STUDIO DRIFT
Lonneke Gordijn and Ralph Nauta


written Tagen Donovan


The more we transition into living within the digital world, the more important authentic human connection becomes.

 

DRIFT was founded in 2007 by Dutch artists Lonneke Gordijn and Ralph Nauta. The Studio explores nature's phenomena using technology as a crucial tool to learn from Earth's intrinsic mechanisms, drifting nature and technology together. The studio seamlessly integrates a diverse spectrum of multi-disciplinary practices - often utilising state-of-the-art technology as a baseline parameter to each chapter explored.

 
 
Studio Drift - Dandlelight duo LE MILE Magazine Tagen Donovan  Duracell Battery

Dandelight (2007)
Photo by Ronald Smits (for the single dandelight, both domed and without a dome)
© Studio Drift

 
 
 
Studio Drift Fragile Future at Cidade Matarazzo LE MILE Magazine Tagen Donovan

EGO (2020)
for the opera L'Orfeo by Macro Borggreve, 2020
Photo by Jefta Varwijk
© Studio Drift

 
 

.artist talk
Lonneke Gordijn & Ralph Nauta /
STUDIO DRIFT
speaks with
Tagen Donovan

first published in (read full interview in print only)
Issue Nr. 32, 01/2022

 

Through the extensive exploration of interactive performances and engaging installations, the core of DRIFT revolves around the individual, as well as the collective. Each output has a function that allows the viewer to examine and confront the future of humankind. Engaging the participant within the work, establishing a space for critical thinking, as well as providing a genuine connection to the individual. Grounding an experiential element that in turn creates a tangible component to the work itself. Orchestrating realistic scenarios in a world dominated by technological systems, where human input has merely become a secondary consideration. Gordijn and Nauta both strive to educate their audiences, while posing abstract questions that typically concern the future of Earth, global communities and the evolution of humankind’s relationship with nature.

 
Studio Drift AK 47 LE MILE Magazine Tagen Donovan

AK-47 as part of the Materialism (2018) series
Photo by Ronald Smits
© Studio Drift

 
 
 
Studio Drift portraits Lonneke Ralph by Teska Overbeeke LE MILE Magazine Tagen Donovan

Lonneke Gordijn & Ralph Nauta
© Teska van Overbeeke

 

Exploring positive scenarios that could become standard in the future. DRIFT works simultaneously to alleviate the deepening anxiety posed by the loss of our connection to nature. As part of this push to question and situate theologically positioned questions, DRIFT processes relative research within their very own ecosystem of collaboration.

 
 

Bringing together an extensive team of researchers, programmers, artists, and architects to form an integrated network. DRIFT consolidates itself into a system that extends beyond its own oeuvre, provoking our collective apprehension of rapid technological advancements and mankind's inherent evolution. Nauta and Gordijn present a pathway that explores alternatives among the deepening echoes of a collective existentialist state.

With their first project, Fragile Future, the pair foreshadowed what would become an iconic series of light sculptures consisting of dandelion heads, individually applied to LED lights - garnering international acclaim. Evolving over time from a single concept into a system that could be co-arranged in various ways to meet the needs of a specific project or environment. The positioning, and securing of dandelion seeds to the LEDs warrants for an extremely labour-intensive and time-consuming process. Resulting in a stark contrast between high-level workmanship and factory-led mass-production methods of recent years, in essence symbolising the current system for economic growth that has been assimilated into our day-to-day lives. A utopian glimpse at our future can be seen in Fragile Future; the forces of two seemingly opposing worlds are brought together for survival, despite their intrinsically incompatible natures.

 
 

Extending the investigation into consumption by illustrating a conscious use of materials. Several recent projects have focused on the over-reliance on raw materials. Obsidian (2013), presented at the Stedelijk during the Dream Out Loud exhibition, showcased a new material obtained by repurposing chemicals that had been discarded. Further conversations relative to mass-production and consumerism were echoed by DRIFTS research debuted via Materialism (2018) a piece that’s primary focus centred around the disassembly of varying everyday objects into their exact parts in order to determine the proportions of their constituent elements. Through this exploration of raw materials, Gordijn and Nauta were able to create a literal transparency into how many materials are used in the production of each product and how a new production method could help to reduce material usage.

By combining their artistic visions and research into technical forms, Gordijn and Nauta translate natural processes into visual forms - in turn creating a dynamic presence that is accessible to all. Amid a world of chaos and the meteoric growth of digitalisation, the grounding tranquility behind DRIFTS' oeuvre provides their audience with time to pause and take stock of what unfolds before them.

 
 

credits
(c) STUDIO DRIFT // portrait of artists by Teska van Overbeeke