The Personal Edit of Krista Papista: During the Making of Euro Divas

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Krista Papista Opens Her Camera Roll During the Making of Euro Divas

written LE MILE

For this edition of The Personal Edit, Krista Papista shares fragments from her camera roll captured during the making of her recent album Euro Divas. Moving between a residency in the Czech Republic, travels across Asia, and the final stages in her Neukölln studio, her images trace a process moving across geographies, states of mind, and shifting identities.

Based between Berlin and Athens, Papista works across music, film, and performance, building a practice rooted in queer ritual, erotic mythology, and hybrid sound. Drawing from Cypriot, Greek, Middle Eastern, and Balkan influences, Euro Divas emerges as a layered world shaped by memory and transformation. Built from spontaneous snapshots and paired with her own reflections, The Personal Edit becomes a visual diary of creation — capturing the environments, bodies, and moments that fed into the album’s formation.

photo: Krista Papista

Journal of shows. Fusion festival, Art Explora, Schinkel Pavilion, Chauffer dans la Noirceur.

photo: Krista Papista

Stalagmites in the neighborhood, and a photo of my mums’s village Kythrea.

photo: Krista Papista

EURO DIVAS VINYLS ARE DONE AND SENT OVER TO ATHENS.

photo: Krista Papista

I started working on Euro Divas album in the Czech Republic. I did an art residency in the country side in the Czech Republic. The accommodation provided was in a monastery, I had the peace & privacy to devote myself to the album 100%. It was a sad little town, bordering Poland, some beautiful Baroque churches, I developed 40% of the album there. My track Heartmode was inspired by this fountain that I found on a wall in the monastery, they say you can only manifest what you want, when you are operating from Heartmode.

photo: Krista Papista

While traveling in Vietnam, I went in a Hare Krishna temple and found a photo of myself as baby goddess, I tried to get into it but I couldn’t. Vietnam was incredible.

photo: Krista Papista

BRIDGE IN FISH VILLAGE , EL NIDO PHILIPPINES.

photo: Krista Papista

The mandolin I played on Eurotrash.

photo: Krista Papista

I came back from traveling and finalized the production and mixing of my album in my studio in Neukölln. I was drinking about 3 bottles of Nature Energy a day, they don’t produce them anymore :/ why? Final stages of mixing took place in November, the whole of Berlin turns yellow and red.

photo: Krista Papista

WHERE I'M I.

photo: Krista Papista

The Personal Edit of Henry Ashton: Between Westeros and London

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Henry Ashton Opens His Camera Roll From A Knight of the Seven Kingdoms

written LE MILE

For this edition of The Personal Edit, Henry Ashton opens his personal camera roll during the release of A Knight of the Seven Kingdoms. Stepping into the role of Daeron Targaryen, a greenseer navigating visions of past and future, Ashton enters the expanding world of Game of Thrones at a decisive narrative moment.

Between filming days, costume fittings, late-night script sessions and the anticipation surrounding the weekly episodes, his images document the atmosphere from within. Shortly after, he returns to screens in A Good Girl's Guide to Murder, marking another key chapter in his trajectory.

Built from spontaneous snapshots on his phone and paired with his own captions, The Personal Edit offers an intimate, behind-the-scenes glimpse into a rising actor’s world at the height of release momentum.

photo: Henry Ashton

Unfortunately I never got to do any sword training on the project, due to Daeron being a pretty ineffectual knight. But, during a horse ridding lesson, I got to see Pete and C.C do their thing.

photo: Henry Ashton

This is me getting a mould of one side of my face. Turns out getting your ear chopped off is quite an involved process.

photo: Henry Ashton

We went through quite a few different looks for Daeron, mostly with shorter hair. But eventually Pippa Woods decided on this one. I thought the greasy, long, Kurt Cobain-esque hair was perfect for him.

photo: Henry Ashton

Ser Steffon Fossoway, played by the incredible Edward Ashely, getting up close and personal with the dragon puppet.

photo: Henry Ashton

Pete and his weights.

photo: Henry Ashton

This photo of the amazing Finn Bennett makes me laugh. From the waist down he’s ready to ride into battle. But up top, he’s ready for party party in Berlin.

photo: Henry Ashton

Shaun and Pete practising lines. I love this photo as it sums up their relationship on and off camera. Just two friends helping each other out.

photo: Henry Ashton

Quite simply, the best wrap gift I have ever been given.

photo: Henry Ashton

Ed and Finn deep in a very tense game of chess. I forget who won. Probably Ed. The man’s a menace.

The Personal Edit of Justus Riesner: Berlinale 2026

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Justus Riesner Opens His Camera Roll From Berlinale 2026

written + styled KLAAS HAMMER

For this edition of The Personal Edit, Justus Riesner shares a glimpse into his personal camera roll from the Berlinale 2026. In Germany’s capital, he moved between film premieres, Prime Video’s “A Night to Remember” event, agency meetings, and an afterparty with Charli XCX, collecting impressions along the way and crossing paths with colleagues as well as international stars.

Having trained at the USC School of Dramatic Arts in Los Angeles, he first gained wide recognition through the hit series Maxton Hall – The World Between Us. A devoted film lover, he enjoys not only watching movies but also debating them and he clearly thrives in his profession. Maxton Hall was just the beginning for Justus - let’s see what this year will bring for him.  Built from spontaneous snapshots on his phone and combined with his reflections, The Personal Edit becomes an intimate chronicle of the Berlinale — capturing fleeting encounters, quiet in-between moments, and the unmistakable atmosphere of the festival through his own lens.

photo: Justus Riesner

photo: Justus Riesner

fitted in mm6 margiela for my first event with prime video

photo: Justus Riesner

posed on red carpets and flirted with the press

everything is accompanied by my talented friends

photo: Justus Riesner

and lots of bling bling
/@benfelipe

photo: Justus Riesner

klaas got me margielaaaasssss

photo: Justus Riesner

bad for the body, good for the soul. berlin in february demands controversial ways to remain sane

photo: Justus Riesner

cos meets jimmy choo

photo: Justus Riesner

this week’s form of transport consists of uber XLs and mini vans
/@benfelipe + @runa_goes_luna

photo: Justus Riesner

where arthouse auteurs meet haute couture

photo: Justus Riesner

attended „the moment“ after party with charli xcx and a special appearance by the one and only gaspar noé omggg

header image
seen by @hustlebush

The Personal Edit of Ewens Abid: Paris Fashion Week FW26

#ThePersonalEdit

Ewens Abid Opens His Camera Roll From Paris Fashion Week FW26

written LE MILE

For this edition of The Personal Edit, Ewens Abid opens his personal camera roll from Paris Fashion Week FW26. Moving between fashion shows, late-night gatherings and long walks through the city, Abid documents Paris as he experiences it: attentive, curious and instinctive.

Known for his roles in Andor and as Jonathan Harker in Dracula directed by Luc Besson, he shifts seamlessly between cinema and fashion culture, carrying the same sensitivity into both worlds.
Presented through images taken directly from his phone and paired with his own captions, The Personal Edit becomes a visual diary of fleeting moments, encounters and atmospheres that define Paris during Fashion Week — intimate, unfiltered and entirely his own.

photo: Ewens Abid

When wandering through the streets of Paris and getting lost, the walk unexpectedly led to art and a small coincidence: Rue Léon. Léon: The Professional, starring one of my favourite actors, Jean Reno, directed by Luc Besson, whom I happened to work with not long ago on Dracula.

photo: Ewens Abid

First event done, it was time to relax and enjoy a good old catch-up with friends, while admiring passers-by in their Paris Fashion Week best.

photo: Ewens Abid

Madly in love with Paris’ café culture. Just know that when you order a coffee here, a single espresso lands on your table. Espresso. What else?

photo: Ewens Abid

Let’s just say that one hit the spot just right.

photo: Ewens Abid

The red carpet at a fashion event, like the TATRAS AW26 Paris Fashion Week presentation, carries its own kind of charge. You simply step into it.

photo: Ewens Abid

I always like to go to the Basilique du Sacré-Cœur de Montmartre. The architecture, the view, the sense of calm — a perfect place after a busy day.

photo: Ewens Abid

It wouldn’t feel like Fashion Week without a party or two. Cutting shapes with friends, soaking up the vibrant atmosphere of Paris by night.

photo: Ewens Abid

The Magliano FW26 show was jaw-dropping. The excitement and suspense before it began gave way to a strong, elegant, dynamic performance — and within ten minutes, months of preparation, hard work, and chaotic commitment came to a close.

photo: Ewens Abid

Coming home to a Shiba Inu, one-on-one. First, the side-eye of “Where have you been?”, then an hour of attitude, and finally a little “I’ll cuddle, but I’m still mad at you.”

photo: Ewens Abid seen by Cedric Terrell

I had the chance to meet photographer Cedric Terrell for a street shoot, and we had a blast. For me, the best part of any shoot is the casual conversation along the way. I find meeting new people fascinating — everyone has a different story to tell.