SS26 Menswear - Rory MacLeod on Matthew Bourne’s Swan Lake, Dance and Modelling with Jacquemus

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What Rory MacLeod Had To Say

written CHIDOZIE OBASI

Rory MacLeod is toying with the idea of a new side hustle. “I’m primarily a dancer, but…” the Scottish-born, London-hailed 24-year-old prefaces, “I recently dipped my toes into modelling,” he opines. Our interview is wedged in the middle of a day devoted to chores. At the moment, he’s relaxed—sat in his home, sporting a black tank, his brown-cola locks in an orderly tousle.

Rory wears a total look by DOLCE&GABBANA

Rory wears a blazer by CARUSO, shirt by LOUIS VUITTON and pants by DOLCE&GABBANA

However, rehearsals, the gym and more awaits. Having the diary space to fill with shows and everything else that comes with his primary passion—dance—it’s been a packed few months since the start of the year.

“This past year has been filled with highs and lows,” he confesses, with unguarded honesty. “I had a bad injury towards the end of my run as The Swan/Stranger in Matthew Bourne’s ‘Swan Lake’ which had me out of dancing for a little while,” he says. Although this slowed him down, it allowed him to explore different creative mediums.. “I moved back to London and tried to get the ball rolling with modelling and ended up booking my first job with Jacquemus,” he says, his face filled with excitement. “As my injury healed up, I began getting back into dance and had two filming jobs, yet to be announced; and now back with Matthew Bourne rehearsing for ‘The Car Man’, which starts touring this summer.” Below, the dancer unpacks inspirations, complexities and hopes with LE MILE. You’re welcome.

Rory wears an overall by LOUIS VUITTON, shirt by KITON, shoes by BEPOSITIVE and scarf by TAGLIATORE

Rory wears a total look by LORO PIANA

Chidozie Obasi
Who have been your biggest sources of inspiration while growing up?

Rory MacLeod
I can’t pinpoint a specific person or show, but I took inspiration from all stories and creative forms growing up. Watching movies and going to the theatre was a big part of my childhood, as I’m sure it is for many people, but I think there was something in me that wanted to be part of telling these stories. As I grew up, I found dance was my way of doing this.

When did you realise you wanted to pursue dance as a career?

I started taking musical theatre classes from about the age of seven, but started leaning more towards dance in my teens. I loved how it felt to express through movement. I knew it was something I would want to continue doing and when I realised I could pursue it as a career the choice felt obvious for me.

Leaning on to the crucial moment that changed your path forever: could you unpack it with us?

I decided to take the jump of training professionally when I was 16. I left school and started auditioning for colleges in London. Some of my family were a bit apprehensive, but I knew I had it in me. I’m so grateful to my younger self for trusting his gut and making that decision or I wouldn’t be where I am today.

Rory wears a t-shirt by CANALI and pants by TOMMY HILFIGER

Rory wears a shirt by GIORGIO ARMANI, pants and tie by CANALI

It’s a painful time for the creative industry and the arts in general - at a time of major changes, crisis and saturation - how do you navigate these moments and manage to stay afloat?

In this industry we do face a lot of challenges, but I think that is also a big part of the reason why our communities are so tight knit and supportive. As things get hard or obstacles arefaced, I always think that leaning on each other and remembering to lift each other up helps massively.

What’s been your biggest role and production thus far?

My biggest role to date would definitely be The Swan/Stranger in Matthew Bourne’s ‘Swan Lake’. It is a mammoth role both physically and mentally, and the most challenging thing I’ve ever done, but it’s also the thing I’m most proud of. I saw the show whilst in training and it was something that motivated me during this time, so it felt like a huge full circle moment for me to actually perform the role.

Any dream roles you’d like to try and take under your belt?

West Side Story derives from the plot of Romeo and Juliet, and since I played Romeo and Mercutio in Matthew Bourne’s ‘Romeo and Juliet’, I feel quite connected to West Side story given that I have explored it in another form. I love the music, period and choreography and would be super excited to be part of that show in some way one day.

What’s next for you, and where are you hoping to take your career in time to come?

In my time away from dancing, I’ve really enjoyed expanding my experience in modelling. I hope to keep the momentum going with this part of my career, whilst also balancing my other passions. I hope to continue telling stories in whatever way I can.

Any final reflections?

It’s been a really formative year for me so far so I’m looking forward to the future and it was nice to have this moment to reflect with LE MILE. Thanks to you guys for having me.

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photography COSIMO BUCCOLIERI via STUDIO REPOSSI
fashion market director + stylist CHIDOZIE OBASI
head of production JESSICA LOVATO
fashion coordinator EDWARD PUSCA
make up + hair MARTA CUPAIOLI via MKS MILANO
model RORY MACLEOD
photography assistant ANTONIO CROTTI
fashion assistants ISABELLA RUIZ + MARIA GLAGOLEVA + ANGELINA PERSIANI + FILIPPO CANCELLIER

credits
all Images (c) LE MILE
and Cosimo Buccolieri

SS26 Womenswear - ECHOES OF GRACE with Caterina Deordieva

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ECHOES OF GRACE
*Caterina Deordieva

written CHIDOZIE OBASI

The structured shirt has long occupied a reliable place in the fashion canon, usually in white, occasionally in black, and almost always treated as a neutral. But this summer, designers have taken a more experimental approach.

Caterina wears total look by VALENTINO

Caterina wears shirt by LOUIS VUITTON, pants by GIUSEPPE DI MORABITO, shoes by APEPAZZA and hat by STETSON

Across the spring/summer 2026 runways, structure came in a spectrum of volumes, from breezy, fuss-free kinds like silks and satin, to unapologetically bold textures of denim, pvc and cotton. A structured and tailored shirt is a statement piece with real wardrobe mileage. Worn casually, it becomes the talking point of your outfit – think, a slouchy one half-tucked in, or a cosy knit thrown on with ease. Feeling a little braver? Lean into contrasting materials by pairing your shirt with body-hugging separates. Whether styled casually or pushed into bolder territory, this season’s iterations are easy to integrate into everyday dressing. Scroll on to peruse LE MILE’S edit of essentials, from minis to maxis, all given playful dashes of cool. You’re welcome.

Caterina wears top by DOLCE&GABBANA, skirt by TORY BURCH, shoes by GIUSEPPE ZANOTTI, jewellery by VOODOO JEWELS and tights by CALZEDONIA

Caterina wears dress and shoes by FERRAGAMO, shirt by HENRI PARIS and bag by TORY BURCH

Caterina wears dress by ISSEY MIYAKE, shoes by GIUSEPPE ZANOTTI, jewellery by UNOAERRE and tights by CALZEDONIA

Caterina wears jacket and pants by LORO PIANA, shoes by APEPAZZA and belt by TORY BURCH

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photography ANTONIO CROTTI
fashion market director CHIDOZIE OBASI
fashion EDWARD PUSCA
head of production JESSICA LOVATO
make up & hair MARTA CUPAIOLI via MKS MILANO
model CATERINA DEORDIEVA via THE AGENCY
photography assistant GRAZIANO FOLATA
fashion assistants ISABELLA RUIZ + MARIA GLAGOLEVA + ANGELINA PERSIANI + FILIPPO CANCELLIER

credits
all Images (c) LE MILE
and Antonio Crotti

SS26 Menswear - Riccardo De Rinaldis on Frammenti and Emotional Balance

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Riccardo De Rinaldis Finds Soft Power in Frammenti

written CHIDOZIE OBASI

Oftentimes, an actor’s creative chops can extend beyond all manner of practicalities, basking in sensitivity and stretching its emotional ground to the max. For Riccardo De Rinaldis, the latter was very much a case in point. “I consider myself an empath and a big crier, and lately, I’m falling down the rabbit hole of matcha,” he tells LE MILE.

The past year was very transformative for De Rinaldis, as lots changed in his inner self. “I’ve grown emotionally, and I’m starting to find my balance through meditation, letting things go, and living in the present,” he says. Professionally, he’s more focused on projects that really speak to him and give him the opportunity to challenge himself more. “Like my latest project ‘Frammenti,’ where I play a young, rebellious ballet dancer. I had never done any dance in my life, even though I respect and appreciate it very much. That’s what sold me when I auditioned,” he says.

Speaking about inspiration, he answers with unguarded honesty. “I want to say something interesting or very philosophical, but in reality, my parents were my biggest inspirations,” he freely admits, “but family in general: my dad’s been working really hard all his life, he carried the weight of his family first—his grandpa died when he was only 14—and then ours, never complaining about anything but doing all of it with a big smile,” he says. “Mom taught me how to love and pursue my dreams. She’s my angel, my priestess in tarot cards.” As for the rest? There’s more to the story, which you’ll probably read here first. You’re welcome.

Riccardo wears jacket, sweater and tie by DIOR, shirt by PAL ZILERI, pants by SEBAGO, shoes by CHURCH’S and hat by EXTREME CASHMERE

Riccardo wears blazer and bag by CELINE, sweater by ISABEL MARANT, white shirt by PAL ZILERI, shirt and pants by DOLCE&GABBANA and shorts by DEAD COUTURE

Chidozie Obasi
When did you get acquainted with the creative - and in particular, acting - world?

Riccardo De Rinaldis
I grew up singing and performing with my sister in front of people since I was a little boy. I always loved it because it gave me the chance to live as my true self. With the years, everything changed. I started to feel lonely and unwanted by society and the so-called “friends”. So, I stopped. I worked in commercials from four to eighteen, and during my last year of high school, I got my first television gig and never stopped working. I am falling in love with the craft day by day.

Leaning on to the crucial moment that changed your path forever: could you unpack it with us?

I have to be honest. There’s not really a crucial moment, but every project that I get the chance to do is always a moment to appreciate and consider as something that is changing and fulfilling my path.

It’s a painful time for the creative industry and the arts in general - at a time of major changes, crisis and saturation - how do you navigate these moments and manage to stay afloat?

Like I mentioned, I’m a big crier over everything. So, in my lowest moments, I feel terrible, but when there’s hope and you believe in your dreams, nothing can really stop you. Everyone is in the same boat. We’re not alone. I would love to see the rise of a new generation of artists in every art form that takes power and brings a really big change of scenery and a shake-up to the industry. We are the future.

Could you unpack your most ‘complex’, dare I say, moment of your journey? Or has it always been an easy path?

Nothing in life is easy. We’re here on this earth to grow and be challenged. Highs and lows are necessary. I had a moment last year where I was really down and wanted to change the path that I was creating. I wanted to quit acting and maybe start something else. But then, thanks to my friends and family, I remembered that I was meant for this. I love what I do with every cell of my being and I couldn’t see myself doing anything else. It was tough but, as I said, necessary.

Riccardo wears jacket by TOD’S, sweaters by SANDRO and EXTREME CASHMERE, shirt by LABO.ART, pants by LORO PIANA and shoes by AQVA ALTA

Riccardo wears a total look by PRADA

Riccardo wears shirts by MANUEL RITZ and MICHAEL KORS, pants by ISSEY MIYAKE, shoes by PREMIATA, tie by PAL ZILERI and belt by CELINE

Do you feel like you’ve had support during your acting career, or has it been partially cutthroat?

As I grew up, I always had my mum supporting me in every decision I made. She saw the spark, like a clairvoyant, and she pushed me to get out of my comfort zone because she knew that I had the potential for this career. With a lot of sacrifices, we fought and are still fighting togethery.

What’s the most exciting production that you took part in?

In 2024, I had the chance to star as one of the main actors in an international movie called Death Do Us Part, which is a comedy/fantasy with a little bit of music in it, set in Italy during the plague. It was also a big challenge because of the English, they asked us to have a British accent and I have an American one, and also because of the singing. But everything was worth it. I met incredible people and artists, such as Alan Cumming. It is insane thinking about it, it was the biggest set that I’ve ever been on and I’m so grateful. I can’t wait to see the reaction of people when it comes out.

Any dream roles you’d like to have try and take under your belt?

I’ve always been the biggest fan of Jackie Chan when I was growing up, and I also did karate for a few years, so maybe an action movie with a lot of fighting would be awesome to do, and probably a sci-fi movie like Avatar or Interstellar.

What’s next for you, and where are you hoping to take your career in time to come?

I try not to make a plan. Like I said before, I try to live in the present, but I have few things that are coming out later this year and at the beginning of next year, so we’ll see you around very soon, I guess.

Any final reflections?

An advice: Act out of love, not for love.

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seen COSIMO BUCCOLIERI via STUDIO REPOSSI
fashion market director + stylist CHIDOZIE OBASI
head of production JESSICA LOVATO
fashion coordinator EDWARD PUSCA
make up KIM GUTIERREZ via STUDIO REPOSSI
hair GIUSEPPE LORUSSO
talent RICCARDO DE RINALDIS
photography assistant ANTONIO CROTTI
fashion assistants DAIANA EDOSA + ANGELINA PERSIANI + LUIZA ANGELOVA + FILIPPO CANCELLIER + ALICE GAVIN

credits
all Images (c) LE MILE
and Cosimo Buccolieri

SS26 Womenswear - Self, Defined with DIOR by Jonathan Anderson

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SELF, DEFINED
*Karolina Captova

wearing DIOR SS26 by Jonathan Anderson

bag CIGALE BAG IN CALFSKIN
shoes SATIN DIOR BOW SANDALS

A Dior bag can change how a body holds a room. For LE MILE’s 40th issue, the house enters Identity through Karolina Capkova, photographed by Christopher Puttins at BODE Gallery in Berlin and styled by Dennis Schneider. Self, Defined. A title that could sound neat on paper, until the images begin to pull it into a sharper place. Karolina wears DIOR Spring Summer 2026 with a almost unreadable presence. She gives the collection room, then takes it back: a bag held close, a pale look against white space, jewelry near the skin, a body that seems aware of the camera without performing for it.

earrings ROSE DES VENTS EARRINGS IN PINK GOLD, DIAMONDS AND ONYX
necklace ROSE DES VENTS NECKLACE IN PINK GOLD, DIAMONDS AND ONYX

bags CIGALE BAGS IN CALFSKIN

bags CIGALE BAGS IN CALFSKIN

ring DIOR MEDAILLON RING IN METAL

bag CRUNCHY BAG IN CALF LEATHER
shoes DE D DIOR LOAFERS IN CROCO-EFFECT LEATHER

bag SUEDE DUFFLE DIOR BAG
belt MEDAILLON BELT IN CALFSKIN AND METAL
shoes DIOR WHISPER PUMPS IN SATIN AND CALF LEATHER

earrings DIOR MEDAILLON EARRINGS IN METAL

bag LADY DIOR IN TWEED CANNAGE WITH BOW

shoes SATIN DIOR BOW SANDALS
ring DIOR MEDAILLON RING IN METAL

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photographer CHRISTOPHER PUTTINS
stylist DENNIS SCHNEIDER
hair artist HELGE BRANSCHEIDT using ORIBE
makeup artist THEO SCHNUERER using DIOR BEAUTY
model KAROLINA CAPKOVA via ELITE PRAG
casting director PANAGIOTA FLOROU c/o WOLKN CASTING
location producer MARCO WAGNER via 030 VENUES
photo assistant MORITZ HILKER
styling assistant LOUISA EDOGUN

credits
all Images (c) LE MILE
and Christopher Puttins

SS26 Menswear - SOFT ARMOUR with Christian Hogue

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SOFT ARMOUR
*Christian Hogue

written CHIDOZIE OBASI

Your wardrobe will naturally shift throughout the year, but Spring is the season when the weather dictates your clothing choices the most. As modeled ever brilliantly by Chritian Hogue, within a transitional capsule wardrobe you'll want a roster of reliable, classic pieces to make getting ready every day so much easier.

Christian wears a total look by FERRAGAMO

It can sometimes feel like a challenge to remain stylish in the depths of Spring, but these six wardrobe fixes will keep you poised and comfortable, in style. Choose wearable shades like white, navy and brown that will go with everything already in your wardrobe. Neutrals such as beige and cream also look especially chic, but just be mindful they may need a more playful take on pairing. Lastly: Fit is key. A slightly oversized cut allows room for a roomy shirt underneath and gives a more relaxed feel, while a slimmer or more tailored style offers polish for eveningwear, but isn’t the best for layering underneath on cooler summer days. Aim for styles that skims the body without swamping it, and make sure the sleeves are the right length – small alterations at your local tailor can make an enormous difference. You’re welcome.

Christian wears henley shirt by EXTREME CASHMERE, shirt by LABO.ART, t-shirt by SON OF A TAILOR, pants by QUARTO ATTO and shoes by CHURCH’S

Christian wears blazer and pants by RANDOM IDENTITIES by Stefano Pilati, shirt by CANALI, shorts by PIACENZA 1733 and shoes by BEPOSITIVE

Christian wears blazer by THE FRANKIE SHOP, sweater vest by CANALI, shirt by MICHAEL KORS, jeans by DIESEL, shorts by FENDI and shoes by AQVA ALTA

Christian wears t-shirt by MOSCHINO

Christian wears jeans by LOUIS VUITTON

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photographer COSIMO BUCCOLIERI via STUDIO REPOSSI
fashion market director + stylist CHIDOZIE OBASI
head of production JESSICA LOVATO
fashion coordinator EDWARD PUSCA
make up DIANA DJURDJEVSKKI via STUDIO REPOSSI
hair FUJIWARA TAKAHASHI
model CHRISTIAN HOGUE via ELITE MILAN + ELITE MODEL WORD
photography assistant ANTONIO CROTTI
fashion assistants DAIANA EDOSA + ALICE PELATI + LUDOVICA IEMMOLO + ALESSIA GUALTIERI

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credits
all Images (c) LE MILE
and Cosimo Buccolieri

SS26 Womenswear - SOFT STREAKS with Kira Alferink

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SOFT STREAKS
*Kira Alferink

written CHIDOZIE OBASI

Despite its high-fashion credentials, a streamlined essential all too often becomes the default for less-than-glamorous activities – walking the dog, taking out the recycling, running to errands – however this season, there are plenty of offerings, plus easy styling tricks, that will ensure you don’t have to choose between form and function.

Kira wears blazer by THE FRANKIE SHOP, shirt and denim skirt by TORY BURCH, t-shirt and tartan skirt by N21 and belt by PAUL SMITH

Of course, there are countless outerwear pairings that prioritise chic – a fuss-free jacket styled with a blazer and skirt is a popular outfit of choice for off-duty models in and out of fashion week – however, at the Fall round of shows, there were also more polished options to be found. So whether you’re digging out an old favourite to give it a new lease of life or looking to invest in a new style in Spring and beyond, timeless classics are investments that you’ll never regret making – especially during a chilly-snap. Scroll down to peruse six ways to style them this season, and get ready to become the very embodiment of Summer in no time. You’re welcome.

Kira wears cardigan and sweater by N21, shirt by SON OF A TAILOR, dress by VIVETTA and shoes by APEPAZZA

Kira wears a total look by FENDI

Kira wears a total look by FERRAGAMO

Kira wears a corset by LOUIS VUITTON

Kira wears shirt by CALVIN KLEIN, blazer by PAUL SMITH and tights by CALZEDONIA

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photography ANTONIO CROTTI
fashion market director CHIDOZIE OBASI
fashion EDWARD PUSCA
head of production JESSICA LOVATO
make up KIM GUTIERREZ via STUDIO REPOSSI using Dolce&Gabbana Beauty
hair FUJIWARA TAKAHASHI
model KIRA ALFERINK via THE AGENCY
fashion assistants DAIANA EDOSA + ALICE PELATI + LUDOVICA IEMMOLO + ALESSIA GUALTIERI

credits
all Images (c) LE MILE
and Antonio Crotti

SS26 Womenswear - SNAZZY PROTOCOL with Luisa Schumacher

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SNAZZY PROTOCOL
*Luisa Schumacher

written CHIDOZIE OBASI

In the years following the pandemic, the world of comfort-centric design exploded within the high-fashion market, with everything from wear-anywhere essentials and practical gorpcore jackets to fashionified sportswear reaching the trend spotlight. The premium category was, naturally, not immune to this new brand of cosycore, and we saw snazzy iterations and roomy yet classy silhouettes holding court in the collections of even the most elevated designer brands.

Luisa wears total look by MIU MIU

You know when Loro Piana embraces a practical piece (albeit in cashmere) that luxury is starting to look a little different. Yet for those who live by the old school mantra that elegance can always stretch beyond conventions, you’ll be happy to know that polish is making a return to our wardrobe choices for the rest of 2026. Of course, we can’t ignore the continuing ripple effects of quiet luxury on the creative landscape, and Pantone’s tone of 2026, Cloud Dancer, certainly has a subtly snazzy undertone about it. From Valentino to Miu Miu’s slouchy slacks to Celine’s roomy offerings, expect to see an unashamedly level of breeziness over next year. Our top tip? Invest in stain remover. You’re welcome.

Luisa wears blazer by MANUEL RITZ, shirt and tie by PAL ZILERI, underwear by EXTREME CASHMERE, shoes by PAUL SMITH and tights by CALZEDONIA

Luisa wears total look by LORO PIANA

Luisa wears total look by VALENTINO

Luisa wears blazer and skirt by CELINE and tights by CALZEDONIA

Luisa wears blazer by CELINE, shirt by KITON, pants by MANUEL RITZ and shoes by APEPAZZA

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seen COSIMO BUCCOLIERI via STUDIO REPOSSI
fashion market director CHIDOZIE OBASI
fashion EDWARD PUSCA
head of production JESSICA LOVATO
make up DIANA DJURDJEVSKI via STUDIO REPOSSI
hair MARTA CUPAIOLI
model LUISA SCHUMACHER via NEXT MILAN
fashion assistants DAIANA EDOSA + ANGELINA PERSIANI + LUIZA ANGELOVA + FILIPPO CANCELLIER + ALICE GAVIN

credits
all Images (c) LE MILE
and Cosimo Buccolieri

SS26 Menswear - TRACES OF MILHAN with Milhan Bouzidi

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TRACES OF MILHAN
*Milhan Bouzidi

written CHIDOZIE OBASI

Ease and function are something of a paradox. Whether you choose to merge them or divide styles that have little in common, something that gains a roomier edge or a structured undertone across a variety of textures, their matter-of-fact aesthetic can appear effortless –see Glenn Martens’s insouciant, high-rise,neutral-toned pants for instance – however, the flipside is that for all their textural effortlessness, these sort of pieces require significantly more upkeep than others.

Milhan wears total look by VALENTINO

Milhan wears shirt and blazer by LORO PIANA and pants by PAUL SMITH

Yet, even as someone who can’t leave the house in airy separates without returning with a slightly smudged hemline or a back-pocket smudge, I will always think they’re worth it. Quite simply, they deliver something different to classic cuts, which is why 24/7 wearers of fuss-free staples will always have a wealth of pairs in their wardrobe rotation. I own many, and they serve different purposes, as you can probably tell by their vital stats, but, crucially, both deliver polish in a mode that’s easy and undone. Below, check LE MILE’S edit of essentials, to take you through the transitional months. You’re welcome.

Milhan wears shorts by CALVIN KLEIN and DSQUARED2, pants by QUARTO ATTO and shoes by BEPOSITIVE

Milhan wears jacket by RANDOM IDENTITIES by Stefano Pilati, vest by LABO.ART, cardigan by SON OF A TAILOR, shirt by LOUIS VUITTON and pants by DIESEL

Milhan wears cardigan by BRIONI, shirts and tie by CANALI, pants by LOUIS VUITTON and belt by PAUL SMITH

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seen COSIMO BUCCOLIERI via STUDIO REPOSSI
fashion market director + stylist CHIDOZIE OBASI
head of production JESSICA LOVATO
fashion coordinator EDWARD PUSCA
make up KIM GUTIERREZ via STUDIO REPOSSI
hair FUJIWARA TAKAHASHI
model MILHAN BOUZIDI via GUYS MGMT
photography assistant ANTONIO CROTTI
fashion assistants DAIANA EDOSA + ALICE PELATI + LUDOVICA IEMMOLO + ALESSIA GUALTIERI

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credits
all Images (c) LE MILE
and Cosimo Buccolieri

SS26 Menswear - Matteo Miccini on Ballet, Discipline and Mental Resilience

.digital

How Matteo Miccini Navigates The Physical And Mental Weight Of Ballet

written CHIDOZIE OBASI

Florence-born, Stuttgart-hailed dancer Matteo Miccini has nourished a penchant for the arts from early on, and built a subtly intimate trove through his grandfather, Eugenio, who was an Italian artist and writer. “Watching him dedicate himself to his creative work and seeing how seriously he treated both inspiration and discipline left a very strong impression on me and has greatly influenced my decision to become a ballet dancer,” he says. It’s definitely been a time of growth for Miccini, both artistically and personally. “I’ve had the opportunity to revisit certain roles with a new sense of maturity, while also challenging myself with new repertoire,” he says. Below, the dancer unpacks early stints, peak moments and personal expectations. You’re welcome.

Matteo wears top by LEVI’S, shirt by THOM BROWNE, pants by QUARTO ATTO and shoes by PREMIATA

Matteo wears total look THOM BROWNE

Chidozie Obasi
What’s your earliest memory of dance?

Matteo Miccini
My earliest memory of dance is watching the musical Notre-Dame de Paris, with music by Riccardo Cocciante, together with my sister and my father. I remember thinking it must be an amazing feeling to stand on stage. After that experience, I remember watching a dance class that my sister took part in, going home and telling my family that I wanted to do that as well. I became curious about dance and started wondering what it would be like if I were to do it myself.

When did you realise that you wanted to make this craft a professional career?

I remember everything going quite fast, honestly. Around the age of eleven, I stopped doing gymnastics and started ballet. I was very lucky to find a teacher who discovered my potential and talent from the very first moment, and who pushed me into training. That guidance was very important, as it gave me direction and helped me understand that I should take this path very seriously. Two years later, I was already in Stuttgart at the John Cranko School, training to become a professional ballet dancer.

Matteo wears a total look by MIU MIU 


What would you say have been the best moments of your path thus far?

Discovering new roles and experiencing a wide variety of productions has been incredibly rewarding, especially as each one brings its own challenges and way of thinking. Being able to travel and perform in many different countries has also been an exciting part of my journey.

Has your mental health always been stable throughout your path as a dancer, or have you had moments of doubt or times when you felt like quitting?

Dealing with self-doubt, fatigue, and pain has definitely been part of the more challenging aspects of my path. With time and experience, you learn to understand your body, to know your limits, but also to accept that you will go through unpleasant moments. The body, with a good mindset, is often much stronger and more resilient than you initially think.

Is there anything you’d do differently in your path? And do you feel like you’re where you wanted to be?

I don’t think I would change much, but perhaps I would have tried to enjoy the present moments a bit more, without constantly thinking ahead or about what comes next. Over time, I’ve realized how important it is to fully appreciate what you are experiencing in that particular moment, especially in a career like ours where everything moves quite fast. There have certainly been moments of doubt and questioning. The mental and physical pressure that comes with this profession can be exhausting, but I have always managed to remain dedicated and committed to my career.

Matteo wears a blazer by ZEGNA, pants by ISABEL MARANT, a belt by LOUIS VUITTON and shoes by PREMIATA

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seen COSIMO BUCCOLIERI via STUDIO REPOSSI
fashion market director + stylist CHIDOZIE OBASI
head of production JESSICA LOVATO
fashion coordinator EDWARD PUSCA
fashion coordination assistant SOFIA FARINA
make up KIM GUTIERREZ via STUDIO REPOSSI using DOLCE&GABBANA BEAUTY
hair FUJIWARA TAKAHASHI via MKS MILANO
talent MATTEO MICCINI
photography assistant ANTONIO CROTTI
fashion assistants SIMONA VERNAZZA + LUIZA ANGELOVA + ANGELINA PERSIANI + ISABELLA RUIZ

credits
all Images (c) LE MILE
and Cosimo Buccolieri

SS26 Womenswear - Rigour & Romance with Roos Abels

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Roos Abels on Rigour & Romance, Prada Beginnings and Creative Freedom

written CHIDOZIE OBASI

Truth be told, fashion found Roos Abels before she fully understood what it was. “I got scouted in the supermarket in my hometown when I was around thirteen,” she tells LE MILE. “Then I went to Milan for the first time with my Dad to meet my mother agency, Brave models, and that’s when it all began for me.” Abels walked the Prada show a year later, and at the time she didn’t realise how big of a deal it was. “When I was about to enter the runway, Miuccia tapped me on my shoulder and gave me the kindest little smile; from that moment, my career took off.” Below, the model opens up about the importance of expression, pinch-me moments and future hopes. You’re welcome.

Roos wears a total look by VALENTINO

Chidozie Obasi
Do you feel that the relation between fashion, expression and art has grown over the years?

Roos Abels
Absolutely! I think the lines between fashion, expression, and art have become increasingly fluid. Fashion today feels less confined to trends and more connected to personal narrative and cultural dialogue. People are using style as a medium to communicate who they are, what they believe in, and how they want to be seen. At the same time, creatives across photography, music, film, and design are collaborating more than ever, which has made fashion feel more immersive and emotionally driven. I think audiences now connect with authenticity over perfection, and that shift has allowed fashion to become more expressive and artistic in a very human way.

Unpack the emotions you felt during the shoot (related to what you wore).

I loved everything about it. I really got to be different personalities while shooting this story. That’s also what I love about modeling, that I get to be this character with every outfit I put on. I had different kinds of Hair and Makeup with every outfit which made it even more fun. Creating an editorial with a whole team is always so cool especially if you’re all on one line and the vision comes to life.

Roos wears dresses by EXTREME CASHMERE and MICHAEL KORS, shirt by LOUIS VUITTON, shoes by MICHEL PIZA and hat by VIVETTA

Could you unpack a pinch-me moment in your career?

As I've been doing this for twelve years now, I must say I feel incredibly lucky to be doing this for so long and experience all these amazing moments. One of my all time favorite moments was at the Chanel headquarters in Paris for the upcoming Couture show that was coming up, and I had my fitting with the whole team and Karl ofcourse There was this insanely beautiful mint green dress hanging on the rail and it turned out to be for me!! I tried it on and instantly felt like it was meant for me, when I walked into the room with Karl and his team they all started clapping for me in my dress and it just felt like such surreal moment.

What are you most hopeful for in the creative industry and beyond?

I’m hopeful for a creative industry that continues moving toward authenticity, inclusivity, and individuality. I think people are craving work that feels real — stories, imagery, and ideas that reflect genuine human experiences rather than unattainable perfection.Beyond the industry, I hope we continue creating spaces where people feel empowered to express themselves freely and creatively without fear of being boxed in. Creativity has the power to connect people across cultures, perspectives, and experiences, and I think that’s something incredibly valuable right now.

Final thoughts and reflections

I’ve learned that individuality is everything. The more honest you are creatively, the more lasting the work becomes. I’m just grateful to keep evolving and creating. Stay true to yourself and being kind to others is the true key!

Roos wears shirts by ISABELLE BLANCHE and MANGO SELECTION, shorts, belt and shoes by VIVETTA, and tie and watch from ARCHIVE

Roos wears a total look by PRADA

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seen COSIMO BUCCOLIERI via STUDIO REPOSSI
fashion market director CHIDOZIE OBASI
fashion EDWARD PUSCA
head of production JESSICA LOVATO
make up KIM GUTIERREZ via STUDIO REPOSSI using DOLCE&GABBANA BEAUTY
hair DAMIANO SEMINARA via STUDIO REPOSSI
model ROOS ABELS via BRAVE MODELS
photography assistant ANTONIO CROTTI
fashion assistants SOFIA FARINA + DAIANA EDOSA + ALICE PELATI + LUDOVICA IEMMOLO

credits
all Images (c) LE MILE
and Cosimo Buccolieri

SS26 Menswear - Pushing Through The Lens with NOAH SAPON

.digital

Pushing Through The Lens with Noah Sapon

written CHIDOZIE OBASI

Rising creative Noah Sapon became captivated by filmography the moment he acquired his first camera for his ninth birthday. But I cannot help but wonder: what has happened since then? “I’ve lived almost every day with one on me,” he enthuses, the moment we settle into our conversation.

Noah wears blazer by VALENTINO, shirt by CELINE, pants by PAUL SMITH, shoes by CHURCH’S and tie by FERRAGAMO

“I grew up as a big history nerd, and spent a lot of time outdoors,” he says, explaining how he spends lots of time in nature, where he draws the majority of his creative understanding and drive from. “As I’ve matured into a better understanding of myself and what I want to explore as an artist, these have been my biggest driving forces for my practice, while understanding the spiritual effect these elements have on society,” he explains. “I moved around a lot growing up and attended multiple schools, and I think this is where my adaptive nature was born.”

Sapon loves switching environments; throughout his life, he moved from the South of England’s countryside to a small mountain town in Spain, and then to a larger coastal one; since then, he’s been all over the world. Film has always been the director of his life. “No matter what it is, I see it through a lens,” he explains. “I studied film as one of my college A levels when I moved back to the UK in 2016, assuming I’d continue on to it at school or undertake a film degree of some sorts, but I hated it,” he says. Throughout the course, Sapon felt a feeling of unease and otherness from the tutors, and wasn’t allowed to experiment with a wealth of mediums. “Everything was so rigid, so it forced me to reconsider,” he says. At the time, Sapon had just been scouted as a model, and he was starting to experience the fashion industry from the other side of the camera. “I already had an interest in fashion, but I didn’t really understand how any of it worked,” he says. Below, Sapon unpacks early stints, pinch-me moments and future hopes with LE MILE’s Fashion Market Director. You’re welcome.

Noah wears a total look by VALENTINO

Chidozie Obasi
When did you begin to venture into the creative sphere, and what was the moment that made you realise you wanted to pursue this professionally?

Noah Sapon
I was scouted as a model when I was seventeen. I did one show and then signed to SUPA in London, which helped me a lot. Charlie, the founder, was always really supportive of my filmmaking, and he used to book out models to do video tests with; when I was casting, I would always tell the team that I was also a videographer and that if they wanted to book me for that instead they could. I always brought a small camera with me everywhere I went, even on set. I remember having a shoot with the late Brian Griffin for Wallpaper Magazine, and shot a behind the scene film while on set as a model. That’s how it started for me, as I’d get booked to be on both sides of the camera, but I always felt so awkward in front of the lens, and so at-home behind it. Things quite quickly progressed, and by 2019 I was shooting a few small videos a month for magazines, artists and musicians. As soon as it overtook my modelling career financially, I was able to properly dedicate myself to it. Then Covid hit, and I was pretty isolated from London, in the countryside with my family. That was when the natural world became a bigger theme in my approach. I shot an eight spread editorial series with my younger brother, Jethro, for Boys By Girls, about it being the truest constant for humans, and we worked together on another couple of films at home during that time. It wasn’t really until covid fully ended in 2022 that I felt that my career started. Before 2022 I was really just understanding how the industry worked, but then as travel opened up again that’s when things really changed, and I really felt like wow this is actually going to be my life now. I said in an interview when I was sixteen that my five-year plan was to ‘travel the world freely and work with people that inspire me,’ and it really happened.

Could you unpack why you transitioned from modeling to film?

Modelling was never for me. I never worked that much as a model, and I didn’t understand the industry well enough to set goals or intentions. I like organisation and order,and even though my life is quite chaotic, I know what’s going on. I never felt like I knew how to have any control of my own life as a model, and I actually think that is kind of part of the job. I’m so grateful that I got to do it though: I worked with some of my favourite magazines and brands, and it was my first proper, albeit naive, peek into the fashion industry. Film has been my dream for as long as I can remember. When I was really young (after wanting to be a cowboy, knight or pirate), I used to say I wanted to be an architect, and that was the first job I for some reason thought was for me. I liked the idea of creativity with a real-world objective, and something that can be ‘correct’. After that, I wanted to make films, so it was always where I wanted to transition to no matter what.

Noah wears pants and shorts by DOLCE&GABBANA and hat by LORO PIANA

Noah wears a total look by LORO PIANA

Biggest pinch-me moments?

I’ve had a lot of pinch me moments, really luckily very often. I don’t know what would be the biggest. I think the best ones are when I’m in the process of shooting something that really feels like a big checkpoint on track to where I want to be. This is one, as we’ve known each other since 2019! Quite full circle, and it was so much fun on set.

What downturns have you encountered during your path?

I’m really a very optimistic person. I don’t really register moments as ‘downturns’, I like to process these moments quite quickly and learn the lessons. However, I suppose my biggest downturns happen just when I feel conflicted about how to do well, and when an experience might go against what I believe in. But being a curious person, I always want to learn from the experience.

What’s next for you?

Well, what’s next is very exciting. 2026 has been such a great year so far. I’m equally focused on my documentaries as my fashion work which is awesome. I have two docs currently in the editing phases, one with me and one with an editor. I’ve got a few covers coming out with some really epic talent. I don’t like to overshare plans and goals, but I’m also in the process of working with an amazing friend and philanthropist, Mauro Monarris, on a lot of beautiful charity work. I turned 26 this year, and intentionality has become key. The next few years will involve a lot of large-scale positive impact on the world, be it through my personal work, or work I align with, and this makes me really happy. I’m feeling really grateful.

Noah wears overshirt by PAUL SMITH, sweater by AVANT-TOI, shirt by JACOB COHËN, pants by CANALI and RANDOM IDENTITIES by Stefano Pilati and shoes by AQVA ALTA

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seen COSIMO BUCCOLIERI via STUDIO REPOSSI
fashion market director + stylist CHIDOZIE OBASI
head of production JESSICA LOVATO
fashion coordinator EDWARD PUSCA
make up DIANA DJURDJEVSKI via STUDIO REPOSSI
hair FUJIWARA TAKAHASHI
model NOAH SAPON
photography assistant ANTONIO CROTTI
fashion assistants DAIANA EDOSA + ALICE PELATI + LUDOVICA IEMMOLO + ALESSIA GUALTIERI

credits
all Images (c) LE MILE
and Cosimo Buccolieri

SS26 Menswear - THE QUIET POWER of Mergim Shabani

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The Quiet Power Of Mërgim Shabani

written CHIDOZIE OBASI

Kosovo-born, Vienna-hailed talent Mërgim Shabani kicked off his creative path that didn’t follow the customary trajectory in this realm. “I was very focused on sports and football growing up, but maybe because I’m left-handed and played football with my left foot, I had to learn early on how to adapt — and approach things in a more creative way,” he says.

Mërgim wears blazer, pants and belt by LOUIS VUITTON, shirts by CARUSO and ZEGNA and shoes by CHURCH’S

At the same time, Shabani was in touch with fashion from a young age, especially with Prada. “My uncle, who owned a variety of Prada shoes, had a strong influence on me,” he recalls, the moment we begin to settle in our conversation. “It was probably my first experience with something that felt more premium and intentional compared to other clothing, and it stayed with me,” he adds. Below, LE MILE grabs five with Shabani; unpacking all things influence, mental health and future hopes. You’re welcome.

Mërgim wears a total look by GUCCI

Mërgim wears a total look by PRADA

Chidozie Obasi
In an age permeated by saturation and social downturns, the word ‘influence’ - and its wealth of denotations - acquires a huge relevance and, in turn, prominence nowadays. How do you use your platforms and position to inform what’s going on in the world, and how/where do you see the future of socials heading to?

Mergim Shabani
We are all dependent on platforms today, but that also means they are an opportunity — and for me, that opportunity is a gift. There were people who inspired me and made it possible for me to even have a platform and a certain level of influence. The more I appreciate that, the more I want to be my most authentic self. I believe that when you are truly yourself, you can step away from competition more easily. When it comes to informing others, I don’t see myself in a position to lecture people about the complex state of the world. There’s a phrase I believe in: you can’t fix your home and you’re trying to fix the world. For me, that means doing the inner work first — becoming someone who contributes positively to their own community and tribe, instead of speaking on situations you don’t really have influence over.

Could you unpack what the most complex moments of your job are, and how you grapple with your mental health - particularly in a sea of numbers dictated by tractions?

I think the most complex moments are the ones where you have to constantly develop new skill sets and reach new levels, because you always want to become better.
Through that process, I learned an important lesson for my mental health: I never question myself as a human — my character or my value — but I do question my skills in a tough, honest way. That distinction is important. It allows me to improve without losing stability. I can be critical of my work, but still stay grounded in who I am.

Mërgim wears a jacket and top by CELINE and pants by RANDOM IDENTITIES by Stefano Pilati

Mërgim wears a tank top by LOUIS VUITTON, a hat by PAUL SMITH and jewellery by LAG WORLD

Mërgim wears a jacket by ISABEL MARANT, tank top by EXTREME CASHMERE, shirt by CANALI, pants by QUARTO ATTO, hat by LORO PIANA and tie by POLO RALPH LAUREN

What are you focusing on right now?

There are a few things I can speak about, and others I still prefer to keep quiet for now.
I have a store called Odë in Vienna with a partner, and we are now moving into online sales and worldwide shipping. It’s not just a fashion store or a boutique — it’s a space where people can experience our taste and perspective. I’m also developing Tempo Wellness Club, which is my own sports and movement brand. It will include a lot of my routines, workouts, and overall philosophy. Alongside that, I’m working on other product-based projects that I’m personally very connected to. I’m not ready to speak on them yet, but they will be visible soon.

What’s next for you? Any future hopes?

I’m constantly developing new skills and perspectives, so I see this as a phase where I’m stepping into a new level. At the same time, I see myself as a lifelong student of life. I want to stay productive, continue building, and provide for my people — my tribe — but also create moments where I can step back and appreciate the life I’ve built with those around me.
Hope is something that has a strong meaning to me. You can see it in a person’s eyes when it’s still there, and it’s something worth protecting. My hope for the future is to become a version of myself that gives more than he takes.

Mërgim wears shorts and hat by LORO PIANA

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seen COSIMO BUCCOLIERI via STUDIO REPOSSI
fashion market director CHIDOZIE OBASI
head of production JESSICA LOVATO
fashion EDWARD PUSCA
make up KIM GUTIERREZ via STUDIO REPOSSI using DOLCE&GABBANA BEAUTY
hair FUJIWARA TAKAHASHI via MKS MILANO
talent MËRGIM SHABANI via NEXT MILAN
photography assistant ANTONIO CROTTI
fashion assistants SOFIA FARINA + SIMONA VERNAZZA + LUIZA ANGELOVA + ANGELINA PERSIANI + ISABELLA RUIZ

credits
all Images (c) LE MILE
and Cosimo Buccolieri

SS26 Menswear - IVAN, UNFILTERED with Ivan Ugrin

.digital

IVAN, UNFILTERED
*with Ivan Ugrin

written CHIDOZIE OBASI

Croatian-born, Amsterdam-hailed multidisciplinary artist Ivan Ugrin spent the last decade finding and shaping his stride. “I’ve been a professional contemporary dancer for fifteen years, with stints as a movement director and a model,” he tells LE MILE’s Fashion Market Director, Chidozie Obasi, the moment they meet in Spring, during a sun-soaked day in Milan ahead.

Ivan wears a total look by DIOR

The past year was a rough one for everyone around him, himself included. “It was a year of monumental changes, but also a year of big personal growth,” he shares, adding how he feels very proud of how far he’s come. “I changed my creative field, going from the contemporary dance world into a more fashion-driven realm,” he says. “My modeling career kicked off, and I honestly feel very grateful and blessed to be where I am right now,” he adds. Below, we grabbed five with Ugrin to unpack influences, career feats and future hopes.

Ivan wears a sweater by MICHAEL KORS and underwear by ISABEL MARANT

Chidozie Obasi
Who’s been your biggest influence while growing up?

Ivan Ugrin
Growing up, I was a very goofy kid that would play out scenes from Jim Carrey movies, especially Ace Ventura, as I really admired him. To this day, I still quote a lot of the jokes and physical humor.

Could you unpack your biggest career feats so far?

I don't really look at my career as one big feat after the other. But rather, I take pride in a lot of small, but equally meaningful events, like every time I premiere a piece. Or when my mom came to see me perform for the first time when I was twenty five years old (and then secondly when I was thirty three (she only saw me on stage twice). I’m also thrilled when a person who attends the show comes to me after it, telling me how the performance impacted them. I’m also elated when I catch a glance of a friend in the audience that I had no clue he was going to be there that night. In the past, I performed a lot for kids, and putting up a show for them made me fall in love with performing even more. I performed this kids’ play titled TETRIS by Erik Kaiel in a Palestinian refugee camp in Jordan. It was one of the most beautiful and heartwarming experiences of my career; the kind of experience that reminds you of the power of art.

And touching on the complex moments and, in turn, rejections, how have they shaped your persona?

No one likes rejections, but no one knows rejections better than performing artists. I personally have been rejected a lot of times. So much so that I have not passed a single audition in my career. I don’t do well under that kind of pressure, and I feel in the audition setting I’m unable to show my full potential. For all the jobs I’ve undertaken, I was either recommended by my peers or I personally wrote to choreographers directly, expressing my desire to work with them. So I’d say that these situations have impacted me a lot as a young dancer. I had to deal with most of them on my own, understanding I should not take every rejection to heart. Some things are just a matter of timing and luck.

Ivan wears a total look by PRADA

Ivan wears a sweater by ISABEL MARANT, shirt by LOUIS VUITTON, shorts by LESSICO FAMILIARE and shoes by CHURCH’S

Where did you study, and how has your path in dance been?

When I was eighteen, I moved to Zagreb to study Veterinary medicine. That same year I started dancing Jazz twice a week at TALA Dance Center in Zagreb. I didn't know much about dance at that time apart from how it felt in my body and how it made me feel. Dancing felt good, it felt right: It felt like I finally found my passion. Those hours spent in the studio made me feel free without any worry. I was told by my teachers that I was talented, but it was hard for me to understand that at the time. All I knew is that I wanted to be as good as I can be and I wanted to dance. I enrolled at Amsterdam School of The Arts, at the Modern Theater Dance department. I skipped a year, so I finished 4 years of education in three years, landing a graduation in 2013. After that moment, I worked mainly as a freelancer, most noticeably with Arno Schuitemaker and Connor Schumacher. I was part of a ICK/Emio Greco Pieter Scholten company in 2016 for a year, while they were artistic directors of Ballet National de Marseilles.

You’re also taking ballet classes, correct?

Yes, I still take ballet classes a bunch of times a week. During the week, as my daily practice I mix Yoga, Ballet and weight training at the gym. Nothing prepares you for dancing like classical training.

What projects are you working on?

This is a good opportunity to say that I am free and ready to work on new projects as I’m about to perform the last shows in the Netherlands, in beautiful pieces I am part of.

What’s next for you?

The next thing for me is to start new exciting dance projects in Europe. And together with my amazing agent Jane, we are focusing on my career as a model and movement director within the fashion space.

Ivan wears a blazer by FENDI, shirt by SANDRO, shorts by PHYSIQUE DU ROLE and shoes by CHURCH's

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photography ANDREA CENETIEMPO
fashion market director + stylist CHIDOZIE OBASI
head of production JESSICA LOVATO
fashion coordinators ALBERTO MICHISANTI + EDWARD PUSCA
make up EDOARDO DE FALCO via WM MANAGEMENT
hair FUJIWARA TAKAHASHI via MKS MILANO
talent IVAN UGRIN via DEJAPRIS AGENCY
fashion assistants VALENTINA INVERARDI + VINCENZO VITELLO + SEBASTIAN RAFAEL

credits
all Images (c) LE MILE
and Andrea Cenetiempo

SS26 Menswear - STITCHES OF FREEDOM with Michelangelo Vizzini

.digital

STITCHES OF FREEDOM
*with Michelangelo Vizzini

written CHIDOZIE OBASI

Michelangelo Vizzini’s first dabs within the creative sphere took place from an early age, when music—in the first instance—became a pivotal tool for expression and freedom. “Over time I found acting as another equally powerful language,” he confesses, as we settle into our conversation.

Michelangelo wears a total look by MIU MIU

“I see myself as someone constantly exploring; I love nature, staying with my family and chocolate,” he exclaims, his face filled with excitement. “Growing up, I’ve been influenced by a mix of music and cinema: Musicals were probably the strongest presence early on, as they shaped my sensitivity.” Vizzini has always been deeply inspired by artists who were able to be honest and vulnerable in their work: namely Daniel Caesar, whose music carries a deeply raw and emotional truth in its lyricism.

Michelangelo wears a total look by CELINE

“In general, I’m drawn to people who create from a genuine place, regardless of the medium,” he says. “Creativity has always been part of my life,” he opines, adding how, “Music came first and very naturally, while acting came late, but it didn’t feel like a shift, but more of an expansion.” LE MILE’s Fashion Director caught up with the rising creative force, unpacking everything from career feats to future hopes. You’re welcome.

Michelangelo wears a blazer by GIORGIO ARMANI, a sweater by SON OF A TAILOR, shirts by MOSCHINO and MICHAEL KORS, shorts by POLO RALPH LAUREN, shoes by CHURCH’S, and a belt by CELINE

Chidozie Obasi
When was the pivotal moment you realised you wanted to pursue the creative path as a full time profession?

Michelangelo Vizzini
I think I’ve always known, in a way. This path requires courage, and I never really had a plan B. I could spend hours singing or studying musicals without ever feeling tired, and that feeling made it clear to me that this was what I wanted to do with my life.

Leaning on to the crucial moment that changed your path forever: could you unpack it with us?

I think the crucial moment was when I decided to put music slightly aside for a while and focus more on cinema. It wasn’t an easy choice, because music has always been a big part of me, but I felt the need to explore acting more deeply.

At a time when the social and cultural phenomena are wreaked by havoc at an increasingly ferocious pace, how do you navigate the system and stay afloat?

I try to stay grounded and connected to what feels real. It’s easy to get distracted by noise, but I think it’s important to come back to the work, to the process, and to your own voice. For me, it’s about focusing on authenticity rather than external validation.

Could you unpack your most ‘complex’, dare I say, moment of your journey?

The most complex moments are often the ones where you doubt yourself. There are times when things feel uncertain, when you question your path. But I’ve learned that those moments are also necessary, they push you to grow, to redefine who you are, both as an artist and as a person.

Michelangelo wears jeans by HED MAYNER, shorts by ESSENTIEL ANTWERP, and shoes by BEPOSITIVE

And now, talk to us about Love Me, Love Me: how did it all happen? And what did you expect when you first read the script?

I immediately connected with the emotional core of Love Me, Love Me. It asked me to be completely honest, especially in portraying love and vulnerability. I wanted to respect the character while making him real for me, focusing on personal connections. It was also a key experience that taught me to trust the process and stay present.

You’re also quite passionate about fashion: is that something you've learned to embrace over time, and what's your relationship with it?

Fashion is something I’ve grown into over time. At first, it was more instinctive, but now I see it as another form of expression. It’s a way to communicate something without words, an extension of identity and mood.

What's next for you, and where are you hoping to take your career in time to come?

I want to continue exploring characters, stories that are intimate but also challenging. I’m interested in roles that push me out of my comfort zone and allow me to grow. At the same time, I’ll keep developing my music, because it’s such a personal space for me. I don’t want to limit myself. I just want to keep evolving and searching for something real.

Any final reflections?

If there’s one thing I’ve learned, it’s the importance of staying open, open to change, to doubt, to growth. This path is unpredictable, but that’s also what makes it meaningful. In the end, it’s all about being honest with yourself and with what you want to express. Anyway, life will guide me, and wherever I end up, I’ll trust the process.

Michelangelo wears shirts by SON OF A TAILOR and POLO RALPH LAUREN, pants by MOSCHINO, and jewellery by LAG WORLD

photography ANDREA CENETIEMPO
fashion market director + stylist CHIDOZIE OBASI
head of production JESSICA LOVATO
fashion coordinators ALBERTO MICHISANTI + EDWARD PUSCA
make up AMERICO TURTORO via MKS MILANO
hair FUJIWARA TAKAHASHI via MKS MILANO
talent MICHELANGELO VIZZINI
fashion assistants SOFIA FARINA + LUIZA ANGELOVA + SEBASTIAN SCHIAVO

credits
all Images (c) LE MILE
and Andrea Cenetiempo

SS26 Menswear - FUNCTION AND FINESSE with Umberto Villahermosa

.digital

FUNCTION AND FINESSE
*with Umberto Villahermosa

written CHIDOZIE OBASI

For Italian talent Umberto Villahermosa, a lifestyle pundit whose affection with outdoor sports and art goes back in time, the past year has marked a transition in his path. “I started a clothing brand and I’m learning how to manage my time around working as a model, while building a solid base,” he says, cosily, as we begin to settle into our conversation.

Umberto wears a blazer and shirt by DOLCE&GABBANA, pants by QUARTO ATTO, and shoes by CANALI

Umberto wears a blazer and shirt by DOLCE&GABBANA

“It’s been a big challenge, but I’m willing to take it, and it brought a new fire of longing within me.” Since childhood, he’s always been a very creatively-driven kid, and aged fifteen he began building his own surfboards. “It’s only really when I moved over to Milano to study Economics that I understood I was drawn more towards creative disciplines like painting, photography and design,” he confesses. “I’ve always lived with the mentality of making something myself rather than buying it,” he adds. Umberto kicked off his modeling career because of his grandmother, who worked for the Italian house Fendi when she was younger. “She told me that I could work well as a model,” he says, “and took me, just like a scouter, to who’s still my current mother agency.”

Umberto wears a blazer and shirt by DOLCE&GABBANA

He wasn’t considering that becoming reality at first, but as he began to work he realised that it was interesting and unique, and that he much preferred honing such practice than working as a finance professional or in a corporate office as his life was originally meant to be. “The uprise of socials during those years also gave me a further opportunity to express myself and release a vision of who I was under my own lens, and that was such a lovely medley of accumulated experiences and sources of inspiration that once again drove me more towards the realm of creativity,” he says. “At the time, I was also motivated by the love I gained on social media, which could also be a slippery slope for obvious mental health reasons,” he reflects. As for the rest? Well, there’s more to the story, which you’ll probably read here first. You’re welcome.

Umberto wears a coat by ACT N1, a shirt by CANAKU, pants by THE NOUR, shoes by JIMMY CHOO, and an archive tie

Chidozie Obasi
Could you unpack your biggest career feats?

Umberto Villahermosa
During the past twelve years of my career, I’d say some of my proudest jobs are my first lookbook shoots for brands such as Versace, Dolce&Gabbana but also shows during fashion week, for example my first ever shows such as MSGM or Philipp Plein. I'm talking about those beginning jobs because I still remember the enthusiasm levels to this day.

How about the complex moments you’ve had?

I would refer as complex moments the fact that modelling, such as a lot of other creative jobs, is not a super stable career, there’s lots of ups and downs and those downturns can be understandably harsh if you don’t have a solid mindset that comes with understanding the idea that you cannot have control over every single facet of your path.

As a model and talent with such a broad experience and portfolio, how did you manage to stay afloat amid the system’s downturns?

I highly believe in professionality and humanity as fundamental values, no matter what the work environment is. You can have your face on all the magazine covers and on the biggest brand campaigns, but if you show up at work late and you treat others badly because you think you are superior, I would personally not hire you to represent my brand. I think I have always respected that and it definitely helped to keep me afloat.

Umberto wears a total look by LORO PIANA

Moving onto your brand, could you expand on it and specify how you are hoping to scale it further?

During my climbing years, I noticed I couldn’t find a comfortable pair of pants to practice such activity outdoors and that would protect my knees and shins from scratches that you would get from hitting granite rock. Therefore, I started climbing with karate pants that were very comfortable in terms of flexibility, but that wouldn’t protect enough from scratches. I decided to make my own climbing because I like to experiment with patterns and create destructured designs that are now the most sold, and that’s how Sasso People was born. I also give the opportunity to customers to have a custom sizing for maximum comfort, and I’m committed to having the closest possible to zero waste repurposing the fabric scraps into accessories and climbing bags. I transformed my living room into my studio, and I currently make everything by hand. It’s doable but I’m at maximum capacity. The big challenge will be to expand with production outsourcing, but in a way that I can maintain the same level of craftsmanship and low environmental impact because these, together with building a healthy and inclusive community, are the main values of the brand.

What’s next for you?

I will surely continue working as a model, keep developing the brand and find solutions to get to a broader public and grow the community. On a more personal level, I promised myself to work on my mental health and take care of myself a little more.

Umberto wears a blazer by CARUSO

Umberto wears a blazer by CARUSO and pants by THE LATEST

Umberto wears an overshirt by PAUL SMITH, a shirt and pants by LABO.ART, and shoes by CHURCH’S

Umberto wears a tank top by MICHAEL KORS, pants by DOLCE&GABBANA, and jewellery by LAG WORLD

Umberto wears a blazer by HED MAYNER, pants by THE LATEST, a hat by DOLCE&GABBANA, and jewellery by LAG WORLD and EUPHORIA NEW

Umberto wears a shirt by GRIFONI and pants by PHYSIQUE DU ROLE and MEIMEIJ

photography COSIMO BUCCOLIERI via STUDIO REPOSSI
fashion market director + stylist CHIDOZIE OBASI
head of production JESSICA LOVATO
fashion coordinators ALBERTO MICHISANTI + EDWARD PUSCA
make up CHIARA GUIZZETTI via THE GREEN APPLE ITALIA
hair FUJIWARA TAKAHASHI via MKS MILANO
model UMBERTO VILLAHERMOSA via INDEPENDENT MGMT
photography assistant ANTONIO CROTTI
fashion assistants SIMONA VERNAZZA + ANGELINA PERSIANI + SOFIA FARINA + CHARISSE ORDINARIA + LUIZA ANGELOVA + CHIARA DE BONIS

credits
all Images (c) LE MILE
and Cosimo Buccolieri