Andreas Langhorn, Co-Founder of Son of a Tailor

George Byrne
White Wall

The collaboration is produced in alignment with Son of a Tailor’s values—zero overproduction, full transparency, and B Corp certification. Every shirt is made-to-order to avoid waste. “We designed this Canvas edition to let the artwork breathe,” Langhorn says. “The oversized prints reference vintage graphic tees but with refined construction.”

Byrne sees the gesture of donating all proceeds not as marketing but as an act of alignment. “You don’t often see that level of commitment—100% of proceeds,” he says. “It shows what’s possible when you lead with values.” Langhorn echoes the sentiment: “Sincerity is everything. People recognize when something is real. This collaboration reflects who we are—and who George is—on many levels.”

The George Byrne x Son of a Tailor capsule is available for pre-order from April 24 at sonofatailor.com

The 5 Greatest Scents for *Spring 2025

The Scent Edit
*5 Fragrances Defining Spring 2025

written MONICA DE LUNA

Spring 2025 ushers in a renaissance of fragrance, where heritage houses and avant-garde perfumers alike unveil compositions that capture the season's essence. From the dewy freshness of blooming gardens to the intimate warmth of sun-kissed skin, these five standout scents redefine luxury and olfactory artistry.​

Bottega Veneta
Alchemie

Nishane
Favonius

Bottega Veneta's "Alchemie" is a testament to the brand's commitment to craftsmanship and innovation. Under the creative direction of Matthieu Blazy, this fragrance marries Brazilian pink pepper with precious Somali myrrh, creating an opulent and exhilarating blend. The scent unfolds with a spicy warmth, reminiscent of sunlit Venetian palazzos, and settles into a resinous embrace that lingers on the skin. Housed in hand-blown Murano glass bottles, each piece is unique, resting on a Verde Saint Denis marble pedestal—a true objet d'art. ​

Originally an exclusive for Harrods, Nishane's "Favonius" is now available worldwide, offering a narrative steeped in Roman mythology. Named after the god of the west wind, this extrait de parfum (35% concentration) tells a tale of eternal love between Favonius and Flora. The fragrance opens with bergamot, pink pepper, and incense, leading to a heart of rose, geranium, cypriol, artemisia, and clary sage. The base is a rich tapestry of oud, cedarwood, Indonesian patchouli, and sandalwood, resulting in a scent that is both timeless and profoundly romantic. ​

Loewe
Prado

Creed
Eladaria

Part of LOEWE's "Un Paseo por Madrid" collection, Prado is a unisex fragrance that encapsulates the cultural essence of Madrid. This scent offers a unique blend of aromatic and fruity notes. The composition opens with the freshness of chamomile and clary sage, intertwined with the juicy sweetness of blackcurrant (cassis) and lychee. This harmonious blend creates an aromatic, woody, and ambery profile that is both refreshing and sophisticated. Prado serves as an olfactory tribute to the historic Paseo del Prado, inviting wearers on a sensory journey through one of Madrid's most iconic boulevards.

"Eladaria" by The House of Creed is a luminous ode to the classic rose, reimagined for the modern woman. Inspired by a paradisiacal garden at dawn, it opens with vibrant notes of mandarin and bergamot, accented by the subtle spice of pink pepper. The heart reveals a luxurious trio of roses, intertwined with peony and lily of the valley, evoking a soft, powdery bouquet. Anchored by a base of musk, vanilla, ambroxan, and cashmere wood, Eladaria envelops the wearer in an ethereal, sensual aura.

Van Cleef & Arpels
Musc de Soie

"Musc de Soie" from Van Cleef & Arpels' "Collection Extraordinaire" is an elegant exploration of texture and scent. Inspired by the softness of silk, it features top notes of aldehydes and neroli, transitioning into a heart of white musk, cashmeran, and iris. The base of sandalwood and benzoin imparts a creamy, powdery finish that is both fresh and enduring. This fragrance offers a clean, soapy allure, reminiscent of fine French soap, making it a perfect choice for those seeking understated sophistication.

all visuals (c) lemilestudios for LE MILE Magazine
Spring Selection 2025

Valentino Fall 25 Campaign

*New Campaign
VALENTINO Fall 2025
Chez Valentino: A Still World

written Alban E. Smajli

A figure pauses inside a diner. Outside, a horse walks past. A bowl of ice cream melts slowly in a hand. Each moment unfolds without hurry. Each frame stays still, long enough for the viewer to feel it.

The Valentino Fall 25 ADV campaign opens with a fixed gaze. Directed by Glen Luchford and shaped by the vision of Alessandro Michele, the campaign introduces a new rhythm. The world is quiet, grounded in repetition and gesture. This rhythm carries through every element—from styling to set design, from casting to soundtrack.

The scenes exist as fragments of a larger fabric. A lavender heel rests on the edge of a step. A parrot perches beside embroidered fabric. Denim falls over worn tile. A varsity sweater with “CHEZ VALENTINO” stitched across the chest becomes part of the space around it. No hierarchy, no accent—only layers.

Jonathan Kaye’s styling anchors this language. Leopard prints, lace gloves, school socks, floral jacquards—each piece chosen to inhabit a mood. The silhouettes carry weight, softness, eccentricity, repetition. Hair by Paul Hanlon and makeup by Yadim Carranza follow the same path: clear, finished, quiet. Faces hold time. Eyes stay in place. Nothing interrupts.

The setting builds this continuity. An American-style diner, faded and sunlit, contains the action. A bar, a sidewalk, a bicycle. Elements repeat. Light falls evenly. Set designer Gideon Ponte constructs a container for gesture.

In his campaign note, Alessandro Michele writes of attention. His words shape the framework: “a policy of attention, an ethics for the gaze.” He draws focus toward gestures, toward morning light, toward a door that opens and closes. The camera remains fixed. The world continues moving inside it.

The talent list includes Amelia Gray, Sophie Thatcher, Kai Schreiber, Lorenzo Zurzolo, and others. Their presence offers texture. Their movement—slow, occasional, internal—forms the pulse of the campaign. Each person belongs to the scene. No character. No pose. Just observation.

Fabric plays its own role. A glittering Mary Jane steps onto concrete. Fringes catch wind. Mesh, velvet, satin, cotton—each fabric marks the body differently, holds the light differently. Each piece expands the world around it. Clothing becomes the pace.

Music by Juliette Armanet supports this tempo. Imaginer l’Amour plays softly, connecting one frame to the next. It opens space and adds tone without direction.

Repetition forms the spine of the campaign. A frame. A gesture. A return. This structure creates clarity. There is no build-up, no conclusion, but only movement held in place. Time stretches. The Valentino Fall 25 campaign offers an aesthetic grounded in the everyday. The material speaks directly. The vision lingers. There is no urgency, no volume, no interruption.

Michele draws from observation, not intervention. The everyday becomes the shape. The rhythm becomes the message. Stillness becomes the container. Each choice—from casting to color, from cut to frame—builds this language. The world appears complete. Within this frame, Valentino opens a new chapter. The campaign steps forward through attention, repetition, and the poetics of gesture. Clothing rests inside the world. Scenes unfold in silence. The result is a steady, crafted introduction, it´s an invitation to remain. Enjoy!

VALENTINO
THE POETICS OF EVERYDAY
FALL 2025 Campaign


photographer + director GLEN LUCHFORD
art director CHRISTOPHER SIMMONDS
stylist JONATHAN KAYE
set designer. GIDEON PONTE
hair PAUL HANLON
make up YADIM CARRANZA
manicure LAUREN MICHELLE PIRES
casting RACHEL CHANDLER

talents
KAI SCHREIBER
SCARLETT WHITE
AMELIA GRAY
SOPHIE THATCHER
MARIE SOPHIE WILSON
LORENZO ZURZOLO
YURI FUKUHARA
SANIQUE
YILAN HUA
AIMEE PATRICIA BYRNE
YAR AGUER
FRANKLIN SMITH
BUKWOP
LUUKAS NISKANEN
SUYONG JUNG
HANK AKERLUND


(c) VALENTINO
video music. Imaginer l’Amour — written + performed by Juliette Armanet
© ℗ 2021, Romance Musique — published by Universal Music Publishing & Armanet Songs

Augustinus Bader Cosmetics

.selected
AUGUSTINUS BADER
*The Intelligence of Skin

written Ginevra Valente

Augustinus Bader approaches skincare as applied science. Decades of regenerative research converge into TFC8®—a patented compound that supports the skin’s own renewal code.

The method is biological. The result is cumulative. Every application reinforces structure, function, resilience. Developed for precision around the orbital zone. The Eye Cream activates skin’s renewal signals using a complex matrix of amino acids, high-grade vitamins, and synthesized molecules. Signs of fatigue soften. Energy returns to the skin’s surface. Hydration builds from within, held by an architecture designed to protect. The texture is engineered for absorption—light in weight, dense in function. With consistent use, the skin barrier becomes more stable. Movement, light, time—everything interacts with a stronger foundation.

all visuals AUGUSTINUS BADER PR

The Face Cream works at the level of cell communication. It delivers structured hydration, supports repair pathways, and aligns with the skin’s natural rhythm. TFC8® feeds the skin precise signals for renewal, with effects visible across tone, texture, and elasticity. The formula integrates into any routine. Day and night, it provides continuity—a constant supply of active support, guided by the needs of the skin in real time.

Created by Professor Augustinus Bader, TFC8® is rooted in medical research on wound healing and tissue regeneration. It carries critical ingredients to the site of need, optimizing conditions for repair. This is not topical care—it is targeted intervention. The skin responds with clarity, strength, and coherence. 
Each formula holds intention. Each result is earned through repetition, discipline, and biological intelligence.

discover www.augustinusbader.com