SS26 Menswear - Pushing Through The Lens with NOAH SAPON

.digital

Pushing Through The Lens with Noah Sapon

written CHIDOZIE OBASI

Rising creative Noah Sapon became captivated by filmography the moment he acquired his first camera for his ninth birthday. But I cannot help but wonder: what has happened since then? “I’ve lived almost every day with one on me,” he enthuses, the moment we settle into our conversation.

Noah wears blazer by VALENTINO, shirt by CELINE, pants by PAUL SMITH, shoes by CHURCH’S and tie by FERRAGAMO

“I grew up as a big history nerd, and spent a lot of time outdoors,” he says, explaining how he spends lots of time in nature, where he draws the majority of his creative understanding and drive from. “As I’ve matured into a better understanding of myself and what I want to explore as an artist, these have been my biggest driving forces for my practice, while understanding the spiritual effect these elements have on society,” he explains. “I moved around a lot growing up and attended multiple schools, and I think this is where my adaptive nature was born.”

Sapon loves switching environments; throughout his life, he moved from the South of England’s countryside to a small mountain town in Spain, and then to a larger coastal one; since then, he’s been all over the world. Film has always been the director of his life. “No matter what it is, I see it through a lens,” he explains. “I studied film as one of my college A levels when I moved back to the UK in 2016, assuming I’d continue on to it at school or undertake a film degree of some sorts, but I hated it,” he says. Throughout the course, Sapon felt a feeling of unease and otherness from the tutors, and wasn’t allowed to experiment with a wealth of mediums. “Everything was so rigid, so it forced me to reconsider,” he says. At the time, Sapon had just been scouted as a model, and he was starting to experience the fashion industry from the other side of the camera. “I already had an interest in fashion, but I didn’t really understand how any of it worked,” he says. Below, Sapon unpacks early stints, pinch-me moments and future hopes with LE MILE’s Fashion Market Director. You’re welcome.

Noah wears a total look by VALENTINO

Chidozie Obasi
When did you begin to venture into the creative sphere, and what was the moment that made you realise you wanted to pursue this professionally?

Noah Sapon
I was scouted as a model when I was seventeen. I did one show and then signed to SUPA in London, which helped me a lot. Charlie, the founder, was always really supportive of my filmmaking, and he used to book out models to do video tests with; when I was casting, I would always tell the team that I was also a videographer and that if they wanted to book me for that instead they could. I always brought a small camera with me everywhere I went, even on set. I remember having a shoot with the late Brian Griffin for Wallpaper Magazine, and shot a behind the scene film while on set as a model. That’s how it started for me, as I’d get booked to be on both sides of the camera, but I always felt so awkward in front of the lens, and so at-home behind it. Things quite quickly progressed, and by 2019 I was shooting a few small videos a month for magazines, artists and musicians. As soon as it overtook my modelling career financially, I was able to properly dedicate myself to it. Then Covid hit, and I was pretty isolated from London, in the countryside with my family. That was when the natural world became a bigger theme in my approach. I shot an eight spread editorial series with my younger brother, Jethro, for Boys By Girls, about it being the truest constant for humans, and we worked together on another couple of films at home during that time. It wasn’t really until covid fully ended in 2022 that I felt that my career started. Before 2022 I was really just understanding how the industry worked, but then as travel opened up again that’s when things really changed, and I really felt like wow this is actually going to be my life now. I said in an interview when I was sixteen that my five-year plan was to ‘travel the world freely and work with people that inspire me,’ and it really happened.

Could you unpack why you transitioned from modeling to film?

Modelling was never for me. I never worked that much as a model, and I didn’t understand the industry well enough to set goals or intentions. I like organisation and order,and even though my life is quite chaotic, I know what’s going on. I never felt like I knew how to have any control of my own life as a model, and I actually think that is kind of part of the job. I’m so grateful that I got to do it though: I worked with some of my favourite magazines and brands, and it was my first proper, albeit naive, peek into the fashion industry. Film has been my dream for as long as I can remember. When I was really young (after wanting to be a cowboy, knight or pirate), I used to say I wanted to be an architect, and that was the first job I for some reason thought was for me. I liked the idea of creativity with a real-world objective, and something that can be ‘correct’. After that, I wanted to make films, so it was always where I wanted to transition to no matter what.

Noah wears pants and shorts by DOLCE&GABBANA and hat by LORO PIANA

Noah wears a total look by LORO PIANA

Biggest pinch-me moments?

I’ve had a lot of pinch me moments, really luckily very often. I don’t know what would be the biggest. I think the best ones are when I’m in the process of shooting something that really feels like a big checkpoint on track to where I want to be. This is one, as we’ve known each other since 2019! Quite full circle, and it was so much fun on set.

What downturns have you encountered during your path?

I’m really a very optimistic person. I don’t really register moments as ‘downturns’, I like to process these moments quite quickly and learn the lessons. However, I suppose my biggest downturns happen just when I feel conflicted about how to do well, and when an experience might go against what I believe in. But being a curious person, I always want to learn from the experience.

What’s next for you?

Well, what’s next is very exciting. 2026 has been such a great year so far. I’m equally focused on my documentaries as my fashion work which is awesome. I have two docs currently in the editing phases, one with me and one with an editor. I’ve got a few covers coming out with some really epic talent. I don’t like to overshare plans and goals, but I’m also in the process of working with an amazing friend and philanthropist, Mauro Monarris, on a lot of beautiful charity work. I turned 26 this year, and intentionality has become key. The next few years will involve a lot of large-scale positive impact on the world, be it through my personal work, or work I align with, and this makes me really happy. I’m feeling really grateful.

Noah wears overshirt by PAUL SMITH, sweater by AVANT-TOI, shirt by JACOB COHËN, pants by CANALI and RANDOM IDENTITIES by Stefano Pilati and shoes by AQVA ALTA

---

seen COSIMO BUCCOLIERI via STUDIO REPOSSI
fashion market director + stylist CHIDOZIE OBASI
head of production JESSICA LOVATO
fashion coordinator EDWARD PUSCA
make up DIANA DJURDJEVSKI via STUDIO REPOSSI
hair FUJIWARA TAKAHASHI
model NOAH SAPON
photography assistant ANTONIO CROTTI
fashion assistants DAIANA EDOSA + ALICE PELATI + LUDOVICA IEMMOLO + ALESSIA GUALTIERI

credits
all Images (c) LE MILE
and Cosimo Buccolieri

SS26 Menswear - THE QUIET POWER of Mergim Shabani

.digital

The Quiet Power Of Mërgim Shabani

written CHIDOZIE OBASI

Kosovo-born, Vienna-hailed talent Mërgim Shabani kicked off his creative path that didn’t follow the customary trajectory in this realm. “I was very focused on sports and football growing up, but maybe because I’m left-handed and played football with my left foot, I had to learn early on how to adapt — and approach things in a more creative way,” he says.

Mërgim wears blazer, pants and belt by LOUIS VUITTON, shirts by CARUSO and ZEGNA and shoes by CHURCH’S

At the same time, Shabani was in touch with fashion from a young age, especially with Prada. “My uncle, who owned a variety of Prada shoes, had a strong influence on me,” he recalls, the moment we begin to settle in our conversation. “It was probably my first experience with something that felt more premium and intentional compared to other clothing, and it stayed with me,” he adds. Below, LE MILE grabs five with Shabani; unpacking all things influence, mental health and future hopes. You’re welcome.

Mërgim wears a total look by GUCCI

Mërgim wears a total look by PRADA

Chidozie Obasi
In an age permeated by saturation and social downturns, the word ‘influence’ - and its wealth of denotations - acquires a huge relevance and, in turn, prominence nowadays. How do you use your platforms and position to inform what’s going on in the world, and how/where do you see the future of socials heading to?

Mergim Shabani
We are all dependent on platforms today, but that also means they are an opportunity — and for me, that opportunity is a gift. There were people who inspired me and made it possible for me to even have a platform and a certain level of influence. The more I appreciate that, the more I want to be my most authentic self. I believe that when you are truly yourself, you can step away from competition more easily. When it comes to informing others, I don’t see myself in a position to lecture people about the complex state of the world. There’s a phrase I believe in: you can’t fix your home and you’re trying to fix the world. For me, that means doing the inner work first — becoming someone who contributes positively to their own community and tribe, instead of speaking on situations you don’t really have influence over.

Could you unpack what the most complex moments of your job are, and how you grapple with your mental health - particularly in a sea of numbers dictated by tractions?

I think the most complex moments are the ones where you have to constantly develop new skill sets and reach new levels, because you always want to become better.
Through that process, I learned an important lesson for my mental health: I never question myself as a human — my character or my value — but I do question my skills in a tough, honest way. That distinction is important. It allows me to improve without losing stability. I can be critical of my work, but still stay grounded in who I am.

Mërgim wears a jacket and top by CELINE and pants by RANDOM IDENTITIES by Stefano Pilati

Mërgim wears a tank top by LOUIS VUITTON, a hat by PAUL SMITH and jewellery by LAG WORLD

Mërgim wears a jacket by ISABEL MARANT, tank top by EXTREME CASHMERE, shirt by CANALI, pants by QUARTO ATTO, hat by LORO PIANA and tie by POLO RALPH LAUREN

What are you focusing on right now?

There are a few things I can speak about, and others I still prefer to keep quiet for now.
I have a store called Odë in Vienna with a partner, and we are now moving into online sales and worldwide shipping. It’s not just a fashion store or a boutique — it’s a space where people can experience our taste and perspective. I’m also developing Tempo Wellness Club, which is my own sports and movement brand. It will include a lot of my routines, workouts, and overall philosophy. Alongside that, I’m working on other product-based projects that I’m personally very connected to. I’m not ready to speak on them yet, but they will be visible soon.

What’s next for you? Any future hopes?

I’m constantly developing new skills and perspectives, so I see this as a phase where I’m stepping into a new level. At the same time, I see myself as a lifelong student of life. I want to stay productive, continue building, and provide for my people — my tribe — but also create moments where I can step back and appreciate the life I’ve built with those around me.
Hope is something that has a strong meaning to me. You can see it in a person’s eyes when it’s still there, and it’s something worth protecting. My hope for the future is to become a version of myself that gives more than he takes.

Mërgim wears shorts and hat by LORO PIANA

---

seen COSIMO BUCCOLIERI via STUDIO REPOSSI
fashion market director CHIDOZIE OBASI
head of production JESSICA LOVATO
fashion EDWARD PUSCA
make up KIM GUTIERREZ via STUDIO REPOSSI using DOLCE&GABBANA BEAUTY
hair FUJIWARA TAKAHASHI via MKS MILANO
talent MËRGIM SHABANI via NEXT MILAN
photography assistant ANTONIO CROTTI
fashion assistants SOFIA FARINA + SIMONA VERNAZZA + LUIZA ANGELOVA + ANGELINA PERSIANI + ISABELLA RUIZ

credits
all Images (c) LE MILE
and Cosimo Buccolieri

SS26 Menswear - IVAN, UNFILTERED with Ivan Ugrin

.digital

IVAN, UNFILTERED
*with Ivan Ugrin

written CHIDOZIE OBASI

Croatian-born, Amsterdam-hailed multidisciplinary artist Ivan Ugrin spent the last decade finding and shaping his stride. “I’ve been a professional contemporary dancer for fifteen years, with stints as a movement director and a model,” he tells LE MILE’s Fashion Market Director, Chidozie Obasi, the moment they meet in Spring, during a sun-soaked day in Milan ahead.

Ivan wears a total look by DIOR

The past year was a rough one for everyone around him, himself included. “It was a year of monumental changes, but also a year of big personal growth,” he shares, adding how he feels very proud of how far he’s come. “I changed my creative field, going from the contemporary dance world into a more fashion-driven realm,” he says. “My modeling career kicked off, and I honestly feel very grateful and blessed to be where I am right now,” he adds. Below, we grabbed five with Ugrin to unpack influences, career feats and future hopes.

Ivan wears a sweater by MICHAEL KORS and underwear by ISABEL MARANT

Chidozie Obasi
Who’s been your biggest influence while growing up?

Ivan Ugrin
Growing up, I was a very goofy kid that would play out scenes from Jim Carrey movies, especially Ace Ventura, as I really admired him. To this day, I still quote a lot of the jokes and physical humor.

Could you unpack your biggest career feats so far?

I don't really look at my career as one big feat after the other. But rather, I take pride in a lot of small, but equally meaningful events, like every time I premiere a piece. Or when my mom came to see me perform for the first time when I was twenty five years old (and then secondly when I was thirty three (she only saw me on stage twice). I’m also thrilled when a person who attends the show comes to me after it, telling me how the performance impacted them. I’m also elated when I catch a glance of a friend in the audience that I had no clue he was going to be there that night. In the past, I performed a lot for kids, and putting up a show for them made me fall in love with performing even more. I performed this kids’ play titled TETRIS by Erik Kaiel in a Palestinian refugee camp in Jordan. It was one of the most beautiful and heartwarming experiences of my career; the kind of experience that reminds you of the power of art.

And touching on the complex moments and, in turn, rejections, how have they shaped your persona?

No one likes rejections, but no one knows rejections better than performing artists. I personally have been rejected a lot of times. So much so that I have not passed a single audition in my career. I don’t do well under that kind of pressure, and I feel in the audition setting I’m unable to show my full potential. For all the jobs I’ve undertaken, I was either recommended by my peers or I personally wrote to choreographers directly, expressing my desire to work with them. So I’d say that these situations have impacted me a lot as a young dancer. I had to deal with most of them on my own, understanding I should not take every rejection to heart. Some things are just a matter of timing and luck.

Ivan wears a total look by PRADA

Ivan wears a sweater by ISABEL MARANT, shirt by LOUIS VUITTON, shorts by LESSICO FAMILIARE and shoes by CHURCH’S

Where did you study, and how has your path in dance been?

When I was eighteen, I moved to Zagreb to study Veterinary medicine. That same year I started dancing Jazz twice a week at TALA Dance Center in Zagreb. I didn't know much about dance at that time apart from how it felt in my body and how it made me feel. Dancing felt good, it felt right: It felt like I finally found my passion. Those hours spent in the studio made me feel free without any worry. I was told by my teachers that I was talented, but it was hard for me to understand that at the time. All I knew is that I wanted to be as good as I can be and I wanted to dance. I enrolled at Amsterdam School of The Arts, at the Modern Theater Dance department. I skipped a year, so I finished 4 years of education in three years, landing a graduation in 2013. After that moment, I worked mainly as a freelancer, most noticeably with Arno Schuitemaker and Connor Schumacher. I was part of a ICK/Emio Greco Pieter Scholten company in 2016 for a year, while they were artistic directors of Ballet National de Marseilles.

You’re also taking ballet classes, correct?

Yes, I still take ballet classes a bunch of times a week. During the week, as my daily practice I mix Yoga, Ballet and weight training at the gym. Nothing prepares you for dancing like classical training.

What projects are you working on?

This is a good opportunity to say that I am free and ready to work on new projects as I’m about to perform the last shows in the Netherlands, in beautiful pieces I am part of.

What’s next for you?

The next thing for me is to start new exciting dance projects in Europe. And together with my amazing agent Jane, we are focusing on my career as a model and movement director within the fashion space.

Ivan wears a blazer by FENDI, shirt by SANDRO, shorts by PHYSIQUE DU ROLE and shoes by CHURCH's

---

photography ANDREA CENETIEMPO
fashion market director + stylist CHIDOZIE OBASI
head of production JESSICA LOVATO
fashion coordinators ALBERTO MICHISANTI + EDWARD PUSCA
make up EDOARDO DE FALCO via WM MANAGEMENT
hair FUJIWARA TAKAHASHI via MKS MILANO
talent IVAN UGRIN via DEJAPRIS AGENCY
fashion assistants VALENTINA INVERARDI + VINCENZO VITELLO + SEBASTIAN RAFAEL

credits
all Images (c) LE MILE
and Andrea Cenetiempo

SS26 Menswear - Summer Edit of Timeless Classics with Fabio D’Addona

.digital

CLEAN SLATE
*with Fabio D’Addona

written CHIDOZIE OBASI

Like all codified fashion trends that reach the point of parody – a cycle that seems to happen with increasingly ferocious pace these days – “quiet luxury” found itself in the proverbial bin over the years along with the Y2K fashion, gorpcore and office sirens.

Fabio wears a shirt by GIORGIO ARMANI, pants by QUARTO ATTO and tie by LORO PIANA

Yet, there’s something about the tenets of the stealth wealth movement that still seems to resonate with a grand and overstimulated shopping public, in a way that’s allowed it to transcend the usual lifecycle of your average fashion “core”. In fact, only this week, trends and 'fits across the world reported that “summer” apparel isn't just a matter of peacocking braggadocio at an all-time high; rather, it's about maintaining the margin between “minimalism" and “chic” with a subtly subversive feel.

Fabio wears a cardigan by LEVI’S, shirt by POLO RALPH LAUREN and shorts by THE NOUR

Fabio wears a total look by LORO PIANA

Your wardrobe will naturally shift throughout the year, but Summer is the season when the weather dictates your clothing choices the most. For your breezy capsule wardrobe, you'll want a concise edit of classic pieces to make getting ready every day so much easier. It can sometimes feel like a challenge to remain stylish throughout Summer, but these three pairings will keep you snazzy and comfortable, in style. You're welcome.

Fabio wears a total look by LORO PIANA

---

photography ANDREA CENETIEMPO
fashion market director and stylist CHIDOZIE OBASI
head of production JESSICA LOVATO
fashion coordination ALBERTO MICHISANTI + EDWARD PUSCA
make up EDOARDO DE FALCO via WM MANAGEMENT
hair FUJIWARA TAKAHASHI via MKS MILANO
model FABIO D’ADDONA
fashion assistants VALENTINA INVERARDI + VINCENZO VITELLO + SEBASTIAN RAFAEL

credits
all Images (c) LE MILE
and Andrea Cenetiempo

SS26 Menswear - STITCHES OF FREEDOM with Michelangelo Vizzini

.digital

STITCHES OF FREEDOM
*with Michelangelo Vizzini

written CHIDOZIE OBASI

Michelangelo Vizzini’s first dabs within the creative sphere took place from an early age, when music—in the first instance—became a pivotal tool for expression and freedom. “Over time I found acting as another equally powerful language,” he confesses, as we settle into our conversation.

Michelangelo wears a total look by MIU MIU

“I see myself as someone constantly exploring; I love nature, staying with my family and chocolate,” he exclaims, his face filled with excitement. “Growing up, I’ve been influenced by a mix of music and cinema: Musicals were probably the strongest presence early on, as they shaped my sensitivity.” Vizzini has always been deeply inspired by artists who were able to be honest and vulnerable in their work: namely Daniel Caesar, whose music carries a deeply raw and emotional truth in its lyricism.

Michelangelo wears a total look by CELINE

“In general, I’m drawn to people who create from a genuine place, regardless of the medium,” he says. “Creativity has always been part of my life,” he opines, adding how, “Music came first and very naturally, while acting came late, but it didn’t feel like a shift, but more of an expansion.” LE MILE’s Fashion Director caught up with the rising creative force, unpacking everything from career feats to future hopes. You’re welcome.

Michelangelo wears a blazer by GIORGIO ARMANI, a sweater by SON OF A TAILOR, shirts by MOSCHINO and MICHAEL KORS, shorts by POLO RALPH LAUREN, shoes by CHURCH’S, and a belt by CELINE

Chidozie Obasi
When was the pivotal moment you realised you wanted to pursue the creative path as a full time profession?

Michelangelo Vizzini
I think I’ve always known, in a way. This path requires courage, and I never really had a plan B. I could spend hours singing or studying musicals without ever feeling tired, and that feeling made it clear to me that this was what I wanted to do with my life.

Leaning on to the crucial moment that changed your path forever: could you unpack it with us?

I think the crucial moment was when I decided to put music slightly aside for a while and focus more on cinema. It wasn’t an easy choice, because music has always been a big part of me, but I felt the need to explore acting more deeply.

At a time when the social and cultural phenomena are wreaked by havoc at an increasingly ferocious pace, how do you navigate the system and stay afloat?

I try to stay grounded and connected to what feels real. It’s easy to get distracted by noise, but I think it’s important to come back to the work, to the process, and to your own voice. For me, it’s about focusing on authenticity rather than external validation.

Could you unpack your most ‘complex’, dare I say, moment of your journey?

The most complex moments are often the ones where you doubt yourself. There are times when things feel uncertain, when you question your path. But I’ve learned that those moments are also necessary, they push you to grow, to redefine who you are, both as an artist and as a person.

Michelangelo wears jeans by HED MAYNER, shorts by ESSENTIEL ANTWERP, and shoes by BEPOSITIVE

And now, talk to us about Love Me, Love Me: how did it all happen? And what did you expect when you first read the script?

I immediately connected with the emotional core of Love Me, Love Me. It asked me to be completely honest, especially in portraying love and vulnerability. I wanted to respect the character while making him real for me, focusing on personal connections. It was also a key experience that taught me to trust the process and stay present.

You’re also quite passionate about fashion: is that something you've learned to embrace over time, and what's your relationship with it?

Fashion is something I’ve grown into over time. At first, it was more instinctive, but now I see it as another form of expression. It’s a way to communicate something without words, an extension of identity and mood.

What's next for you, and where are you hoping to take your career in time to come?

I want to continue exploring characters, stories that are intimate but also challenging. I’m interested in roles that push me out of my comfort zone and allow me to grow. At the same time, I’ll keep developing my music, because it’s such a personal space for me. I don’t want to limit myself. I just want to keep evolving and searching for something real.

Any final reflections?

If there’s one thing I’ve learned, it’s the importance of staying open, open to change, to doubt, to growth. This path is unpredictable, but that’s also what makes it meaningful. In the end, it’s all about being honest with yourself and with what you want to express. Anyway, life will guide me, and wherever I end up, I’ll trust the process.

Michelangelo wears shirts by SON OF A TAILOR and POLO RALPH LAUREN, pants by MOSCHINO, and jewellery by LAG WORLD

photography ANDREA CENETIEMPO
fashion market director + stylist CHIDOZIE OBASI
head of production JESSICA LOVATO
fashion coordinators ALBERTO MICHISANTI + EDWARD PUSCA
make up AMERICO TURTORO via MKS MILANO
hair FUJIWARA TAKAHASHI via MKS MILANO
talent MICHELANGELO VIZZINI
fashion assistants SOFIA FARINA + LUIZA ANGELOVA + SEBASTIAN SCHIAVO

credits
all Images (c) LE MILE
and Andrea Cenetiempo

SS26 Menswear - FUNCTION AND FINESSE with Umberto Villahermosa

.digital

FUNCTION AND FINESSE
*with Umberto Villahermosa

written CHIDOZIE OBASI

For Italian talent Umberto Villahermosa, a lifestyle pundit whose affection with outdoor sports and art goes back in time, the past year has marked a transition in his path. “I started a clothing brand and I’m learning how to manage my time around working as a model, while building a solid base,” he says, cosily, as we begin to settle into our conversation.

Umberto wears a blazer and shirt by DOLCE&GABBANA, pants by QUARTO ATTO, and shoes by CANALI

Umberto wears a blazer and shirt by DOLCE&GABBANA

“It’s been a big challenge, but I’m willing to take it, and it brought a new fire of longing within me.” Since childhood, he’s always been a very creatively-driven kid, and aged fifteen he began building his own surfboards. “It’s only really when I moved over to Milano to study Economics that I understood I was drawn more towards creative disciplines like painting, photography and design,” he confesses. “I’ve always lived with the mentality of making something myself rather than buying it,” he adds. Umberto kicked off his modeling career because of his grandmother, who worked for the Italian house Fendi when she was younger. “She told me that I could work well as a model,” he says, “and took me, just like a scouter, to who’s still my current mother agency.”

Umberto wears a blazer and shirt by DOLCE&GABBANA

He wasn’t considering that becoming reality at first, but as he began to work he realised that it was interesting and unique, and that he much preferred honing such practice than working as a finance professional or in a corporate office as his life was originally meant to be. “The uprise of socials during those years also gave me a further opportunity to express myself and release a vision of who I was under my own lens, and that was such a lovely medley of accumulated experiences and sources of inspiration that once again drove me more towards the realm of creativity,” he says. “At the time, I was also motivated by the love I gained on social media, which could also be a slippery slope for obvious mental health reasons,” he reflects. As for the rest? Well, there’s more to the story, which you’ll probably read here first. You’re welcome.

Umberto wears a coat by ACT N1, a shirt by CANAKU, pants by THE NOUR, shoes by JIMMY CHOO, and an archive tie

Chidozie Obasi
Could you unpack your biggest career feats?

Umberto Villahermosa
During the past twelve years of my career, I’d say some of my proudest jobs are my first lookbook shoots for brands such as Versace, Dolce&Gabbana but also shows during fashion week, for example my first ever shows such as MSGM or Philipp Plein. I'm talking about those beginning jobs because I still remember the enthusiasm levels to this day.

How about the complex moments you’ve had?

I would refer as complex moments the fact that modelling, such as a lot of other creative jobs, is not a super stable career, there’s lots of ups and downs and those downturns can be understandably harsh if you don’t have a solid mindset that comes with understanding the idea that you cannot have control over every single facet of your path.

As a model and talent with such a broad experience and portfolio, how did you manage to stay afloat amid the system’s downturns?

I highly believe in professionality and humanity as fundamental values, no matter what the work environment is. You can have your face on all the magazine covers and on the biggest brand campaigns, but if you show up at work late and you treat others badly because you think you are superior, I would personally not hire you to represent my brand. I think I have always respected that and it definitely helped to keep me afloat.

Umberto wears a total look by LORO PIANA

Moving onto your brand, could you expand on it and specify how you are hoping to scale it further?

During my climbing years, I noticed I couldn’t find a comfortable pair of pants to practice such activity outdoors and that would protect my knees and shins from scratches that you would get from hitting granite rock. Therefore, I started climbing with karate pants that were very comfortable in terms of flexibility, but that wouldn’t protect enough from scratches. I decided to make my own climbing because I like to experiment with patterns and create destructured designs that are now the most sold, and that’s how Sasso People was born. I also give the opportunity to customers to have a custom sizing for maximum comfort, and I’m committed to having the closest possible to zero waste repurposing the fabric scraps into accessories and climbing bags. I transformed my living room into my studio, and I currently make everything by hand. It’s doable but I’m at maximum capacity. The big challenge will be to expand with production outsourcing, but in a way that I can maintain the same level of craftsmanship and low environmental impact because these, together with building a healthy and inclusive community, are the main values of the brand.

What’s next for you?

I will surely continue working as a model, keep developing the brand and find solutions to get to a broader public and grow the community. On a more personal level, I promised myself to work on my mental health and take care of myself a little more.

Umberto wears a blazer by CARUSO

Umberto wears a blazer by CARUSO and pants by THE LATEST

Umberto wears an overshirt by PAUL SMITH, a shirt and pants by LABO.ART, and shoes by CHURCH’S

Umberto wears a tank top by MICHAEL KORS, pants by DOLCE&GABBANA, and jewellery by LAG WORLD

Umberto wears a blazer by HED MAYNER, pants by THE LATEST, a hat by DOLCE&GABBANA, and jewellery by LAG WORLD and EUPHORIA NEW

Umberto wears a shirt by GRIFONI and pants by PHYSIQUE DU ROLE and MEIMEIJ

photography COSIMO BUCCOLIERI via STUDIO REPOSSI
fashion market director + stylist CHIDOZIE OBASI
head of production JESSICA LOVATO
fashion coordinators ALBERTO MICHISANTI + EDWARD PUSCA
make up CHIARA GUIZZETTI via THE GREEN APPLE ITALIA
hair FUJIWARA TAKAHASHI via MKS MILANO
model UMBERTO VILLAHERMOSA via INDEPENDENT MGMT
photography assistant ANTONIO CROTTI
fashion assistants SIMONA VERNAZZA + ANGELINA PERSIANI + SOFIA FARINA + CHARISSE ORDINARIA + LUIZA ANGELOVA + CHIARA DE BONIS

credits
all Images (c) LE MILE
and Cosimo Buccolieri

SS26 Womenswear - DANCING TIDES with Franceska Nuredini

.digital

DANCING TIDES
*with Franceska Nuredini

written CHIDOZIE OBASI

Franceska Nuredini’s encounter with dance somewhat began as a joke. “As a child, I’d tried various sports, but my mother soon realised that dancing came naturally to me: I loved it and I also had a natural aptitude for it; I was very flexible,” she says. One day, Nuredini’s mother took her along for a trial lesson. “From that moment on, I literally immersed myself in my dance school: it became my whole world for seven years, years of intense study which, almost naturally, turned that passion into my career.”

Franceska wears a coat by DEAD COUTURE ICONS, a shirt by GRIFONI, skirts by MEIMEIJ and YALI, shoes by APEPAZZA, a hat by DOLCE&GABBANA, and jewellery by LAG WORLD

Combining dance and fashion becomes an innovative way of telling a story, and in this shoot, Nuredini felt at her best to convey such feelings. “Yes, I think this connection between these art forms has grown significantly,” she reflects. “Today, even in fashion, there is an ever-increasing need for expression and movement: the body is no longer merely a backdrop for the garment, but a narrative tool that brings life and meaning to what is worn.”

Nuredini sees herself as someone who works through my body and my image, but for her the creative process leading up to the final result is also fundamental. “I worked in a very comfortable and stimulating environment. The music also played an important role: it changed along with the outfits I was wearing and, as a result, my interpretation and the way I moved changed too,” she says. “Over the past seven years of work, I’ve had quite a few memorable experiences. Among the most significant was the last tour I undertook with the artist Elodie,” she freely admits. “It was an extremely fulfilling experience, both artistically and personally. On stage, I felt free to truly be myself, something that isn’t always a given in my line of work.”

On hopes, she speaks with unguarded honesty. “I sincerely hope that expression, in all its forms, continues to grow ever more,” she concludes. “Beauty and art should never stop evolving and transforming. And, of course, I hope to continue being a part of it myself.”

Franceska wears a dress by MAX ZARA STERCK and a skirt by DRUMOHR

Franceska wears a top by MICHAEL KORS, pants by DOLCE&GABBANA, shorts by MANUEL RITZ, and shoes by CASADEI

Franceska wears a top by DRUMOHR and a skirt and scarf by AVANT-TOI

Franceska wears a total look by MOSCHINO

photography COSIMO BUCCOLIERI via STUDIO REPOSSI
fashion director and stylist CHIDOZIE OBASI
head of production JESSICA LOVATO
fashion coordinators ALBERTO MICHISANTI + EDWARD PUSCA
make up DIANA DJURDJEVSKI via STUDIO REPOSSI
hair AMERICO TURTORO via MKS MILANO
talent FRANCESKA NUREDINNI via SOLO STUDIO MILANO
talent manager STEFANO MANCLOSSI
photography assistant ANTONIO CROTTI
fashion assistants SIMONA VERNAZZA + ANGELINA PERSIANI + SOFIA FARINA + CHARISSE ORDINARIA + LUIZA ANGELOVA + CHIARA DE BONIS

credits
all Images (c) LE MILE
and Cosimo Buccolieri

SS26 Menswear - SUBTLE BLOOM with James Yates

.digital

SUBTLE BOOM
*with James Yates

written CHIDOZIE OBASI

If you’re stuck wearing soft knits for lack of a better option across the minimalism spectrum – a cycle that’s doomed to repeat itself ad infinitum because nothing else quite measures up to a tried-and-tested subtle option – consider tailoring paired with shirts an equally comfortable alternative. Warm, fuss-free and willing to be paired with any essentials from Gant, Armani to Canali (as shown in the below edit), this multi-tasking staple will almost certainly edge ahead when it comes to registering as smart. Structure was present in abundance during Fashion Month, which saw several show-goers pair weighty styles with scarves, longline coats and basics.

James wears a total look by Gant

Would the same outfits have looked good with skinny options? Possibly. But there was something about the way the volumes fell, wrapping ever-so-slightly over the body but looking quite impeccable at first sight, that made those pairings look effortless. As for the shape? Roomy, which still appears to be the most popular, but, like any item in a transitional wardrobe, that’s only the entry point. From neutral-toned blazers, which look supremely chic with a breezy shirt, to wide-legged trousers, which go well with jackets, there’s a whole spectrum to acquaint yourself with this Spring. Scroll on for some of the best styles, edited by LE MILE’s Fashion Market Director. You’re welcome.

James wears blazer DRUMOHR, shirt and tie CANALI, shorts POLO RALPH LAUREN, shoes Gant

James wears a total look by Gant

James wears jacket CANALI, blazer POLO RALPH LAUREN, shirt DOLCE&GABBANA, pants QUARTO ATTO

James wears a total look by Gant

James wears sweatshirt HED MAYNER, shirt POLO RALPH LAUREN, pants EMPORIO ARMANI, shoes BEPOSITIVE

James wears a total look by Gant

James wears a total look by Gant with shoes AQVA ALTA

James wears blazer RANDOM IDENTITIES by Stefano Pilati, shorts PHYSIQUE DU ROLE, jeans MOSCHINO

photography COSIMO BUCCOLIERI via STUDIO REPOSSI
fashion market director and stylist CHIDOZIE OBASI
head of production JESSICA LOVATO
fashion coordination ALBERTO MICHISANTI + EDWARD PUSCA
make up DIANA DJURD JEVSKI via STUDIO REPOSSI
hair DAVIDE NUCARA
model JAMES YATES via SPECIAL MANAGEMENT
photography assistant ANTONIO CROTTI
fashion assistants VALENTINA INVERARDI + SOFIA FARINA + VINCENZO VITELLO + LUIZA ANGELOVA + SEBASTIAN RAFAEL + CHIARA DE BONIS

credits
all Images (c) LE MILE
and Cosimo Buccolieri

SS26 Menswear - WILD COMPOSURE with Luca Cobelli

.digital

WILD COMPOSURE
*with Luca Cobelli

written CHIDOZIE OBASI

Every Spring, I find myself reaching instinctively for one of the best breezy separates that has carried me through countless cold mornings, commutes, late-night dinners and far-fetched trips. No matter how many trends cycles come and go, a body-hugging essential is a mid-season constant. That’s why when investing in one, you need to think carefully about what to look for, what to avoid and the wear-anywhere styles worth considering.

Luca wears a total look by MIU MIU

Luxury brands like MIU MIU, Paul Smith and Michael Kors have practically built their reputations on expertly crafted wardrobes, but there are plenty of more affordable and brilliantly made options on the high street, too. Brands such as BePositive, Avant-Toi and Canaku now offer exceptional quality in the daily wardrobe department without breaking the bank. Also worth noting: Fit is key. A gently oversized cut allows room for billowing shirts underneath and gives a more relaxed feel, while a slimmer or more tailored number offers polish for eveningwear, but isn’t the best for layering underneath on the coldest of days. Aim for a staple that skims the body without swamping it, and make sure the sleeves are the right length – small alterations at your local tailor can make an enormous difference. You’re welcome.

Luca wears a shirt by HED MAYNER, pants by ACT N.1 and shoes by PREMIATA

Luca wears a polo sweater by AVANT-TOI, a shirt by ALESSANDRO GHERARDI, pants by QUARTO ATTO, shorts by CALVIN KLEIN, shoes by CHURCH’S and a tie by THE FRANKIE SHOP

Luca wears a sweater and shirt by MICHAEL KORS, pants by PAUL SMITH and shoes by BEPOSITIVE

Luca wears shirts by PAUL SMITH and LABO.ART, and pants by CANAKU

photography COSIMO BUCCOLIERI via STUDIO REPOSSI
fashion director and stylist CHIDOZIE OBASI
head of production JESSICA LOVATO
fashion coordination ALBERTO MICHISANTI + EDWARD PUSCA
make up CHIARA GUIZZETTI via THE GREEN APPLE ITALIA
hair FUJIWARA TAKAHASHI via MKS MILANO
model LUCA COBELLI via I LOVE MODELS MANAGEMENT
photography assistant ANTONIO CROTTI
fashion assistants SIMONA VERNAZZA + ANGELINA PERSIANI + SOFIA FARINA + CHARISSE ORDINARIA + LUIZA ANGELOVA + CHIARA DE BONIS

credits
all Images (c) LE MILE
and Cosimo Buccolieri

SS26 Menswear - DANCING TIDES with Simone Emili

.digital
DANCING TIDES
*with Simone Emili

written CHIDOZIE OBASI

Simone Emili’s first approach to dance was quite unusual, and came almost by chance. “I was about ten years old, a very hyperactive kid, and I felt the need to practice a sport, but I couldn’t really find one that I saw myself in,” he tells LE MILE’s Fashion Director, Chidozie Obasi. “There was one thing, however, that came naturally to me: in every sport I tried, in moments of rest, I always ended up dancing.”

Simone wears a vest by FEDERICO CINA and pants by ISSEY MIYAKE MEN

Simone wears a cardigan by FIVEFOURFIVE, a tank top by SANDRO, a skirt by ACT N1, and pants by SETCHU

From then on, he never stopped: at first, it was simply a hobby, something that spontaneously became a part of his daily routine. Then, during adolescence, he began to understand that it could become much more. “I completely changed my mindset and approach: dance became a tool for transforming my body, my mind, and, ultimately, the person I am today.”

Emili believes that today, the relationship between fashion, expression, and dance is at its peak. “There’s an increasingly perceptible mutual contamination between these worlds, which now communicate naturally and continuously,” he reflects. “It’s as if they were a single form of expression: one doesn’t exclude the other, but rather complements it. Where there’s fashion, there’s also movement; and movement, ultimately, is the very essence of dance. Fashion, in my opinion, is a form of dance: it communicates through the body, lines, and attitude. Likewise, dance embodies an aesthetic, a sense of style and expression that deeply resonates with the language of fashion.”

The emotions Emili felt during the shoot were bountiful, but what struck him most was the stark contrast between them. “Wearing six different looks, I felt like I was experiencing six distinct emotional states,” he says. “Each outfit transported me to a different atmosphere, almost a new environment, capable of evoking specific sensations: from harmony to elegance, even a kind of anger,” he explains. “All these emotions then became part of my performance in front of the camera. It was precisely this emotional journey that allowed me to face a long and intense day with energy and awareness. My goal was to create a contrast between the looks: not just an outfit change, but a transformation of my entire personality time after time.”

Simone wears a cardigan by FIVEFOURFIVE, a shirt by CANAKU, shorts by HED MAYNER, and shoes by AQVA ALTA

Simone wears a cardigan by TOMMY HILFIGER, a shirt by BOSS, pants by MOSCHINO, shoes by SEBAGO, and jewellery by N21

Simone wears a sweater by MORDECAI, a shirt by MANUEL RITZ, pants by ACT N1, and shoes by BEPOSITIVE

Simone wears a total look by MOSCHINO

Simone wears a cardigan by TOMMY HILFIGER, a shirt by BOSS, pants by MOSCHINO, shoes by SEBAGO, and jewellery by N21

photography COSIMO BUCCOLIERI via STUDIO REPOSSI
fashion director and stylist CHIDOZIE OBASI
head of production JESSICA LOVATO
fashion coordination ALBERTO MICHISANTI + EDWARD PUSCA
make up DIANA DJURDJEVSKI via STUDIO REPOSSI
makeup assistant ANGELA CAMMALLERI
hair AMERICO TURTORO via MKS MILANO
model SIMONE EMILI
photography assistant ANTONIO CROTTI
fashion assistants ANGELINA PERSIANI + CHARISSE ORDINARIA + SIMONA VERNAZZA + SOFIA FARINA + VALENTINA INVERARDI + VINCENZO VITELLO + THEA OLOFSSON ROWCLIFFE

credits
all Images (c) LE MILE
and Cosimo Buccolieri

SS26 Menswear - SOFT PROJECTION with Matteo Guerrieri

.digital
SOFT PROJECTION
*with Matteo Guerrieri

written CHIDOZIE OBASI

Wear-anywhere separates are something of a paradox. Whether you choose breezy numbers or a style that stretches, something in neutral shades or a more tempered hue, their practical aesthetic can appear effortless – see Matteo Guerrieri’s proposal for the taking – however, the flipside is that for all their daily effortlessness, they require significantly more upkeep than their structured counterparts.

Matteo wears a blazer by CANALI, a bomber and scarf by ETRO, a shirt by BOSS, pants by RANDOM IDENTITIES by Stefano Pilati, and shoes by CHURCH’S

Quite simply, they deliver something different to classic true staples, which is why 24/7 wearers of soft tailoring will always have an ample range in their rotation. I own many: blazers, sweats and cardigans styles from both the high street and premium houses, which have a subtle aesthetic that teams nicely over sneakers or formal footwear. They serve different purposes, as you can probably tell by their shapes, but, crucially, both deliver polish in a mode that’s easy and undone.

They could pretty much be styled with any toppers, from a chunky knit by day to a long-sleeved cotton offering by night. (I also love a shirt-meet-sweat moment, although that might be too much for a night out.) My only note would be to score on the low-effort proposals, as the key is not overdoing it. Minimal layers, a quiet necktie and comfortable shoes – a lived-in Church’s loafer or a funky trainer, such as BEPOSITIVE – are the way to go. All that is left to do now is finding your staple of choice, and you’ll become the embodiment of Spring in no time. You’re welcome.

Matteo wears a polo sweater by FERRAGAMO, a knit T shirt by AGNONA, pants by FIVEFOURFIVE, and shoes by FERRAGAMO

Matteo wears a total look by VALENTINO

Matteo wears a total look by DIOR HOMME

Matteo wears a tank top by ISABEL MARANT, a vest by LUCA LARENZA, a shirt by LABO.ART, pants by ZEGNA, and shoes by CHURCH’S

Matteo wears a cardigan by EXTREME CASHMERE, a shirt by MORDECAI, pants by INSTITUTION, shorts by LUCA LARENZA, and shoes by BEPOSITIVE

photography COSIMO BUCCOLIERI via STUDIO REPOSSI
fashion director and stylist CHIDOZIE OBASI
head of production JESSICA LOVATO
fashion coordination ALBERTO MICHISANTI + EDWARD PUSCA
make up DIANA DJURD JEVSKI via STUDIO REPOSSI
makeup assistant ANGELA CAMMALLERI
hair AMERICO TURTORO via MKS MILANO
model MATTEO GUERRIERI via MASC AGENCY
photography assistant ANTONIO CROTTI
fashion assistants ANGELINA PERSIANI + CHARISSE ORDINARIA + SIMONA VERNAZZA + SOFIA FARINA + VALENTINA INVERARDI + VINCENZO VITELLO + THEA OLOFSSON ROWCLIFFE

credits
all Images (c) LE MILE
and Cosimo Buccolieri

FW25 Menswear - Truly, Softly, Preppy with Simone Pollastri

.digital
TRULY, SOFTLY, PREPPY
*with Simone Pollastri

written CHIDOZIE OBASI

For youngsters, in a society where the tides of change are evolving with increasingly ferocious pace, it’s a painful time to tell stories about the arts. For some, these are times shaped by transitions, informed by choices and decisions that helped define the state of our world—with a gumption to envision the future not as a destination, but as a point of greater clarity and a personal journey. For Milan-hailed creative Simone Pollastri, this year epitomised such an example: a time where he closed chapters, both professionally and personally, that no longer aligned with his vision or direction.

Simone wears a long-sleeved top by DSQUARED2, pants by SETCHU, shoes by ZEGNA, and jewellery by SWAROVSKI

Simone wears a jacket and pants by TAN, and shirts by MOSCHINO and ALESSANDRO GHERARDI

“I tend to set ambitious goals and see change as a necessary part of growth, rather than something to resist,” he tells me, with no peacocking braggadocio on display. “Both positive and challenging experiences contributed to a more focused mindset and a stronger sense of direction. Today, I feel more grounded and confident in the path I’m taking, aware that this phase is simply another step forward, not a final outcome.” His practice moves across a wealth of fields, all driven by the same approach to storytelling and aesthetics. “I’m naturally curious, drawn to movement, change and new challenges, and I try to channel my passions—namely, travel, sport and creativity—into a cohesive way of working and living,” he reflects. Pollastri works as a filmmaker and creative director through his production house, FilmVisual, where he develops visual campaigns and digital productions for fashion and sports brands.

“Alongside this, I recently co-founded TAN, an independent brand that represents a more personal extension of my creative vision,” he adds. “For me, creation is less about fitting into categorised roles and more about building a language that feels honest, dynamic and constantly evolving,” heconcludes, his face filled with excitement. But there’s more to the story, which you’ll probably read here first. You’re welcome.

Simone wears a brown sweater by ZEGNA, a black sweater by RANDOM IDENTITIES by Stefano Pilati, a shirt by TOM FORD, pants by DSQUARED2, shoes by CHURCH’S, and jewellery by LAG WORLD

Simone wears a jacket by THE FRANKIE SHOP, a shirt by MICHAEL KORS, pants by DIESEL, shoes by BEPOSITIVE, and a tie by TOM FORD

Chidozie Obasi
Taking a trip back memory lane: what’s your earliest approach with the creative field and with fashion, in particular?

Simone Pollastri
My earliest approach to creativity didn’t begin with fashion, but with images. At eighteen, I discovered photography and video almost by chance, and immediately felt drawn to the idea of using visuals as a personal language. What fascinated me wasn’t just the technical aspect, but the possibility of communicating what I had to say at that specific moment in my life through images, movement and storytelling. Over time, I started to realise how closely that process was tied to my own growth: how my perception of what felt beautiful or meaningful evolved alongside me. Fashion entered my path later, through visual work and collaborations, but always filtered through this lens. I never approached it as a system to belong to, but as a space where I could apply a subjective, evolving sense of aesthetics. That relationship with images remains the foundation of everything I do today.

You’re also a fond travel aficionado: how did such longing come about, and how has it blossomed over time?

I don’t think there was a precise moment when my desire to travel began: it has always felt like something inherent. Growing up, I often felt the need to look beyond my immediate surroundings. Travel represents the possibility to observe, understand and experience what exists outside of one’s own bubble. Over time, this curiosity became a driving force and naturally intertwined with my work.

Beside the fixtures of the fashion and travel realms, you’ve also dabbled into the world of film and motion storytelling...

Film and motion storytelling were never a separate ambition for me. Rather than stemming from a single moment, they emerged as a natural evolution of how I wanted to communicate ideas. Over time, I realised that still images alone weren’t enough: I was drawn to rhythm, sequencing and atmosphere. Motion allowed me to build narratives, not just visuals.

Today, film is less a discipline and more a framework, and that is precisely why I chose to found and work through my production house, FilmVisual. It’s the language I naturally return to when I want to translate a vision into something tangible.

As you’ve travelled and experienced many sides of the world, what values and lessons have you gained?

Travel has played a fundamental role in shaping both my personal and creative growth. I often see travel as a process of accumulation rather than escape. You leave with a blank page, and along the way it fills with impressions and perspectives. The most valuable lesson travel has taught me is inclusion; the ability to question your own point of view and remain open to complexities.

Simone wears a cardigan by NN.07, a sweater by EXTREME CASHMERE, a shirt by TOMMY HILFIGER, shorts by MOSCHINO, pants by CELINE, and jewellery by LAG WORLD

Could you unpack your biggest pinch-me moment from your professional journey, thus far?

My biggest pinch-me moment wasn’t tied to a milestone client, but to an experience that made me fully realise the path I had chosen. It happened during a work trip to Alaska, where travel, extreme sport and visual storytelling converged. That moment made it clear to me that, had I followed a more conventional route, many of those experiences wouldn’t have been possible. It reminded me of the importance of listening to myself and trusting the direction I had chosen.

How do you envision the future of influence and of the digital world at large?

I believe the shift within this industry has already happened. Today, influence is less about reach and more about relevance. Projects like TAN and FilmVisual are built on credibility, continuity and long-term vision. In a saturated digital environment, value and authenticity are what endure.

Leaning on your newly-founded brand venture, how did it all come about?

TAN was born from a clear and shared decision: the desire to stop expressing our creativity solely through other brands and start building a world of our own. Together with close friends, we felt the need to create something that genuinely reflected who we are: our relationship with the sea, sport, movement and travel. From the beginning, TAN was never conceived as a conventional fashion project. It’s a lifestyle-driven platform where the product exists within a broader context of experiences, community and storytelling. TAN is, and will remain, an independent Italian brand developed by friends, rooted in our lifestyle and designed to evolve without losing its identity.

Is there a wish to scale it and expand its base to international markets?

Our priority is to build a tangible relationship with people and allow them to experience our world firsthand. International expansion is welcome, but not chased. If a vision is authentic and well-rooted, it naturally travels. Rather than pursuing rapid growth, we’re focused on building something that lasts.

Any other exciting projects in the pipeline?

At this stage, my focus doesn’t lie in unveiling new projects, but on consolidating what already exists. The priority is to continue building TAN with intention, allowing it to grow into a solid and independent reality. Alongside its digital evolution, we’re interested in making the project more tangible. In the future, we’d love to open a physical space; not conceived as a traditional store, but as a creative hub. A place that can act as a meeting point for our community, where we can host events, music, gatherings and collaborative moments, and where the brand can be experienced beyond the product itself. Similarly, I want to keep developing FilmVisual. These two realities complement each other and represent the space where I feel most aligned. Looking ahead, my ambition is to grow both projects with patience, clarity and consistency, while expanding TAN organically, creating spaces and experiences that allow people to genuinely connect with our vision.

Simone wears a blazer and pants by HED MAYNER, a shirt by ZEGNA, and shoes by CHURCH’S

Simone wears a jacket by THE FRANKIE SHOP, a shirt by MICHAEL KORS, pants by DIESEL, shoes by ZEGNA, and a tie by TOM FORD

photography COSIMO BUCCOLIERI via STUDIO REPOSSI
fashion director and stylist CHIDOZIE OBASI
head of production JESSICA LOVATO
fashion coordination ALBERTO MICHISANTI + EDWARD PUSCA
make up KIM GUTIERREZ via STUDIO REPOSSI using FENTY BEAUTY and for skincare THE ORDINARY
hair DAVIDE NUCARA
model SIMONE POLLASTRI via WANNABE MGMTP
photography assistant ANTONIO CROTTI
production assistant LORIS VOTTERO
fashion assistants ALESSANDRO GIANESIN + SIMONA VERNAZZA + ANGELINA PERSIANI + CHARISSE ORDINARIA + DINA LABADI + MATILDE DALLA PIAZZA + MARIANA RAPOSO

credits
all Images (c) LE MILE
and Cosimo Buccolieri

FW25 Menswear - Retro Spotlight

.digital
RETRO SPOTLIGHT
*with Simone Bredariol

written CHIDOZIE OBASI

As seen across the Fall runways, the appeal of pared-back minimalism has yet to wane – and, whatever your style-driven proclivities, this season has plenty to choose from.

Whether you prefer your slouchy tailoring with a twist, or your airy goods slightly functional, here’s how to wear this season’s minimal offerings with maximum impact. Our wardrobe will naturally shift throughout the year, but Fall is the season when the weather dictates your clothing choices the most: from Zegna’s pristine tailoring, Dolce&Gabbana’s clean-cut suiting to Etro’s wear-anywhere ease, you’ll want a roster of reliable, classic pieces to make getting ready every day so much easier. It can sometimes feel like a conundrum to remain snazzy amid the depths of winter, but these 7 looks are a failsafe way to keep things cool, and in line, for you. And the most important message? Keep it breezy. You’re welcome.

Simone wears a blazer by DOLCE & GABBANA, a jacket by CASCINELLI, a sweater by CALVIN KLEIN, a jumpsuit by HED MAYNER, and shoes by CHURCH’S

Simone wears a total look by ZEGNA

Simone wears a sweater by ZEGNA, a shirt by ALESSANDRO GHERARDI, and pants by SETCHU

Simone wears a blazer and vest by EMPORIO ARMANI, and pants by CANALI

Simone wears a sweater by ETRO, a shirt by BRIONI, and pants by SANDRO

Simone wears a cardigan by AVANT-TOI, and pants by ZEGNA

Simone wears a sweater by FILIPPO DE LAURENTIS, and pants by HED MAYNER

credits
all Images (c) LE MILE
and Cosimo Buccolieri

photography COSIMO BUCCOLIERI via STUDIO REPOSSI
fashion director and stylist CHIDOZIE OBASI
head of production JESSICA LOVATO
fashion coordination ALBERTO MICHISANTI + EDWARD PUSCA
make up KIM GUTIERREZ via STUDIO REPOSSI using FENTY BEAUTY and for skincare THE ORDINARY
hair DAVIDE NUCARA
model SIMONE BREDARIOL via DMANAGEMENTGROUP
photography assistant ANTONIO CROTTI
production assistant LORIS VOTTERO
fashion assistants ALESSANDRO GIANESIN + SIMONA VERNAZZA + ANGELINA PERSIANI + CHARISSE ORDINARIA + DINA LABADI + MATILDE DALLA PIAZZA + MARIANA RAPOSO

FW25 Menswear - Home Break

.digital
HOME BREAK
*with Christian Frascaro + Francesco Crisitiano

written CHIDOZIE OBASI

The longing for timelessness has been a forerunner in fashion’s stakes in recent years, making its presence felt across the sartorial spectrum: from the designer runways to the rails of high-street favourites, its wear-anywhere appeal has sparked the yearn of many.

Of course, this concept is by no means a modern phenomenon, and its history stretches back to the centuries of creativity of fuss-free apparel within the menswear arena, that have managed to retain that sense of ageless elegance right up to the present day: thanks to the wealth of options that span across tailored constructions to their structured credentials, clothes that last are an investment to a man’s wardrobe. But the question is: how do we make these classics feel directional in 2025? Brace yourselves.

As modeled ever brilliantly by Francesco Cristiano and Christian Frascaro, these versatile silhouettes come in everything from Prada’s skin-tight separates to swishy Brioni’s outerwear to structured canvas from Celine and cotton checks from Isabel Marant. Acting as a solid foundation for an everyday outfit – especially during the winter months – the right staple can truly smarten up any outfit, or add a touch of nonchalance to a formal essential. Below, LE MILE’s edit has you covered. You’re welcome.

Christian wears a blazer and shirt by ZEGNA with pants by CELINE. Francesco wears a coat by CELINE, a jacket by RIER, a shirt by ISABEL MARANT, and pants by RANDOM IDENTITIES by Stefano Pilati.

Francesco wears a total look by PRADA

Christian wears a total look by PRADA

Christian wears a sweater by FERRAGAMO, a long-sleeved top by LABO.ART, and pants by QUARTO ATTO. Francesco wears a sweater by CELINE and pants by ZEGNA.

Kaisla wears a hat by LORO PIANA, a dress and bag by FERRAGAMO, and shoes by JIMMY CHOO

Francesco wears a total look by GUCCI

Christian wears a sweater by ZEGNA, a t-shirt by CELINE, and pants by BRIONI. Francesco wears a shirt by CELINE, a sweater by ZEGNA, and pants by CELINE.

Christian wears a coat, blazer, and scarf by BRIONI, a sweater by ISABEL MARANT, a shirt and pants by ZEGNA, and shoes by CHURCH’S

credits
all Images (c) LE MILE
and Francesco D’Amico

seen FRANCESCO D’AMICO
creative fashion direction CHIDOZIE OBASI
head of production JESSICA LOVATO
fashion coordination ALBERTO MICHISANTI + EDWARD PUSCA
make up MARTA CUPAIOLI via MKS MILANO
hair GIUSEPPE DI GUGLIELMO via MKS MILANO
talents CHRISTIAN FRASCARO + FRANCESCO CRISTIANO
photography assistant QUENTIN BUTTIN
fashion assistants CHARISSE ORDINARIA + THEA OLOFSSON ROWCLIFFE + SIMONA VERNAZZA

FW25 Menswear - MASC Agency Awakening

.digital
MASC Agency ´s
AWAKENING

written CHIDOZIE OBASI

It’s a painful time to tell stories about the arts. It’s exactly the reason why, in a world shaped by downturns that swing with increasingly furious pace, ideas brimming with invention and driven with full intention are a welcome respite. If there’s one thing for sure, it’s that right now, the future generations are currently one of the most looked at in the fashion industry and in the world at large.

Therefore, brace yourselves: with a handful of innovative and boundary-pushing talents on the rise, MASC Agency — founded by Italian entrepreneur and digital maven Marco Scomparin — is a boutique realm that represents a male-led division of talents, spanning across the worlds of sport, fashion, cinema and far beyond. These rising stars are all emerging as distinctive trailblazers within their respective fields, bringing a unique perspective to the digitalisation phenomena and to that of fashion communication. From timeless classics to experimental offerings, scroll to peruse the edit from LE MILE’s Fashion Director on these talents – who were able to express their personality, identity and style embodying this season’s spirit from a range of Fall's 2025 collections. You’re welcome.

Simone wears a total look by VALENTINO

Giorgio wears a top by LESSICO FAMILIARE, pants by QUARTO ATTO, shoes by CHURCH’S, and accessories by LAG WORLD

Matteo wears a coat by LACOSTE, a cardigan by LUCA LARENZA, a long-sleeved top by LABO.ART, a shirt by CANALI, pants by DOLCE&GABBANA, and shoes by BEPOSITIVE

Flavio wears a sweater and tie by PAUL SMITH, a shirt by CALVIN KLEIN, pants by CANALI, and shoes by SEBAGO

Yusuf wears a sweater by LACOSTE, a shirt by N21, and pants by PAUL SMITH

Andrea wears a cardigan by GIORGIO ARMANI, pants by BERWICH, and shoes by CHURCH’S

Filippo wears a sweater by DRUMOHR, a shirt by TOMMY HILFIGER, pants by GIORGIO ARMANI, and shoes by BEPOSITIVE. Dylan wears a sweater and pants by PHYSIQUE DU ROLE, shoes by DR MARTENS, and a tie by PAUL SMITH.

Biondo wears a blazer by DOLCE&GABBANA, a long-sleeved top by LABO.ART, pants by LEVI’S, and shoes by SEBAGO

Stefano wears a cape by N21, pants by BERWICH, and shoes by CHURCH’S

Filippo wears a vest by DOLCE&GABBANA, a skirt by HAIKURE, shoes by SEBAGO, and a tie from the ARCHIVE

Vittorio wears a coat by LUCA LARENZA, a sweater by DIESEL, a shirt by ALESSANDRO GHERARDI, pants by AGNONA, and shoes by SANTONI

Mattia wears a jacket by CASCINELLI, a vest by ONAR STUDIOS, a sweater by DRUMOHR, a shirt by WOOD WOOD, pants by ISSEY MIYAKE, and shoes by CHURCH’S. Gabriele wears a jacket by MORDECAI, a t-shirt by RIER, a shirt by PAUL SMITH, pants by THE LATEST, and shoes by SEBAGO.

Gabriele wears a cardigan by N21

Carlo wears a blazer by AVANT-TOI, jeans by HAIKURE, and shoes by CHURCH’S

Mattia wears a jacket and blazer by DRUMOHR and jeans by NUMERI 0123456789

Giorgio wears a jacket by LESSICO FAMILIARE, a brown shirt by ROVI LUCCA, a patterned shirt by HAIKURE, pants by RANDOM IDENTITIES by Stefano Pilati, and shoes by DR MARTENS

Matteo wears a sweater by MICHAEL KORS, a shirt by DRUMOHR, and pants by RANDOM IDENTITIES by Stefano Pilati

Biondo wears a total look by LORO PIANA

Simone wears a vest by CANALI and pants by QUARTO ATTO. Flavio wears a sweater by CANALI, pants by RIER, and shoes by DR MARTENS.

Yusuf wears a coat by THE FRANKIE SHOP, a cardigan by LACOSTE, a sweater by LUCA LARENZA, a shirt by ALESSANDRO GHERARDI, and pants by DIESEL

Stefano wears a sweater and shirt by TOMMY HILFIGER, pants by GIORGIO ARMANI, and shoes by CHURCH’S

Dylan wears a blazer by GIORGIO ARMANI, a shirt by ISSEY MIYAKE, and pants by TELA

Andrea wears a total look by LORO PIANA

Vittorio wears a coat by THE FRANKIE SHOP, a shirt by WOOD WOOD, pants by PHYSIQUE DU ROLE, and shoes by CHURCH’S

Matteo wears a total look by DOLCE&GABBANA. Vittorio wears a shirt by WOOD WOOD, pants by PHYSIQUE DU ROLE, and shoes by CHURCH’S.

fashion credits / group image
Stefano wears a sweater and shirt by TOMMY HILFIGER, pants by GIORGIO ARMANI, and shoes by CHURCH’S. Vittorio wears a coat by LUCA LARENZA, a sweater by DIESEL, a shirt by ALESSANDRO GHERARDI, pants by AGNONA, and shoes by SANTONI. Carlo wears a blazer by AVANT-TOI, jeans by HAIKURE, and shoes by CHURCH’S. Matteo wears a coat by LACOSTE, a cardigan by LUCA LARENZA, a long-sleeved top by LABO.ART, a shirt by CANALI, pants by DOLCE & GABBANA, and shoes by BEPOSITIVE. Gabriele wears a jacket by MORDECAI, a shirt by PAUL SMITH, a T-shirt by RIER, pants by THE LATEST, and shoes by SEBAGO. Mattia wears a jacket by CASCINELLI, a vest by ONAR STUDIOS, a sweater by DRUMOHR, a shirt by WOOD WOOD, pants by ISSEY MIYAKE, and shoes by CHURCH’S. Giorgio wears a jacket by LESSICO FAMILIARE, a brown shirt by ROVI LUCCA, a patterned shirt by HAIKURE, pants by RANDOM IDENTITIES by Stefano Pilati, and shoes by DR MARTENS. Filippo wears a vest by DOLCE&GABBANA, a skirt by HAIKURE, shoes by SEBAGO, and a tie from the ARCHIVE. Dylan wears a sweater and pants by PHYSIQUE DU ROLE, shoes by DR MARTENS, and a tie by PAUL SMITH. Yusuf wears a sweater by LUCA LARENZA, a shirt by ALESSANDRO GHERARDI, and pants by DIESEL. Flavio wears a sweater by CANALI, pants by RIER, and shoes by DR MARTENS. Andrea wears a total look by LORO PIANA. Simone wears a vest by CANALI, pants by QUARTO ATTO, and shoes by SEBAGO for RANDOM IDENTITIES. Marco wears a total look by CANALI. Biondo wears a total look by LORO PIANA.

credits
all Images (c) LE MILE /
Cosimo Buccolieri

photography   COSIMO BUCCOLIERI via STUDIOREPOSSI
fashion direction + styling   CHIDOZIE OBASI
head of production   JESSICA LOVATO

fashion coordinators   ALBERTO MICHISANTI + EDWARD PUSCA
make up   DIANA DJURDJEVSKI via STUDIOREPOSSI + GIORGIA PRINI via MKSMILANO
hair   DAVIDE NUCARA
video   SARA FINEZZO

photography assistant   ANTONIO CROTTI
production assistant   LORIS VOTTERO
hair assistant   DANIELE CANCEMI
video assistant   MATTEO BAGINI
fashion assistants   CLOE RUBINATO + ANNA REGAZZONI + MARTINA MUSMARRA
+ CHARISSE ORDINARIA + THEA OLOFSSON ROWCLIFFE + ANGELINA PERSIANI + SIMONA VERNAZZA + ALESSANDRO GIANESIN

talents via MASC Agency

ANDREA ARRU
SIMONE BALDASSERONI
FILIPPO TENCA
GIORGIO RAMONDETTA
MATTEO GUERRIERI
SIMONE BREDARIOL
STEFANO BELOTTI
VITTORIO MENOZZI
YUSUF PANSERI
GABRIELE GRECO
MATTIA CIVIDINO
CARLO FIORENTINI
DYLAN CARUSO
FLAVIO VALABREGA via MASCAGENCY

FW25 Menswear - He’s Fine & Classy with Jonathon Luke Baker

.digital
HE´S FINE & CLASSY
*with Jonathon Luke Baker

written + interview CHIDOZIE OBASI

It’s often hard to admit, but generally, the Italians do it better. However, one’s gotta admire the Brits for their wild romanticism and ingrained sense of cool. They’ve got the London look on lock for sure and they’re proud to often be pioneering the ‘wilder the better’ attitude, but their Italian and French counterparts tend to fall into a more poised category. On fashion terms, Brits do creative ramshackles, Italians do superfine spectacles.

Jonathon Luke Baker wears a total look by LORO PIANA

It’s only fitting then that in this shoot, Jonathon Luke Baker — a multihyphenate based in East London — mixes his charisma and attitude with a pared-back style that veers on the edge of the familiar, with dashes of wear-anywhere coolness. If you’re not already impressed, bear in mind Baker has worked with some of the world’s most talented artists and culturally exciting figures such as Sir Matthew Bourne, Sir Bob Cohen, Arlene Phillips DBE, Wayne McGregor CBE and Sam Smith, to name a few.

Not an art fan? Shame on you. Or, better, brush up on your contemporaries through Baker’s list. In this story, fashion highlights to look out for include Valentino, Loro Piana, and Louis Vuitton. And lastly, brace yourself: LE MILE’s Fashion Director grabbed five with the artist to chat all-things career, mental health and future hopes. You’ve probably heard it here first.

Jonathon Luke Baker wears a total look by VALENTINO

Jonathon Luke Baker wears a blazer by DIOR MEN, a patterned shirt by RANDOM IDENTITIES by Stefano Pilati, a beige shirt by FENDI, a sweater by EXTREME CASHMERE, pants by QUARTO ATTO, a bag by FERRAGAMO, and shoes by PREMIATA

Chidozie Obasi
First things first: could you introduce yourself to us?

Jonathon Luke Baker
I’m Jonathon Luke Baker, a dancer and movement director based in East London. I’ve spent the past ten years performing in contemporary works, but more recently I’ve transitioned into the more commercial side of dance. When I’m not working, you’ll probably find me thrifting around Brick Lane or trying my hand at clay sculpting.

How has the past year been for you?

It’s been a year of growth. I’ve experienced the loss of loved ones, which has been a difficult but deeply human reminder to stay grateful and cherish the beauty of connection. Professionally, it’s been a blessing — I’ve been touring across Europe and the U.S. with Jessie Ware, who I adore, and I’ve continued my relationship with Jean Paul Gaultier, performing in his Fashion Freak Show in Tokyo. Creatively, it’s been a year of refinement — understanding more about my own movement language and how I like to explore the body’s potential for expression. 

What’s your earliest memory of dance?

Throwing my body around to Basement Jaxx! I’ve been twirling for as long as I could walk, but my earliest memory is forcing my family to watch me, my older brother, and my cousin perform our partially choreographed, mostly improvised, but fully committed dance shows to Basement Jaxx.

When did you realise that you wanted to make this craft a professional career?

Very early on — dance was all I ever wanted to do. The idea of growing up and actually getting paid to move my body to music was the ultimate dream. Of course, I had no real idea what the job would entail, nor did I imagine it would take me around the world. I’m grateful to have parents who had blind faith in me pursuing a path they also knew nothing about, yet supported me completely.

What would you say have been the best moments of your path thus far?

One of the most meaningful moments in my journey so far has been building a connection to Francis Menuge, Jean Paul Gaultier’s late partner, whom I portray in Jean Paul Gaultier’s Fashion Freak Show. Francis was not only Gaultier’s lover but also his creative partner — together they built the brand and presented the very first Jean Paul Gaultier collection. In the show, I even wear the original suit Francis wore in that debut in 1976. There’s a solo that depicts his death from AIDS-related complications, exploring the persistence of the disease as it consumes the body and the spirit’s struggle to keep fighting. Although my connection to him is ultimately parasocial, I feel a deep sense of care and responsibility to honour his life and death with authenticity and respect.

And how about the most challenging ones?

The hardest part of this path is maintaining closeness with my life and relationships at home. I’ve spent most of the last few years touring or on location, and I can get completely absorbed by the project I’m working on. It’s something I’m working on actively: being more intentional about staying connected to the people I love. It also makes romantic relationships tricky. On the surface, the lifestyle can look beautiful and cinematic, but in practice it can make it really difficult to build long-term intimacy.

Jonathon Luke Baker wears a sweater by PAUL SMITH, a vest by CANALI, a shirt by TOMMY HILFIGER, underwear by DSQUARED2, and shorts by DSQUARED2

After stints in ballet, you pivoted to a more commercial route… Do you feel nostalgic about your ballet background?

I love ballet deeply, but it feels like another lifetime. As I grew into myself, I realised the way ballet often tells stories didn’t align with the kind of emotional language I wanted to express. The discipline required to pursue ballet at a high level didn’t match the way I like my life and art to breathe and move. Getting to be in the audience to watch loved ones dancing leading roles at the Royal Opera House fills me with so much pride — it’s a joy to appreciate the art form intimately without needing to live inside it anymore.

Is there anything you’d do differently? Do you feel you’re where you wanted to be?

My biggest real regret is not taking GCSE French! My teacher discouraged me because she thought I’d lower her average grade, which still makes me laugh. Now, after spending so much of my career in Paris and performing at Folies Bergere in a Circus Erotica show called Fantasma, I wish I’d cared less about her statistics. I’ve just started learning again on Duolingo, so redemption is happening slowly! My career has never followed the path I imagined, but it has led me to experience my younger self couldn’t have dreamed of. Tomorrow I land in New York to perform Quadrophenia on Broadway with Pete Townshend and Ansel Elgort. That was never on any five-year plan. But I’ve learned that the most beautiful parts of this career are often the detours.

Have you always maintained stable mental health, or were there doubts and difficult times?

I’ve definitely had low periods. I work mostly in dance and fashion and both are visual worlds — you spend so much time in front of a mirror or surrounded by models who are impossibly beautiful. It’s very easy to slip into comparison. And comparison really is the thief of joy, though she has a way of feeling seductive. Over time, I’ve learned to focus on what I uniquely bring to the room — the perspective, the expression, the humanity — rather than trying to match or mirror what someone else is.

In a world shaped by downturns and social unrest, how do you see the future of the arts?

I think creativity becomes even more vital in times of uncertainty. Art helps us feel less alone, and sometimes it allows us to escape long enough to breathe. In a changing world of social tension, I hope the arts can continue to bring people back to each other — to remind us that every person deserves to be valued, especially those who are pushed to the margins because of their identities.

Jonathon Luke Baker wears a coat by FENDI, a jacket by LOUIS VUITTON, a cardigan by BRIONI, a shirt by ZEGNA, a shirt by ISSEY MIYAKE, pants by ANDREADAMO, and shoes by FABI

Jonathon Luke Baker wears a vest by DSQUARED2, shorts by LOUIS VUITTON, and jeans by DIESEL

credits
all Images (c) LE MILE /
Cosimo Buccolieri

photography COSIMO BUCCOLIERI
fashion direction + styling CHIDOZIE OBASI
head of production JESSICA LOVATO
fashion coordination ALBERTO MICHISANTI + EDWARD PUSCA
make up DIANA DJURDJEVSKI via STUDIO REPOSSI
hair DAVIDE NUCARA
film SARA FINEZZO
model JONATHON LUKE BAKER

photo assistant ANTONIO CROTTI
production assistant LORIS VOTTERO
fashion assistance PASQUALE CORLETO + JORDAN MAX BAGLIONI + ALESSANDRO GIANESIN + BRUNA TOGNINI + AMELIA ZACCAGNI + CHARISSE ORDINARIA + GIOELE ROSANO + THEA OLOFSSON ROWCLIFFE

FW25 Menswear - Soft Rebellion with Edu Roman

.digital
SOFT REBELLION 

*with Edu Roman

written + interview CHIDOZIE OBASI

Hot on the heels of his first TV show and a sweeping modeling career under his belt, the model and entrepreneur peels back the curtain on life, path and future hopes—all while becoming the embodiment of what makes a public figure beloved: a rare mix of kindness, grace and warmth.

In simple words, Edu is a breath of fresh air in an industry that, at times, feels bone-dry. So dive into the conversation below, as he speaks with LE MILE’s Fashion Director. You’re welcome.

Edu Roman wears a coat by ISABEL MARANT, a polo shirt by CALVIN KLEIN, a shirt by ZEGNA, pants by DOLCE&GABBANA, a tie from the ARCHIVE, and shoes by FABI

Edu Roman wears a total look by CELINE

Chidozie Obasi
First things first: could you introduce yourself to us?

Edu Roman
I’m the father of a beautiful daughter and the husband of a beautiful woman. I see myself as someone who’s always evolving and trying to adapt to every situation life puts in front of me — always with a smile on my face.

How has the past year been for you?

It’s been hectic! My baby was just a newborn when the year started, and I was living in Tenerife — a beautiful place in the Canary Islands — mixing parenting with my professional work. It’s been an awesome year, and it’s not over yet…There's still so much to do and enjoy. 

Taking a trip down memory lane: where did you grow up?

I grew up in a beautiful place called Cambrils, a small town by the Mediterranean Sea. It’s tiny, but it always gives me this magical feeling. Still, I’ve always been ambitious, and I knew the world had great things waiting for me. Nothing grows in your comfort zone, but it’s always nice to have one, just in case you need to go back.

You have a twin brother! Did you have a happy upbringing? And do you have any other siblings?

Yes! Having a twin brother has always been the best. Growing up with Jorge has been amazing: he’s not just my best friend; I like to say he’s my right arm. Only twins will understand this, because it’s a different kind of bond. He’s always there to give me the other side of the story, to keep me grounded, and to make sure I don’t become someone I don’t want to be. We keep each other on the right path and, as you can imagine, we have a lot of fun together. I also have two younger sisters whom I love with all my heart, and we try to be a great example for them.

Did you always know that you wanted to work in the creative industry, or did that come later?

Actually, I studied Economics! [Laughs]. But creativity has always been part of my life. I have an entrepreneurial mind that’s always looking for ways to add value. For me, creativity is everywhere; you just have to connect the dots and stay curious. I freaking love learning about anything, anytime.

When did you realize that you wanted to pursue this path as your main career?

As always, life had some surprises for me. I was discovered on the street and started modeling. I’ve always liked adapting to new situations, and modeling is all about that: new teams, different people, brands, creative ideas; and you’re the one who has to deliver. And I’ve always loved to deliver. 

In a world shaped by global crises and social change, the role of a model, talent, or creator is often seen as ‘trivial’. What does influence mean to you today?

Be the kind of person you’d love to have close to you. Nowadays, “influencing” is often misunderstood — people think it’s just about posting content and having followers. But for me, influence is about being the person others enjoy spending time with. That’s what creates a kind of virtuous circle that makes the world a better place. Be as happy as you can, and make the people around you feel warm and safe — that, to me, is a real influence.

Edu Roman wears a coat by TOM FORD, a shirt by RANDOM IDENTITIES by STEFANO PILATI, a sweater by MICHAEL KORS, a blazer by ZEGNA, blue pants by CELINE, and beige pants by FERRAGAMO

Could you talk me through your biggest career feats?

Honestly, my biggest feat is still being alive in this industry! I built an international modeling career from scratch: I’ve worked with some of the best brands and photographers in the world. I’m really proud of that, but I never take anything for granted. Staying humble and working hard is key. Thanks to this industry, I’ve met some of the most amazing people — including my wife — and my business partners. I’m the co-founder of a marketing and AI agency called IMMORAL, which has a division dedicated to growing fashion businesses. Everything I know comes from modeling and this outrageous curiosity that defines me.

Have you ever had moments of self-doubt or personal struggle?

Of course. We all have self-doubt, because we’re human. We’re not meant to handle this crazy amount of attention; we’re meant to hunt and grow with our people. But as you grow up, you realize there’s always an excuse — either “you’re not the one they’re looking for,” or “you’re perfect for the job.” As models, and as humans, we hear “no” ten times more often than “yes.” The faster you learn not to be defeated by that, the less you’ll suffer. I always tell young models and people in the industry: keep going, keep your head up. You’re loved by the ones you love, and that will never change.

Being in the public eye isn’t easy. How do you take care of your mental health?

I went to therapy a lot as a kid and a teenager. I’ve always liked to express myself, and I’m not afraid to talk openly about my problems. I believe that when you can say out loud what’s happening to you, you’re forcing yourself to truly understand your emotions — and that’s already halfway to solving the problem. And of course, it’s so important to have people who love you and will always take the time to listen, even if they don’t fully understand what you’re going through. 

Tell us more about your company! How did it start, and how is it going?

When I finished my Economics degree, I started a company with my brother and some partners. It was basically a directory of marketing agencies, web developers, and design studios. We had a great database, but then the government changed the data management laws, and we lost about 80% of our clients. So we decided to sell the database, and I focused on my modeling career. A few years later, my current partner, Marco, built a new business helping brands grow online. We’ve always had a great friendship and mutual respect, and one day he reached out to me and my brother with an idea: to create a new division called IMMORAL FASHION. We combined our experience in fashion and our network with his expertise in scaling e-commerce. Now we’re focusing on AI, because it’s changing everything, and we want to stay at the forefront of new technologies. It’s been a fantastic journey — and I hope it lasts a long time and keeps bringing us joy.

Tell us about the TV show you’re working on! What’s it about, and how do you feel about it?

I’ve never done TV before, but as I always say, when opportunity knocks, you have to adapt and step out of your comfort zone. I’m still filming, and I have a non-disclosure agreement, but I can tell you a bit: it’s a competition featuring 12 Spanish celebrities, where we compete to become the Master of Sewing. We design, choose fabrics, and craft our own pieces. It’s basically the Spanish version of The Great British Sewing Bee. It’s been intense, but super fun. It will air on Spanish public television this coming January.

What are your hopes for the future?

I just want to become the man I’ve always wanted to be — and I think I’m on my way. I want to have fun, build genuine relationships, love the people around me, and spread love everywhere I go.

Edu Roman wears a dress and black skirt by MOSCHINO, a plissé skirt by MEIMEIJ, socks by VALENTINO, shoes by JIMMY CHOO, and hats by VALENTINO and STETSON

Edu Roman wears a shirt by PAUL SMITH, a vest by EXTREME CASHMERE, a blazer by DOLCE&GABBANA, a jacket by TOD’S, pants by ACT N1, and a skirt by MEIMEIJ

Edu Roman wears a red sweater by CELINE, a white sweater by TOM FORD, pants by MORDECAI, and a tie by PAUL SMITH

Edu Roman wears a sweater by FENDI, a shirt by CELINE, a tank top by DSQUARED2, pants by QUARTO ATTO, and socks and a tie by PAUL SMITH

Edu Roman wears pants by PRADA

credits
all Images (c) LE MILE / Cosimo Buccolieri

photography COSIMO BUCCOLIERI
fashion direction + styling CHIDOZIE OBASI
head of production JESSICA LOVATO
fashion coordination ALBERTO MICHISANTI + EDWARD PUSCA
make up DIANA DJURDJEVSKI via STUDIO REPOSSI
hair DAVIDE NUCARA
film SARA FINEZZO
model EDU ROMAN via NEXT

photo assistant ANTONIO CROTTI
production assistant LORIS VOTTERO
fashion assistance PASQUALE CORLETO + JORDAN MAX BAGLIONI + ALESSANDRO GIANESIN + BRUNA TOGNINI + AMELIA ZACCAGNI + CHARISSE ORDINARIA + GIOELE ROSANO + THEA OLOFSSON ROWCLIFFE

FW25 Women and Men - Breathe & Behold

.digital
BREATHE + BEHOLD
*by Kristian Presnal

written CHIDOZIE OBASI

As the Fall 2025 shows have proven, finding the perfect equation for a faraway escape is no mean feat: choosing to embrace playfulness, understanding proportion play and toying with volumes from a wealth of styles can come in handy to solve conundrums of these kinds.

Thus, brace yourselves: ever since the term quiet luxury was adopted by the luxury and medium houses, offerings have delivered uncomplicated versions of pieces we wear day-in-day-out: from classic dresses and separates to a heightened sense of ease and coats, to name but a few. While many trends have fallen by the wayside, several years on, the Nordic region remains strong in its timeless—yet subtly experimental—vision, and its landscapes as well as collections are no different.

LE MILE’s Fashion Director dipped into the Hanaholmen’s naturalesque setting and directed a visual story that’s worth your attention. Highlights include the perfect wool-blend structured jacket (pair with the equally lust-worthy skirt and loaders) from Loro Piana, a breezy option from Issey Miyake, nut-coloured blazers from Random Identities by Stefano Pilati, which will make for an appealing alternative to your usual true browns, tongue-in-cheek toppers from Rolf Ekroth and double-breasted piece from Valentino. Scroll on for these and many more gems, and become the embodiment of this season’s versatile spirit. You’re welcome.

both models wear total looks by VALENTINO

both models wear total looks by LORO PIANA with eyewear by TOM FORD

Aamos wears a hat by CELINE, eyewear by TOM FORD, blazer, shirt and pants by RANDOM IDENTITIES by Stefano Pilati, a jumper by AVANT TOI, and shoes by DOLCE & GABBANA

both models wear total looks by MCQUEEN with eyewear by TOM FORD

Aamos wears a shirt by MOSCHINO, and a top and trousers by ROLF EKROTH

Kaisla wears a total look by ISSEY MIYAKE

Aamos wears a striped shirt, pants and shoes by CELINE, a white shirt by BRIONI, a belt by DOLCE & GABBANA, and eyewear by TOM FORD

Kaisla wears a hat by LORO PIANA, a dress and bag by FERRAGAMO, and shoes by JIMMY CHOO

Kaisla wears a dress by JIL SANDER and shoes by JIMMY CHOO

Aamos wears a full look by MOSCHINO (also header image)

both models wear full looks by DOLCE & GABBANA

credits
all Images (c) LE MILE
and Kristian Presnal

seen KRISTIAN PRESNAL
creative fashion direction CHIDOZIE OBASI
fashion LUCA ROSEI
make up MARIA BOUCHT
hair JONNA OJALA
photo assistant SEAN LEINO
models AAMOS VIKBERG + KAISLA VILJAKAINEN

Hotel Hanaholmen
Hanaholmen is both a cultural and cooperation centre for Sweden and Finland, as well as a boutique hotel with a renowned restaurant. Located just six kilometres from central Helsinki, it offers guests a serene escape amid the beauty of the archipelago atmosphere. The Hanaholmen Hotel is a distinctive fusion of 1970s modernism, Nordic art, and contemporary comfort. Its interiors reflect a thoughtful dialogue between classic Scandinavian design and modern craftsmanship, creating an atmosphere of understated elegance and calm.The hotel features a beautifully preserved 1970s pool and sauna area, complemented by a striking mirrored-glass sauna offering a 360-degree view of the surrounding nature. In early 2026, Hanaholmen will unveil ten new junior suites, designed by Jukka Halminen of KOKO3, further enhancing the hotel’s dialogue between heritage and innovation.

FW25 Menswear - Sharp Equation

.digital
SHARP EQUATION
*with Marco de Sario

written CHIDOZIE OBASI

As the appeal of breezy, wear-anywhere aesthetics appears yet to wane, this season’s staple pieces presents a mood-swinging shortcut to modern luxury.

With boxy shapes, old-school cuts and free of fuss volumes, this is the equation for now – so take the Fall-Winter 2025 collections as your muse and invest in one of LE MILE’s favourites (or hunt one down from the first time around) to ensure proper elegance. An all-grey look can elevate a coat into elegant territory and, paired with some good skin-tight separates, is the epitome of comfy chic. Accordingly, here are the best bits on offer now. I cannot recommend that Prada overcoat enough. You’re welcome.

Marco wears a coat and pants by ZEGNA with a sweater by GABRIELE PASINI

Marco wears a total look by PRADA

Marco wears a total look by VALENTINO

Marco wears a coat by FENDI, a sweater by CELINE, and a shirt by PAUL SMITH

Marco wears a jacket by CELINE, jewellery by SWAROVSKI, and pants by QL2

Marco wears a total look by GIORGIO ARMANI

Marco wears a coat by BRIONI, a shirt by DSQUARED2, pants by QL2, and shoes by CHURCH’S

credits
all Images (c) LE MILE / Cosimo Buccolieri

photography COSIMO BUCCOLIERI
fashion direction + styling CHIDOZIE OBASI
head of production JESSICA LOVATO
contributing editor LUCA ROSEI
fashion coordination ALBERTO MICHISANTI + EDWARD PUSCA
hair + make up MARCO ZITA via MKS using Charlotte Tilbury + Nyce NY
model MARCO DE SARIO
photo assistant ANTONIO CROTTI
fashion assistance LORIS VOTTERO + CLOE RUBINATO + ANNA REGAZZONI + MARTINA MANENTI + ALESSANDRA DI MUGNO + ANGELICA GUANMAN + ALLEGRA AURO + GIULIA TOLOTTI

FW25 Menswear - Braving The Cut

.digital
BRAVING THE CUT
*with Tommaso Bellini

written CHIDOZIE OBASI

The appeal of premium and minimalist comfort has yet to wane – and, whatever your personal style proclivities, the Fall 2025 collections have plenty to choose from.

Whether you prefer your razor-sharp tailoring with a slouchy twist, or your fuss-free essentials slightly sculptural, here’s how to wear Fall’s minimal volumes with maximum impact. From Valentino’s wear-anywhere blazers, Celine’s cardigans, Giorgio Armani’s tailored offerings to Brunello Cucinelli’s smart outerwear, this ample pool of options is yours for the taking — as shown ever brilliantly on Tommaso Bellini. But the most important message? Don’t overthink it.

blazer TOMMY HILFIGER
shirt GANT
pants FIORUCCI
shorts RANDOM IDENTITIES by Stefano Pilati
shoes DR. MARTENS

cardigan JACOB COHEN
tank top EXTREME CASHMERE
pants EMPORIO ARMANI

total VALENTINO

shirt BRUNELLO CUCINELLI
sweater CALVIN KLEIN JEANS
shirt JIL SANDER
pants DUŠAN

shirt + blazer + pants CELINE
ties PAUL SMITH

jacket PAUL SMITH
shirt DOLCE&GABBANA
pants CALVIN KLEIN
shoes CHURCH’S

blazer GIORGIO ARMANI
shirt ETRO
pants TOMMY HILFIGER
jewellery SWAROVSKI

credits
all Images (c) LE MILE / Antonio Crotti

photography ANTONIO CROTTI
fashion direction + styling CHIDOZIE OBASI
head of production JESSICA LOVATO
contributing editor LUCA ROSEI
fashion coordination ALBERTO MICHISANTI + EDWARD PUSCA
hair + make up GIORGIA PRINI via MKS using Charlotte Tilbury + Nyce NY
model TOMMASO BELLINI via TANK Agency
fashion assistance LORIS VOTTERO + CLOE RUBINATO + ANNA REGAZZONI + MARTINA MANENTI + ALESSANDRA DI MUGNO + ANGELICA GUANMAN + ALLEGRA AURO + GIULIA TOLOTTI