Aurelien Muller Shares His Camera Roll: Inside Aurelien Muller’s First Cannes Film Festival

#ThePersonalEdit

Aurelien Muller Opens His Camera Roll From Cannes 2026

written LE MILE

For this edition of The Personal Edit, Aurelien Muller shares a glimpse into his personal camera roll from his first visit to the Cannes Film Festival. Moving between hotel moments on the Côte d’Azur, fittings, red carpets and late-night celebrations, the images document the rhythm and atmosphere surrounding one of cinema’s most visible annual gatherings.

Arriving in the sunny Riviera for my first ever Cannes Film Festival.

Known for his recent appearance in Emily in Paris, Muller approached Cannes through a mix of film, fashion and personal observation. Across the festival, he attended events hosted by brands including Chopard, Ray-Ban and HFC Parfums, while stepping onto the Cannes red carpet for the very first time. Shot on his phone and paired with his own captions, The Personal Edit follows the days from arrival to closing night through Muller’s perspective.

A moment of peace at Chatea de Theoule before the excitement begins!

Looking out for any finishing touches before I walk the Cannes red carpet for the first time.

Then come those special Côte d'Azur nights. This evening celebrating HFC parfums was unforgettable.

Talking all things HFC Parfums with this incredible team.

Another day of fittings, grooming, and a special night with Chopard ahead.

My view before heading into Chopard’s The Miracle Gala.

A memorable evening with great company.

What a pleasant surprise!

Back in the chair for a refresh ahead of a busy day at Cannes.

Celebrating Ray-Ban in an all-white ensemble.

The glasses.

A moment for the many outfits of Cannes!

One of the final outfits of the trip, for a very special closing night!

A special moment on the carpet with Daria Strokous for EE72’s celebration of Film and Fashion.

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(c) Aurelien Muller

Jacob Greenway Shares His Camera Roll: Prepared to Play Jude Bellingham in Dear England

#ThePersonalEdit

Jacob Greenway Opens His Camera Roll From Dear England

written LE MILE

For this edition of The Personal Edit, Jacob Greenway shares a glimpse into his personal camera roll during the making of Dear England, the BBC adaptation of James Graham’s acclaimed stage production about Gareth Southgate and the England national football team. In the series, Greenway steps into the role of Jude Bellingham, one of the defining young players of England’s current generation.

Read throughs are special because it’s the first time you see the script come to life. I was consumed with excitement, gratitude, and trying to look calmer than I actually felt.

Moving between training grounds, set moments and the atmosphere surrounding a production shaped by football culture and national expectation, Jacob´s photos document a period balancing performance, preparation and the intensity surrounding one of the country’s most closely watched stories. Alongside Joseph Fiennes as Gareth Southgate, the series revisits the emotional pressure, ambition and scrutiny surrounding modern English football. Shot on his phone and paired with his own captions, The Personal Edit offers a direct look into the experience from Greenway’s perspective.

The only photo i’ve got from a base. The amount of hours we spent playing football at base was breathtaking. Some of my fondest memories are from kicking ball with the lads.

My first day filming. Energy was high. Vibes were immaculate.

Pre-training scene in my trailer. We spent a lot of time in these kits over the shoot, but this specific kit was always the standout for me.

Wondering round the pitch trying to get an aesthetic pic when I probably should’ve been paying attention.

A quick break with Roman Kemp and The BBC One Show during my stunt rehearsal. I was lucky to have Tyson with me throughout the process - if I broke my leg best believe he’d step in as my stunt double - had a wig on standby!

Rented out Tottenham Hotspur’s, as you do.

To many people’s surprise this was my first time inside a football stadium.

Sir Paul Whittington watching one of the overhead kick takes - The expression on his face was priceless. It felt good pulling that off.

Action shot from the Switzerland penalties scene. I spent the best part of two weeks making sure my run up was identical to Jude’s - only to get to set and find out they were only shooting my feet. still had to deliver the whole performance though.

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(c) Jacob Greenway