SS26 Menswear - IVAN, UNFILTERED with Ivan Ugrin

.digital

IVAN, UNFILTERED
*with Ivan Ugrin

written CHIDOZIE OBASI

Croatian-born, Amsterdam-hailed multidisciplinary artist Ivan Ugrin spent the last decade finding and shaping his stride. “I’ve been a professional contemporary dancer for fifteen years, with stints as a movement director and a model,” he tells LE MILE’s Fashion Market Director, Chidozie Obasi, the moment they meet in Spring, during a sun-soaked day in Milan ahead.

Ivan wears a total look by DIOR

The past year was a rough one for everyone around him, himself included. “It was a year of monumental changes, but also a year of big personal growth,” he shares, adding how he feels very proud of how far he’s come. “I changed my creative field, going from the contemporary dance world into a more fashion-driven realm,” he says. “My modeling career kicked off, and I honestly feel very grateful and blessed to be where I am right now,” he adds. Below, we grabbed five with Ugrin to unpack influences, career feats and future hopes.

Ivan wears a sweater by MICHAEL KORS and underwear by ISABEL MARANT

Chidozie Obasi
Who’s been your biggest influence while growing up?

Ivan Ugrin
Growing up, I was a very goofy kid that would play out scenes from Jim Carrey movies, especially Ace Ventura, as I really admired him. To this day, I still quote a lot of the jokes and physical humor.

Could you unpack your biggest career feats so far?

I don't really look at my career as one big feat after the other. But rather, I take pride in a lot of small, but equally meaningful events, like every time I premiere a piece. Or when my mom came to see me perform for the first time when I was twenty five years old (and then secondly when I was thirty three (she only saw me on stage twice). I’m also thrilled when a person who attends the show comes to me after it, telling me how the performance impacted them. I’m also elated when I catch a glance of a friend in the audience that I had no clue he was going to be there that night. In the past, I performed a lot for kids, and putting up a show for them made me fall in love with performing even more. I performed this kids’ play titled TETRIS by Erik Kaiel in a Palestinian refugee camp in Jordan. It was one of the most beautiful and heartwarming experiences of my career; the kind of experience that reminds you of the power of art.

And touching on the complex moments and, in turn, rejections, how have they shaped your persona?

No one likes rejections, but no one knows rejections better than performing artists. I personally have been rejected a lot of times. So much so that I have not passed a single audition in my career. I don’t do well under that kind of pressure, and I feel in the audition setting I’m unable to show my full potential. For all the jobs I’ve undertaken, I was either recommended by my peers or I personally wrote to choreographers directly, expressing my desire to work with them. So I’d say that these situations have impacted me a lot as a young dancer. I had to deal with most of them on my own, understanding I should not take every rejection to heart. Some things are just a matter of timing and luck.

Ivan wears a total look by PRADA

Ivan wears a sweater by ISABEL MARANT, shirt by LOUIS VUITTON, shorts by LESSICO FAMILIARE and shoes by CHURCH’S

Where did you study, and how has your path in dance been?

When I was eighteen, I moved to Zagreb to study Veterinary medicine. That same year I started dancing Jazz twice a week at TALA Dance Center in Zagreb. I didn't know much about dance at that time apart from how it felt in my body and how it made me feel. Dancing felt good, it felt right: It felt like I finally found my passion. Those hours spent in the studio made me feel free without any worry. I was told by my teachers that I was talented, but it was hard for me to understand that at the time. All I knew is that I wanted to be as good as I can be and I wanted to dance. I enrolled at Amsterdam School of The Arts, at the Modern Theater Dance department. I skipped a year, so I finished 4 years of education in three years, landing a graduation in 2013. After that moment, I worked mainly as a freelancer, most noticeably with Arno Schuitemaker and Connor Schumacher. I was part of a ICK/Emio Greco Pieter Scholten company in 2016 for a year, while they were artistic directors of Ballet National de Marseilles.

You’re also taking ballet classes, correct?

Yes, I still take ballet classes a bunch of times a week. During the week, as my daily practice I mix Yoga, Ballet and weight training at the gym. Nothing prepares you for dancing like classical training.

What projects are you working on?

This is a good opportunity to say that I am free and ready to work on new projects as I’m about to perform the last shows in the Netherlands, in beautiful pieces I am part of.

What’s next for you?

The next thing for me is to start new exciting dance projects in Europe. And together with my amazing agent Jane, we are focusing on my career as a model and movement director within the fashion space.

Ivan wears a blazer by FENDI, shirt by SANDRO, shorts by PHYSIQUE DU ROLE and shoes by CHURCH's

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photography ANDREA CENETIEMPO
fashion market director + stylist CHIDOZIE OBASI
head of production JESSICA LOVATO
fashion coordinators ALBERTO MICHISANTI + EDWARD PUSCA
make up EDOARDO DE FALCO via WM MANAGEMENT
hair FUJIWARA TAKAHASHI via MKS MILANO
talent IVAN UGRIN via DEJAPRIS AGENCY
fashion assistants VALENTINA INVERARDI + VINCENZO VITELLO + SEBASTIAN RAFAEL

credits
all Images (c) LE MILE
and Andrea Cenetiempo

SS26 Menswear - Summer Edit of Timeless Classics with Fabio D’Addona

.digital

CLEAN SLATE
*with Fabio D’Addona

written CHIDOZIE OBASI

Like all codified fashion trends that reach the point of parody – a cycle that seems to happen with increasingly ferocious pace these days – “quiet luxury” found itself in the proverbial bin over the years along with the Y2K fashion, gorpcore and office sirens.

Fabio wears a shirt by GIORGIO ARMANI, pants by QUARTO ATTO and tie by LORO PIANA

Yet, there’s something about the tenets of the stealth wealth movement that still seems to resonate with a grand and overstimulated shopping public, in a way that’s allowed it to transcend the usual lifecycle of your average fashion “core”. In fact, only this week, trends and 'fits across the world reported that “summer” apparel isn't just a matter of peacocking braggadocio at an all-time high; rather, it's about maintaining the margin between “minimalism" and “chic” with a subtly subversive feel.

Fabio wears a cardigan by LEVI’S, shirt by POLO RALPH LAUREN and shorts by THE NOUR

Fabio wears a total look by LORO PIANA

Your wardrobe will naturally shift throughout the year, but Summer is the season when the weather dictates your clothing choices the most. For your breezy capsule wardrobe, you'll want a concise edit of classic pieces to make getting ready every day so much easier. It can sometimes feel like a challenge to remain stylish throughout Summer, but these three pairings will keep you snazzy and comfortable, in style. You're welcome.

Fabio wears a total look by LORO PIANA

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photography ANDREA CENETIEMPO
fashion market director and stylist CHIDOZIE OBASI
head of production JESSICA LOVATO
fashion coordination ALBERTO MICHISANTI + EDWARD PUSCA
make up EDOARDO DE FALCO via WM MANAGEMENT
hair FUJIWARA TAKAHASHI via MKS MILANO
model FABIO D’ADDONA
fashion assistants VALENTINA INVERARDI + VINCENZO VITELLO + SEBASTIAN RAFAEL

credits
all Images (c) LE MILE
and Andrea Cenetiempo

SS26 Menswear - STITCHES OF FREEDOM with Michelangelo Vizzini

.digital

STITCHES OF FREEDOM
*with Michelangelo Vizzini

written CHIDOZIE OBASI

Michelangelo Vizzini’s first dabs within the creative sphere took place from an early age, when music—in the first instance—became a pivotal tool for expression and freedom. “Over time I found acting as another equally powerful language,” he confesses, as we settle into our conversation.

Michelangelo wears a total look by MIU MIU

“I see myself as someone constantly exploring; I love nature, staying with my family and chocolate,” he exclaims, his face filled with excitement. “Growing up, I’ve been influenced by a mix of music and cinema: Musicals were probably the strongest presence early on, as they shaped my sensitivity.” Vizzini has always been deeply inspired by artists who were able to be honest and vulnerable in their work: namely Daniel Caesar, whose music carries a deeply raw and emotional truth in its lyricism.

Michelangelo wears a total look by CELINE

“In general, I’m drawn to people who create from a genuine place, regardless of the medium,” he says. “Creativity has always been part of my life,” he opines, adding how, “Music came first and very naturally, while acting came late, but it didn’t feel like a shift, but more of an expansion.” LE MILE’s Fashion Director caught up with the rising creative force, unpacking everything from career feats to future hopes. You’re welcome.

Michelangelo wears a blazer by GIORGIO ARMANI, a sweater by SON OF A TAILOR, shirts by MOSCHINO and MICHAEL KORS, shorts by POLO RALPH LAUREN, shoes by CHURCH’S, and a belt by CELINE

Chidozie Obasi
When was the pivotal moment you realised you wanted to pursue the creative path as a full time profession?

Michelangelo Vizzini
I think I’ve always known, in a way. This path requires courage, and I never really had a plan B. I could spend hours singing or studying musicals without ever feeling tired, and that feeling made it clear to me that this was what I wanted to do with my life.

Leaning on to the crucial moment that changed your path forever: could you unpack it with us?

I think the crucial moment was when I decided to put music slightly aside for a while and focus more on cinema. It wasn’t an easy choice, because music has always been a big part of me, but I felt the need to explore acting more deeply.

At a time when the social and cultural phenomena are wreaked by havoc at an increasingly ferocious pace, how do you navigate the system and stay afloat?

I try to stay grounded and connected to what feels real. It’s easy to get distracted by noise, but I think it’s important to come back to the work, to the process, and to your own voice. For me, it’s about focusing on authenticity rather than external validation.

Could you unpack your most ‘complex’, dare I say, moment of your journey?

The most complex moments are often the ones where you doubt yourself. There are times when things feel uncertain, when you question your path. But I’ve learned that those moments are also necessary, they push you to grow, to redefine who you are, both as an artist and as a person.

Michelangelo wears jeans by HED MAYNER, shorts by ESSENTIEL ANTWERP, and shoes by BEPOSITIVE

And now, talk to us about Love Me, Love Me: how did it all happen? And what did you expect when you first read the script?

I immediately connected with the emotional core of Love Me, Love Me. It asked me to be completely honest, especially in portraying love and vulnerability. I wanted to respect the character while making him real for me, focusing on personal connections. It was also a key experience that taught me to trust the process and stay present.

You’re also quite passionate about fashion: is that something you've learned to embrace over time, and what's your relationship with it?

Fashion is something I’ve grown into over time. At first, it was more instinctive, but now I see it as another form of expression. It’s a way to communicate something without words, an extension of identity and mood.

What's next for you, and where are you hoping to take your career in time to come?

I want to continue exploring characters, stories that are intimate but also challenging. I’m interested in roles that push me out of my comfort zone and allow me to grow. At the same time, I’ll keep developing my music, because it’s such a personal space for me. I don’t want to limit myself. I just want to keep evolving and searching for something real.

Any final reflections?

If there’s one thing I’ve learned, it’s the importance of staying open, open to change, to doubt, to growth. This path is unpredictable, but that’s also what makes it meaningful. In the end, it’s all about being honest with yourself and with what you want to express. Anyway, life will guide me, and wherever I end up, I’ll trust the process.

Michelangelo wears shirts by SON OF A TAILOR and POLO RALPH LAUREN, pants by MOSCHINO, and jewellery by LAG WORLD

photography ANDREA CENETIEMPO
fashion market director + stylist CHIDOZIE OBASI
head of production JESSICA LOVATO
fashion coordinators ALBERTO MICHISANTI + EDWARD PUSCA
make up AMERICO TURTORO via MKS MILANO
hair FUJIWARA TAKAHASHI via MKS MILANO
talent MICHELANGELO VIZZINI
fashion assistants SOFIA FARINA + LUIZA ANGELOVA + SEBASTIAN SCHIAVO

credits
all Images (c) LE MILE
and Andrea Cenetiempo

SS26 Menswear - FUNCTION AND FINESSE with Umberto Villahermosa

.digital

FUNCTION AND FINESSE
*with Umberto Villahermosa

written CHIDOZIE OBASI

For Italian talent Umberto Villahermosa, a lifestyle pundit whose affection with outdoor sports and art goes back in time, the past year has marked a transition in his path. “I started a clothing brand and I’m learning how to manage my time around working as a model, while building a solid base,” he says, cosily, as we begin to settle into our conversation.

Umberto wears a blazer and shirt by DOLCE&GABBANA, pants by QUARTO ATTO, and shoes by CANALI

Umberto wears a blazer and shirt by DOLCE&GABBANA

“It’s been a big challenge, but I’m willing to take it, and it brought a new fire of longing within me.” Since childhood, he’s always been a very creatively-driven kid, and aged fifteen he began building his own surfboards. “It’s only really when I moved over to Milano to study Economics that I understood I was drawn more towards creative disciplines like painting, photography and design,” he confesses. “I’ve always lived with the mentality of making something myself rather than buying it,” he adds. Umberto kicked off his modeling career because of his grandmother, who worked for the Italian house Fendi when she was younger. “She told me that I could work well as a model,” he says, “and took me, just like a scouter, to who’s still my current mother agency.”

Umberto wears a blazer and shirt by DOLCE&GABBANA

He wasn’t considering that becoming reality at first, but as he began to work he realised that it was interesting and unique, and that he much preferred honing such practice than working as a finance professional or in a corporate office as his life was originally meant to be. “The uprise of socials during those years also gave me a further opportunity to express myself and release a vision of who I was under my own lens, and that was such a lovely medley of accumulated experiences and sources of inspiration that once again drove me more towards the realm of creativity,” he says. “At the time, I was also motivated by the love I gained on social media, which could also be a slippery slope for obvious mental health reasons,” he reflects. As for the rest? Well, there’s more to the story, which you’ll probably read here first. You’re welcome.

Umberto wears a coat by ACT N1, a shirt by CANAKU, pants by THE NOUR, shoes by JIMMY CHOO, and an archive tie

Chidozie Obasi
Could you unpack your biggest career feats?

Umberto Villahermosa
During the past twelve years of my career, I’d say some of my proudest jobs are my first lookbook shoots for brands such as Versace, Dolce&Gabbana but also shows during fashion week, for example my first ever shows such as MSGM or Philipp Plein. I'm talking about those beginning jobs because I still remember the enthusiasm levels to this day.

How about the complex moments you’ve had?

I would refer as complex moments the fact that modelling, such as a lot of other creative jobs, is not a super stable career, there’s lots of ups and downs and those downturns can be understandably harsh if you don’t have a solid mindset that comes with understanding the idea that you cannot have control over every single facet of your path.

As a model and talent with such a broad experience and portfolio, how did you manage to stay afloat amid the system’s downturns?

I highly believe in professionality and humanity as fundamental values, no matter what the work environment is. You can have your face on all the magazine covers and on the biggest brand campaigns, but if you show up at work late and you treat others badly because you think you are superior, I would personally not hire you to represent my brand. I think I have always respected that and it definitely helped to keep me afloat.

Umberto wears a total look by LORO PIANA

Moving onto your brand, could you expand on it and specify how you are hoping to scale it further?

During my climbing years, I noticed I couldn’t find a comfortable pair of pants to practice such activity outdoors and that would protect my knees and shins from scratches that you would get from hitting granite rock. Therefore, I started climbing with karate pants that were very comfortable in terms of flexibility, but that wouldn’t protect enough from scratches. I decided to make my own climbing because I like to experiment with patterns and create destructured designs that are now the most sold, and that’s how Sasso People was born. I also give the opportunity to customers to have a custom sizing for maximum comfort, and I’m committed to having the closest possible to zero waste repurposing the fabric scraps into accessories and climbing bags. I transformed my living room into my studio, and I currently make everything by hand. It’s doable but I’m at maximum capacity. The big challenge will be to expand with production outsourcing, but in a way that I can maintain the same level of craftsmanship and low environmental impact because these, together with building a healthy and inclusive community, are the main values of the brand.

What’s next for you?

I will surely continue working as a model, keep developing the brand and find solutions to get to a broader public and grow the community. On a more personal level, I promised myself to work on my mental health and take care of myself a little more.

Umberto wears a blazer by CARUSO

Umberto wears a blazer by CARUSO and pants by THE LATEST

Umberto wears an overshirt by PAUL SMITH, a shirt and pants by LABO.ART, and shoes by CHURCH’S

Umberto wears a tank top by MICHAEL KORS, pants by DOLCE&GABBANA, and jewellery by LAG WORLD

Umberto wears a blazer by HED MAYNER, pants by THE LATEST, a hat by DOLCE&GABBANA, and jewellery by LAG WORLD and EUPHORIA NEW

Umberto wears a shirt by GRIFONI and pants by PHYSIQUE DU ROLE and MEIMEIJ

photography COSIMO BUCCOLIERI via STUDIO REPOSSI
fashion market director + stylist CHIDOZIE OBASI
head of production JESSICA LOVATO
fashion coordinators ALBERTO MICHISANTI + EDWARD PUSCA
make up CHIARA GUIZZETTI via THE GREEN APPLE ITALIA
hair FUJIWARA TAKAHASHI via MKS MILANO
model UMBERTO VILLAHERMOSA via INDEPENDENT MGMT
photography assistant ANTONIO CROTTI
fashion assistants SIMONA VERNAZZA + ANGELINA PERSIANI + SOFIA FARINA + CHARISSE ORDINARIA + LUIZA ANGELOVA + CHIARA DE BONIS

credits
all Images (c) LE MILE
and Cosimo Buccolieri

SS26 Womenswear - DANCING TIDES with Franceska Nuredini

.digital

DANCING TIDES
*with Franceska Nuredini

written CHIDOZIE OBASI

Franceska Nuredini’s encounter with dance somewhat began as a joke. “As a child, I’d tried various sports, but my mother soon realised that dancing came naturally to me: I loved it and I also had a natural aptitude for it; I was very flexible,” she says. One day, Nuredini’s mother took her along for a trial lesson. “From that moment on, I literally immersed myself in my dance school: it became my whole world for seven years, years of intense study which, almost naturally, turned that passion into my career.”

Franceska wears a coat by DEAD COUTURE ICONS, a shirt by GRIFONI, skirts by MEIMEIJ and YALI, shoes by APEPAZZA, a hat by DOLCE&GABBANA, and jewellery by LAG WORLD

Combining dance and fashion becomes an innovative way of telling a story, and in this shoot, Nuredini felt at her best to convey such feelings. “Yes, I think this connection between these art forms has grown significantly,” she reflects. “Today, even in fashion, there is an ever-increasing need for expression and movement: the body is no longer merely a backdrop for the garment, but a narrative tool that brings life and meaning to what is worn.”

Nuredini sees herself as someone who works through my body and my image, but for her the creative process leading up to the final result is also fundamental. “I worked in a very comfortable and stimulating environment. The music also played an important role: it changed along with the outfits I was wearing and, as a result, my interpretation and the way I moved changed too,” she says. “Over the past seven years of work, I’ve had quite a few memorable experiences. Among the most significant was the last tour I undertook with the artist Elodie,” she freely admits. “It was an extremely fulfilling experience, both artistically and personally. On stage, I felt free to truly be myself, something that isn’t always a given in my line of work.”

On hopes, she speaks with unguarded honesty. “I sincerely hope that expression, in all its forms, continues to grow ever more,” she concludes. “Beauty and art should never stop evolving and transforming. And, of course, I hope to continue being a part of it myself.”

Franceska wears a dress by MAX ZARA STERCK and a skirt by DRUMOHR

Franceska wears a top by MICHAEL KORS, pants by DOLCE&GABBANA, shorts by MANUEL RITZ, and shoes by CASADEI

Franceska wears a top by DRUMOHR and a skirt and scarf by AVANT-TOI

Franceska wears a total look by MOSCHINO

photography COSIMO BUCCOLIERI via STUDIO REPOSSI
fashion director and stylist CHIDOZIE OBASI
head of production JESSICA LOVATO
fashion coordinators ALBERTO MICHISANTI + EDWARD PUSCA
make up DIANA DJURDJEVSKI via STUDIO REPOSSI
hair AMERICO TURTORO via MKS MILANO
talent FRANCESKA NUREDINNI via SOLO STUDIO MILANO
talent manager STEFANO MANCLOSSI
photography assistant ANTONIO CROTTI
fashion assistants SIMONA VERNAZZA + ANGELINA PERSIANI + SOFIA FARINA + CHARISSE ORDINARIA + LUIZA ANGELOVA + CHIARA DE BONIS

credits
all Images (c) LE MILE
and Cosimo Buccolieri

SS26 Menswear - SUBTLE BLOOM with James Yates

.digital

SUBTLE BOOM
*with James Yates

written CHIDOZIE OBASI

If you’re stuck wearing soft knits for lack of a better option across the minimalism spectrum – a cycle that’s doomed to repeat itself ad infinitum because nothing else quite measures up to a tried-and-tested subtle option – consider tailoring paired with shirts an equally comfortable alternative. Warm, fuss-free and willing to be paired with any essentials from Gant, Armani to Canali (as shown in the below edit), this multi-tasking staple will almost certainly edge ahead when it comes to registering as smart. Structure was present in abundance during Fashion Month, which saw several show-goers pair weighty styles with scarves, longline coats and basics.

James wears a total look by Gant

Would the same outfits have looked good with skinny options? Possibly. But there was something about the way the volumes fell, wrapping ever-so-slightly over the body but looking quite impeccable at first sight, that made those pairings look effortless. As for the shape? Roomy, which still appears to be the most popular, but, like any item in a transitional wardrobe, that’s only the entry point. From neutral-toned blazers, which look supremely chic with a breezy shirt, to wide-legged trousers, which go well with jackets, there’s a whole spectrum to acquaint yourself with this Spring. Scroll on for some of the best styles, edited by LE MILE’s Fashion Market Director. You’re welcome.

James wears blazer DRUMOHR, shirt and tie CANALI, shorts POLO RALPH LAUREN, shoes Gant

James wears a total look by Gant

James wears jacket CANALI, blazer POLO RALPH LAUREN, shirt DOLCE&GABBANA, pants QUARTO ATTO

James wears a total look by Gant

James wears sweatshirt HED MAYNER, shirt POLO RALPH LAUREN, pants EMPORIO ARMANI, shoes BEPOSITIVE

James wears a total look by Gant

James wears a total look by Gant with shoes AQVA ALTA

James wears blazer RANDOM IDENTITIES by Stefano Pilati, shorts PHYSIQUE DU ROLE, jeans MOSCHINO

photography COSIMO BUCCOLIERI via STUDIO REPOSSI
fashion market director and stylist CHIDOZIE OBASI
head of production JESSICA LOVATO
fashion coordination ALBERTO MICHISANTI + EDWARD PUSCA
make up DIANA DJURD JEVSKI via STUDIO REPOSSI
hair DAVIDE NUCARA
model JAMES YATES via SPECIAL MANAGEMENT
photography assistant ANTONIO CROTTI
fashion assistants VALENTINA INVERARDI + SOFIA FARINA + VINCENZO VITELLO + LUIZA ANGELOVA + SEBASTIAN RAFAEL + CHIARA DE BONIS

credits
all Images (c) LE MILE
and Cosimo Buccolieri

SS26 Womenswear - REBEL SOUL with Brydie Cleveringa

.digital

REBEL SOUL
*with Brydie Cleveringa

written CHIDOZIE OBASI

The hallmarks of painstaking tailoring include, but are not limited to a slimline silhouette, soft volumes and, usually, the addition of contrast accents found in sartorial textures. Designer brands were the initial catalysts for this trend, but it has since been fuelled by iterations from premium wear giants and high-street counterparts, too.

Brydie wears a total look by MCQUEEN

Emerging designers are also faithful adopters, and released their iterations throughout years of innovation. True to form, tailoring is very much in-keeping with the pared-back identity luxury has become known for, and pairs well with the puddling hemlines of the cosy separates seen across mainline collections. (The model’s shots on this story, styled by LE MILE’s very own Fashion Market Director, exemplify the multiple styling possibilities of these offerings.) Proof that they’ve been a hit? Wear-anywhere tailoring is available in several styles, as well as classic cuts that stand the test of a lifetime. As is the case with any cult high-street product, many Italians have welcomed these staples into their everyday wardrobes. I’ve seen them on the Tube, in pub gardens – and now that they’re included in the designer’s seasonal proposals, I expect they’ll become even more popular in no time.

Brydie wears blazers and pants by DOLCE&GABBANA, shirt by TAGLIATORE

Brydie wears a total look by FERRAGAMO

Brydie wears a total look by VALENTINO

Brydie wears blazer and white shirt by MICHAEL KORS, striped shirt by ARTHUR ARBESSER, skirt by MEIMEIJ, shoes by APEPAZZA

photography COSIMO BUCCOLIERI via STUDIO REPOSSI
fashion director and stylist CHIDOZIE OBASI
head of production JESSICA LOVATO
fashion coordination ALBERTO MICHISANTI + EDWARD PUSCA
make up DIANA DJURDJEVSKI via STUDIO REPOSSI
hair AMERICO TURTORO via MKS MILANO
model BRYDIE CLEVERINGA via D MANAGEMENT GROUP
photography assistant ANTONIO CROTTI
fashion assistants SIMONA VERNAZZA + ANGELINA PERSIANI + SOFIA FARINA + CHARISSE ORDINARIA + LUIZA ANGELOVA + CHIARA DE BONIS

credits
all Images (c) LE MILE
and Cosimo Buccolieri

SS26 Menswear - WILD COMPOSURE with Luca Cobelli

.digital

WILD COMPOSURE
*with Luca Cobelli

written CHIDOZIE OBASI

Every Spring, I find myself reaching instinctively for one of the best breezy separates that has carried me through countless cold mornings, commutes, late-night dinners and far-fetched trips. No matter how many trends cycles come and go, a body-hugging essential is a mid-season constant. That’s why when investing in one, you need to think carefully about what to look for, what to avoid and the wear-anywhere styles worth considering.

Luca wears a total look by MIU MIU

Luxury brands like MIU MIU, Paul Smith and Michael Kors have practically built their reputations on expertly crafted wardrobes, but there are plenty of more affordable and brilliantly made options on the high street, too. Brands such as BePositive, Avant-Toi and Canaku now offer exceptional quality in the daily wardrobe department without breaking the bank. Also worth noting: Fit is key. A gently oversized cut allows room for billowing shirts underneath and gives a more relaxed feel, while a slimmer or more tailored number offers polish for eveningwear, but isn’t the best for layering underneath on the coldest of days. Aim for a staple that skims the body without swamping it, and make sure the sleeves are the right length – small alterations at your local tailor can make an enormous difference. You’re welcome.

Luca wears a shirt by HED MAYNER, pants by ACT N.1 and shoes by PREMIATA

Luca wears a polo sweater by AVANT-TOI, a shirt by ALESSANDRO GHERARDI, pants by QUARTO ATTO, shorts by CALVIN KLEIN, shoes by CHURCH’S and a tie by THE FRANKIE SHOP

Luca wears a sweater and shirt by MICHAEL KORS, pants by PAUL SMITH and shoes by BEPOSITIVE

Luca wears shirts by PAUL SMITH and LABO.ART, and pants by CANAKU

photography COSIMO BUCCOLIERI via STUDIO REPOSSI
fashion director and stylist CHIDOZIE OBASI
head of production JESSICA LOVATO
fashion coordination ALBERTO MICHISANTI + EDWARD PUSCA
make up CHIARA GUIZZETTI via THE GREEN APPLE ITALIA
hair FUJIWARA TAKAHASHI via MKS MILANO
model LUCA COBELLI via I LOVE MODELS MANAGEMENT
photography assistant ANTONIO CROTTI
fashion assistants SIMONA VERNAZZA + ANGELINA PERSIANI + SOFIA FARINA + CHARISSE ORDINARIA + LUIZA ANGELOVA + CHIARA DE BONIS

credits
all Images (c) LE MILE
and Cosimo Buccolieri

SS26 Menswear - DANCING TIDES with Simone Emili

.digital
DANCING TIDES
*with Simone Emili

written CHIDOZIE OBASI

Simone Emili’s first approach to dance was quite unusual, and came almost by chance. “I was about ten years old, a very hyperactive kid, and I felt the need to practice a sport, but I couldn’t really find one that I saw myself in,” he tells LE MILE’s Fashion Director, Chidozie Obasi. “There was one thing, however, that came naturally to me: in every sport I tried, in moments of rest, I always ended up dancing.”

Simone wears a vest by FEDERICO CINA and pants by ISSEY MIYAKE MEN

Simone wears a cardigan by FIVEFOURFIVE, a tank top by SANDRO, a skirt by ACT N1, and pants by SETCHU

From then on, he never stopped: at first, it was simply a hobby, something that spontaneously became a part of his daily routine. Then, during adolescence, he began to understand that it could become much more. “I completely changed my mindset and approach: dance became a tool for transforming my body, my mind, and, ultimately, the person I am today.”

Emili believes that today, the relationship between fashion, expression, and dance is at its peak. “There’s an increasingly perceptible mutual contamination between these worlds, which now communicate naturally and continuously,” he reflects. “It’s as if they were a single form of expression: one doesn’t exclude the other, but rather complements it. Where there’s fashion, there’s also movement; and movement, ultimately, is the very essence of dance. Fashion, in my opinion, is a form of dance: it communicates through the body, lines, and attitude. Likewise, dance embodies an aesthetic, a sense of style and expression that deeply resonates with the language of fashion.”

The emotions Emili felt during the shoot were bountiful, but what struck him most was the stark contrast between them. “Wearing six different looks, I felt like I was experiencing six distinct emotional states,” he says. “Each outfit transported me to a different atmosphere, almost a new environment, capable of evoking specific sensations: from harmony to elegance, even a kind of anger,” he explains. “All these emotions then became part of my performance in front of the camera. It was precisely this emotional journey that allowed me to face a long and intense day with energy and awareness. My goal was to create a contrast between the looks: not just an outfit change, but a transformation of my entire personality time after time.”

Simone wears a cardigan by FIVEFOURFIVE, a shirt by CANAKU, shorts by HED MAYNER, and shoes by AQVA ALTA

Simone wears a cardigan by TOMMY HILFIGER, a shirt by BOSS, pants by MOSCHINO, shoes by SEBAGO, and jewellery by N21

Simone wears a sweater by MORDECAI, a shirt by MANUEL RITZ, pants by ACT N1, and shoes by BEPOSITIVE

Simone wears a total look by MOSCHINO

Simone wears a cardigan by TOMMY HILFIGER, a shirt by BOSS, pants by MOSCHINO, shoes by SEBAGO, and jewellery by N21

photography COSIMO BUCCOLIERI via STUDIO REPOSSI
fashion director and stylist CHIDOZIE OBASI
head of production JESSICA LOVATO
fashion coordination ALBERTO MICHISANTI + EDWARD PUSCA
make up DIANA DJURDJEVSKI via STUDIO REPOSSI
makeup assistant ANGELA CAMMALLERI
hair AMERICO TURTORO via MKS MILANO
model SIMONE EMILI
photography assistant ANTONIO CROTTI
fashion assistants ANGELINA PERSIANI + CHARISSE ORDINARIA + SIMONA VERNAZZA + SOFIA FARINA + VALENTINA INVERARDI + VINCENZO VITELLO + THEA OLOFSSON ROWCLIFFE

credits
all Images (c) LE MILE
and Cosimo Buccolieri

WHITE Milano Fashion Week - Designers & Brands

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Inside the Creative Pulse of WHITE Milano

written ALBAN E. SMAJLI

During Milan Fashion Week, the city develops a particular rhythm that anyone who has spent time there during those days immediately recognizes. Buyers move between appointments, designers present new collections, editors cross the city from showrooms to presentations, and conversations about fabrics, silhouettes, and ideas stretch late into the evening. In the Tortona district, one of the places where this movement gathers most visibly is WHITE Milano, a trade fair that has gradually become a regular stop in the fashion week calendar, bringing together a wide range of independent labels, designers, and contemporary brands in one shared space.

Viktoria wears a polo shirt by WOC paired with a skirt by MISENITHE

Walking through the halls means encountering very different design approaches within a few steps. Precise tailoring appears next to expressive knitwear, minimal silhouettes meet bold textures, and new labels stand alongside designers who have shaped their language over decades. It is this mix that makes the experience of moving through the fair feel less like a traditional trade environment and more like a condensed snapshot of the current fashion landscape.

Designers including Henrik Vibskov, Camper, Batakovic, Madalina Caminschi, Palo/Santo, Merryl Tielman, Misenithe, Lucille Thievr, Mii Collection, or Annette Görtz appear throughout this story, each representing a different perspective on contemporary design and together reflecting the diversity of ideas, silhouettes, and approaches that surface across the city during those days when Milan briefly turns into one large conversation about fashion.

Viktoria wears a shirt and skirt by MISENITHE

Viktoria wears a jacket by BATAKOVIC with a tank top by MISENITHE

iktoria wears a coat by BATAKOVIC and tights by CALZEDONIA

Viktoria wears a blazer and pants by LUCILLE THIEVRE with and shoes by CAMPER

Viktoria wears a blazer and skirt by MADALINA CAMINSCHI with a shirt by PALO/SANTO, a tie by BATAKOVIC, and a bag by MERRYL TIELMAN

Viktoria wears a tank top and blouse by GURDON&GURDON

Viktoria wears a total look by ANNETTE GÖRTZ

Viktoria wears a total look by MII COLLLECTION

Viktoria wears a dress by HENRIK VIBSKOV with pants by PALO/SANTO

credits
all Images (c) LE MILE
and Matteo D’Agostino

seen MATTEO D’AGOSTINO
fashion director CHIDOZIE OBASI
head of production JESSICA LOVATO
styled EDWARD PUSCA
model VIKTORIA LULKO via LUV MGMT
make up & hair GIULIA MATARAZZO via STUDIO REPOSSI
fashion assistants MARTINA MANENTI + SEBASTIAN RAFAEL

SS26 Menswear - SOFT PROJECTION with Matteo Guerrieri

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SOFT PROJECTION
*with Matteo Guerrieri

written CHIDOZIE OBASI

Wear-anywhere separates are something of a paradox. Whether you choose breezy numbers or a style that stretches, something in neutral shades or a more tempered hue, their practical aesthetic can appear effortless – see Matteo Guerrieri’s proposal for the taking – however, the flipside is that for all their daily effortlessness, they require significantly more upkeep than their structured counterparts.

Matteo wears a blazer by CANALI, a bomber and scarf by ETRO, a shirt by BOSS, pants by RANDOM IDENTITIES by Stefano Pilati, and shoes by CHURCH’S

Quite simply, they deliver something different to classic true staples, which is why 24/7 wearers of soft tailoring will always have an ample range in their rotation. I own many: blazers, sweats and cardigans styles from both the high street and premium houses, which have a subtle aesthetic that teams nicely over sneakers or formal footwear. They serve different purposes, as you can probably tell by their shapes, but, crucially, both deliver polish in a mode that’s easy and undone.

They could pretty much be styled with any toppers, from a chunky knit by day to a long-sleeved cotton offering by night. (I also love a shirt-meet-sweat moment, although that might be too much for a night out.) My only note would be to score on the low-effort proposals, as the key is not overdoing it. Minimal layers, a quiet necktie and comfortable shoes – a lived-in Church’s loafer or a funky trainer, such as BEPOSITIVE – are the way to go. All that is left to do now is finding your staple of choice, and you’ll become the embodiment of Spring in no time. You’re welcome.

Matteo wears a polo sweater by FERRAGAMO, a knit T shirt by AGNONA, pants by FIVEFOURFIVE, and shoes by FERRAGAMO

Matteo wears a total look by VALENTINO

Matteo wears a total look by DIOR HOMME

Matteo wears a tank top by ISABEL MARANT, a vest by LUCA LARENZA, a shirt by LABO.ART, pants by ZEGNA, and shoes by CHURCH’S

Matteo wears a cardigan by EXTREME CASHMERE, a shirt by MORDECAI, pants by INSTITUTION, shorts by LUCA LARENZA, and shoes by BEPOSITIVE

photography COSIMO BUCCOLIERI via STUDIO REPOSSI
fashion director and stylist CHIDOZIE OBASI
head of production JESSICA LOVATO
fashion coordination ALBERTO MICHISANTI + EDWARD PUSCA
make up DIANA DJURD JEVSKI via STUDIO REPOSSI
makeup assistant ANGELA CAMMALLERI
hair AMERICO TURTORO via MKS MILANO
model MATTEO GUERRIERI via MASC AGENCY
photography assistant ANTONIO CROTTI
fashion assistants ANGELINA PERSIANI + CHARISSE ORDINARIA + SIMONA VERNAZZA + SOFIA FARINA + VALENTINA INVERARDI + VINCENZO VITELLO + THEA OLOFSSON ROWCLIFFE

credits
all Images (c) LE MILE
and Cosimo Buccolieri

FW25 Womenswear - Shape Shifter with Mariana Goncalves

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SHAPE SHIFTER
*with Mariana Goncalves

written CHIDOZIE OBASI

Everything feels darker in the winter. Not only do the nights draw in earlier, but the inclination to wear muted tones over vibrant offerings is more prevalent in colder months. As far as separates are concerned, neutral washes tend to dominate this time of year; replacing summer-leaning textures and bright finishes for fabrications in charcoal and black. But it’s not all doom and gloom: a muted palette can look striking against the backdrop of the low sun on a bright fall day, plus they’re more practical for the transitioning periods. Wearing a dark trouser hides any dirt or sogginess that might inevitably gather at the hemlines should you be faced with impromptu downpour or hail—you don’t have to worry about dark pieces as much as lighter shades.

Mariana wears a blazer by DEAD COUTURE ICONS ANARCHIVE, a shirt by TOMMY HILFIGER, a bra by DOLCE&GABBANA, pants by RANDOM IDENTITIES by Stefano Pilati, shoes by FRAU, bags by TOD’S and a hat by STETSON

Mariana wears a dress by TORY BURCH, pants by QUARTOATTO, hats by MONTEGALLO, LORO PIANA and ARCHIVE, and jewellery by VOODOO JEWELS

Baggy silhouettes appear especially good when rendered in a sharp hue: key in Tory Burch’s body-hugging volumes, Brioni’s duty-heavy skirts, Max Mara’s wear-anywhere toppers, QuartoAtto’s fuss-free practicality, or Ferragamo’s airy staples. The constant yearn for versatility has made way for several styles, with seams that fit close to the body but feel light to the touch. So whether you invest in a high-street iteration (see Labo.Art, Frau and Gant), a more premium piece (courtesy of Tod’s and McQueen) or choose our preferred option, exploring the many pieces out there, know that timelessness and versatility are two investments that you will not regret making. Just ask the old man on the tube, and head below for LE MILE’s best offerings to master your transitional style. You’re welcome.

Mariana wears a jacket by DAVII, a top by MAX MARA, pants by DOLCE&GABBANA, a hat by TRIPPAT, jewellery by SWAROVSKI, a belt by GANT and tights by WOLFORD

Mariana wears a cardigan by TORY BURCH, a shirt by LOUIS VUITTON, shorts by RANDOM IDENTITIES by Stefano Pilati, pants by MORDECAI and glasses by CALVIN KLEIN JEANS

Mariana wears a coat by GIOVANNI GEROSA, a sweater by GAS JEANS, a shirt by TOMMY HILFIGER, a skirt by BRIONI, tights by CALZEDONIA and boots by GIUSEPPE ZANOTTI

Mariana wears a jumpsuit, shirt and shoes by MCQUEEN, and tights by CALZEDONIA

Mariana wears a blazer by MICHAEL KORS, a shirt and skirt by FERRAGAMO, a shirt by LABO.ART, shoes by A.BOCCA, a scarf by BRIONI and tights by CALZEDONIA

Mariana wears a cardigan by GANT, sweaters by TOMMY HILFIGER and MRZ, a maxi skirt by MAX MARA and a skirt by TORY BURCH

photography COSIMO BUCCOLIERI via STUDIO REPOSSI
fashion director and stylist CHIDOZIE OBASI
head of production JESSICA LOVATO
fashion coordinators ALBERTO MICHISANTI + EDWARD PUSCA
make up DIANA DJURDJEVSKI via STUDIO REPOSSI
hair DAVIDE NUCARA
model MARIANA GONCALVES via ELITE MILAN + ELITE MODEL WORLD
photography assistant ANTONIO CROTTI
production assistant LORIS VOTTERO
fashion assistants JÁZMIN TÖRÖK + ANGELINA PERSIANI + ALESSANDRO GIANESIN + CHARISSE ORDINARIA + PAULINA LUISE GRUNWALD + VALENTINA INVERARDI

credits
all Images (c) LE MILE
and Cosimo Buccolieri

FW25 Beauty - Offline Fragments

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Offline Fragments

Luxury fragrance as a quiet statement. From niche perfumery to iconic houses, Offline Fragments presents our fragrance recommendations through a tactile, visual lens.  

Scents become objects, moods, and atmospheres: dark oud drifting into mineral air, ripe cherry polished to excess, nocturnal florals, cultivated gardens, amplified sensuality. Each composition is shown stripped of noise, grounded in materiality, texture, and presence. An editorial view of perfume beyond trend and season, defined by restraint, intimacy, and memory.

FALL INTO STARS + SILENCE THE SEA by STRANGELOVE NYC
Dark oud meets mineral salt and amber smoke, suspended between celestial depth and oceanic calm.

micro bag MIU MIU
sunglasses LOEWE

scent LOST CHERRY by TOM FORD
Lush cherry, almond, and liquor notes unfold into a glossy, sensual gourmand with a dark edge.

scent CERAIUOLO by V CANTO
Warm woods, spices, and resinous amber evoke Italian heritage through a rich, baroque intensity.

shirt ISABEL MARANT
lipstick BYREDO
jewelery KIKI DIETERLE

scent THE MOON by FRÉDÉRIC MALLE
Opulent oud and rose expand into a nocturnal composition of depth, power, and controlled excess.

pump BOTTEGA VENETA

scent DÉJÀ MINUIT by BOTTEGA VENETA
Velvet florals and dark woods create a sensual midnight aura, elegant, intimate, and tactile.

pump CHLOÉ
bracelet ISABEL MARANT

scent HORTUS by GIARDINO BENESSERE
Green botanicals and aromatic woods form a cultivated, garden-like scent rooted in nature.

ballet pumps MM6/MAISON MARGIELA

scent KIRKÈ OVERDOSE by TIZIANA TERENZI
Explosive fruits and musks amplify the original into a bold, addictive statement fragrance.

hand bag THE ATTICO

skincare DOUBLE SERUM by CLARINS
Dual-phase skincare icon combining plant science and lipid balance for visible renewal and glow.

hand bag KHAITE

credits
all Images (c) LE MILE
and Maciek Miloch

seen MACIEK MILOCH
set design CARLOTTA PHELAN
fashion styled LIL BULGAC
photo assistant + hand printing GUILLEM LÓPEZ NICOLAU

FW25 Womenswear - Winter Breath by Chris Saulnier

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WINTER BREATH IN NEW YORK

Winter arrives without ceremony and breath becomes visible, movement slows, and the city begins to speak in smaller gestures. Streets empty, light softens, and New York settles into a different rhythm. A figure moves through this landscape, pausing, observing, carrying the weight of the season in posture. The cold presses close, sharpening senses and drawing attention to details often overlooked, the hush between buildings, the drag of fabric, the sound of wind against concrete.

Maria wears a dress by OOTO, a coat by Mola Walker, and a bag by Radica Studio

Nothing insists on being explained, instead, the city holds space for reflection, for quiet persistence, for the intimacy that winter creates. Winter Breath stays with that feeling, letting atmosphere guide the narrative and allowing the season to leave its mark slowly, deliberately, and without urgency.

Maria wears a trench coat and striped shirt by Wàngda, a bag by Behno, pants by Pence, and shoes by Femme Liberee

Maria wears a coat by Wàngda, a top with tie by Mola Walker, a skirt by Pier Antonio Gaspari, and shoes by Femme Liberee

Maria wears a green skirt and knit fur top by Pier Antonio Gaspari, a coat by Wàngda, and a bag by KALIEDDIE

photography + direction CHRIS SAULNIER
styling EDGAR LÓPEZ DÁVILA
stylist assistant CITLALI VILLANUEVA
model MJ MARTE
director of photography KENNY SULE
photography assistant JISHNU CHOWDHURY
hair styling HIDE SUZUKI
make up ANNA KURIHARA
producer KAITLIN BANAFSHEHA
color grading MAXIME VEIGNEAU

credits
all Images and film (c) LE MILE and Chris Saulnier

FW25 Menswear - Truly, Softly, Preppy with Simone Pollastri

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TRULY, SOFTLY, PREPPY
*with Simone Pollastri

written CHIDOZIE OBASI

For youngsters, in a society where the tides of change are evolving with increasingly ferocious pace, it’s a painful time to tell stories about the arts. For some, these are times shaped by transitions, informed by choices and decisions that helped define the state of our world—with a gumption to envision the future not as a destination, but as a point of greater clarity and a personal journey. For Milan-hailed creative Simone Pollastri, this year epitomised such an example: a time where he closed chapters, both professionally and personally, that no longer aligned with his vision or direction.

Simone wears a long-sleeved top by DSQUARED2, pants by SETCHU, shoes by ZEGNA, and jewellery by SWAROVSKI

Simone wears a jacket and pants by TAN, and shirts by MOSCHINO and ALESSANDRO GHERARDI

“I tend to set ambitious goals and see change as a necessary part of growth, rather than something to resist,” he tells me, with no peacocking braggadocio on display. “Both positive and challenging experiences contributed to a more focused mindset and a stronger sense of direction. Today, I feel more grounded and confident in the path I’m taking, aware that this phase is simply another step forward, not a final outcome.” His practice moves across a wealth of fields, all driven by the same approach to storytelling and aesthetics. “I’m naturally curious, drawn to movement, change and new challenges, and I try to channel my passions—namely, travel, sport and creativity—into a cohesive way of working and living,” he reflects. Pollastri works as a filmmaker and creative director through his production house, FilmVisual, where he develops visual campaigns and digital productions for fashion and sports brands.

“Alongside this, I recently co-founded TAN, an independent brand that represents a more personal extension of my creative vision,” he adds. “For me, creation is less about fitting into categorised roles and more about building a language that feels honest, dynamic and constantly evolving,” heconcludes, his face filled with excitement. But there’s more to the story, which you’ll probably read here first. You’re welcome.

Simone wears a brown sweater by ZEGNA, a black sweater by RANDOM IDENTITIES by Stefano Pilati, a shirt by TOM FORD, pants by DSQUARED2, shoes by CHURCH’S, and jewellery by LAG WORLD

Simone wears a jacket by THE FRANKIE SHOP, a shirt by MICHAEL KORS, pants by DIESEL, shoes by BEPOSITIVE, and a tie by TOM FORD

Chidozie Obasi
Taking a trip back memory lane: what’s your earliest approach with the creative field and with fashion, in particular?

Simone Pollastri
My earliest approach to creativity didn’t begin with fashion, but with images. At eighteen, I discovered photography and video almost by chance, and immediately felt drawn to the idea of using visuals as a personal language. What fascinated me wasn’t just the technical aspect, but the possibility of communicating what I had to say at that specific moment in my life through images, movement and storytelling. Over time, I started to realise how closely that process was tied to my own growth: how my perception of what felt beautiful or meaningful evolved alongside me. Fashion entered my path later, through visual work and collaborations, but always filtered through this lens. I never approached it as a system to belong to, but as a space where I could apply a subjective, evolving sense of aesthetics. That relationship with images remains the foundation of everything I do today.

You’re also a fond travel aficionado: how did such longing come about, and how has it blossomed over time?

I don’t think there was a precise moment when my desire to travel began: it has always felt like something inherent. Growing up, I often felt the need to look beyond my immediate surroundings. Travel represents the possibility to observe, understand and experience what exists outside of one’s own bubble. Over time, this curiosity became a driving force and naturally intertwined with my work.

Beside the fixtures of the fashion and travel realms, you’ve also dabbled into the world of film and motion storytelling...

Film and motion storytelling were never a separate ambition for me. Rather than stemming from a single moment, they emerged as a natural evolution of how I wanted to communicate ideas. Over time, I realised that still images alone weren’t enough: I was drawn to rhythm, sequencing and atmosphere. Motion allowed me to build narratives, not just visuals.

Today, film is less a discipline and more a framework, and that is precisely why I chose to found and work through my production house, FilmVisual. It’s the language I naturally return to when I want to translate a vision into something tangible.

As you’ve travelled and experienced many sides of the world, what values and lessons have you gained?

Travel has played a fundamental role in shaping both my personal and creative growth. I often see travel as a process of accumulation rather than escape. You leave with a blank page, and along the way it fills with impressions and perspectives. The most valuable lesson travel has taught me is inclusion; the ability to question your own point of view and remain open to complexities.

Simone wears a cardigan by NN.07, a sweater by EXTREME CASHMERE, a shirt by TOMMY HILFIGER, shorts by MOSCHINO, pants by CELINE, and jewellery by LAG WORLD

Could you unpack your biggest pinch-me moment from your professional journey, thus far?

My biggest pinch-me moment wasn’t tied to a milestone client, but to an experience that made me fully realise the path I had chosen. It happened during a work trip to Alaska, where travel, extreme sport and visual storytelling converged. That moment made it clear to me that, had I followed a more conventional route, many of those experiences wouldn’t have been possible. It reminded me of the importance of listening to myself and trusting the direction I had chosen.

How do you envision the future of influence and of the digital world at large?

I believe the shift within this industry has already happened. Today, influence is less about reach and more about relevance. Projects like TAN and FilmVisual are built on credibility, continuity and long-term vision. In a saturated digital environment, value and authenticity are what endure.

Leaning on your newly-founded brand venture, how did it all come about?

TAN was born from a clear and shared decision: the desire to stop expressing our creativity solely through other brands and start building a world of our own. Together with close friends, we felt the need to create something that genuinely reflected who we are: our relationship with the sea, sport, movement and travel. From the beginning, TAN was never conceived as a conventional fashion project. It’s a lifestyle-driven platform where the product exists within a broader context of experiences, community and storytelling. TAN is, and will remain, an independent Italian brand developed by friends, rooted in our lifestyle and designed to evolve without losing its identity.

Is there a wish to scale it and expand its base to international markets?

Our priority is to build a tangible relationship with people and allow them to experience our world firsthand. International expansion is welcome, but not chased. If a vision is authentic and well-rooted, it naturally travels. Rather than pursuing rapid growth, we’re focused on building something that lasts.

Any other exciting projects in the pipeline?

At this stage, my focus doesn’t lie in unveiling new projects, but on consolidating what already exists. The priority is to continue building TAN with intention, allowing it to grow into a solid and independent reality. Alongside its digital evolution, we’re interested in making the project more tangible. In the future, we’d love to open a physical space; not conceived as a traditional store, but as a creative hub. A place that can act as a meeting point for our community, where we can host events, music, gatherings and collaborative moments, and where the brand can be experienced beyond the product itself. Similarly, I want to keep developing FilmVisual. These two realities complement each other and represent the space where I feel most aligned. Looking ahead, my ambition is to grow both projects with patience, clarity and consistency, while expanding TAN organically, creating spaces and experiences that allow people to genuinely connect with our vision.

Simone wears a blazer and pants by HED MAYNER, a shirt by ZEGNA, and shoes by CHURCH’S

Simone wears a jacket by THE FRANKIE SHOP, a shirt by MICHAEL KORS, pants by DIESEL, shoes by ZEGNA, and a tie by TOM FORD

photography COSIMO BUCCOLIERI via STUDIO REPOSSI
fashion director and stylist CHIDOZIE OBASI
head of production JESSICA LOVATO
fashion coordination ALBERTO MICHISANTI + EDWARD PUSCA
make up KIM GUTIERREZ via STUDIO REPOSSI using FENTY BEAUTY and for skincare THE ORDINARY
hair DAVIDE NUCARA
model SIMONE POLLASTRI via WANNABE MGMTP
photography assistant ANTONIO CROTTI
production assistant LORIS VOTTERO
fashion assistants ALESSANDRO GIANESIN + SIMONA VERNAZZA + ANGELINA PERSIANI + CHARISSE ORDINARIA + DINA LABADI + MATILDE DALLA PIAZZA + MARIANA RAPOSO

credits
all Images (c) LE MILE
and Cosimo Buccolieri

FW25 Menswear - Retro Spotlight

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RETRO SPOTLIGHT
*with Simone Bredariol

written CHIDOZIE OBASI

As seen across the Fall runways, the appeal of pared-back minimalism has yet to wane – and, whatever your style-driven proclivities, this season has plenty to choose from.

Whether you prefer your slouchy tailoring with a twist, or your airy goods slightly functional, here’s how to wear this season’s minimal offerings with maximum impact. Our wardrobe will naturally shift throughout the year, but Fall is the season when the weather dictates your clothing choices the most: from Zegna’s pristine tailoring, Dolce&Gabbana’s clean-cut suiting to Etro’s wear-anywhere ease, you’ll want a roster of reliable, classic pieces to make getting ready every day so much easier. It can sometimes feel like a conundrum to remain snazzy amid the depths of winter, but these 7 looks are a failsafe way to keep things cool, and in line, for you. And the most important message? Keep it breezy. You’re welcome.

Simone wears a blazer by DOLCE & GABBANA, a jacket by CASCINELLI, a sweater by CALVIN KLEIN, a jumpsuit by HED MAYNER, and shoes by CHURCH’S

Simone wears a total look by ZEGNA

Simone wears a sweater by ZEGNA, a shirt by ALESSANDRO GHERARDI, and pants by SETCHU

Simone wears a blazer and vest by EMPORIO ARMANI, and pants by CANALI

Simone wears a sweater by ETRO, a shirt by BRIONI, and pants by SANDRO

Simone wears a cardigan by AVANT-TOI, and pants by ZEGNA

Simone wears a sweater by FILIPPO DE LAURENTIS, and pants by HED MAYNER

credits
all Images (c) LE MILE
and Cosimo Buccolieri

photography COSIMO BUCCOLIERI via STUDIO REPOSSI
fashion director and stylist CHIDOZIE OBASI
head of production JESSICA LOVATO
fashion coordination ALBERTO MICHISANTI + EDWARD PUSCA
make up KIM GUTIERREZ via STUDIO REPOSSI using FENTY BEAUTY and for skincare THE ORDINARY
hair DAVIDE NUCARA
model SIMONE BREDARIOL via DMANAGEMENTGROUP
photography assistant ANTONIO CROTTI
production assistant LORIS VOTTERO
fashion assistants ALESSANDRO GIANESIN + SIMONA VERNAZZA + ANGELINA PERSIANI + CHARISSE ORDINARIA + DINA LABADI + MATILDE DALLA PIAZZA + MARIANA RAPOSO

FW25 Menswear - Home Break

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HOME BREAK
*with Christian Frascaro + Francesco Crisitiano

written CHIDOZIE OBASI

The longing for timelessness has been a forerunner in fashion’s stakes in recent years, making its presence felt across the sartorial spectrum: from the designer runways to the rails of high-street favourites, its wear-anywhere appeal has sparked the yearn of many.

Of course, this concept is by no means a modern phenomenon, and its history stretches back to the centuries of creativity of fuss-free apparel within the menswear arena, that have managed to retain that sense of ageless elegance right up to the present day: thanks to the wealth of options that span across tailored constructions to their structured credentials, clothes that last are an investment to a man’s wardrobe. But the question is: how do we make these classics feel directional in 2025? Brace yourselves.

As modeled ever brilliantly by Francesco Cristiano and Christian Frascaro, these versatile silhouettes come in everything from Prada’s skin-tight separates to swishy Brioni’s outerwear to structured canvas from Celine and cotton checks from Isabel Marant. Acting as a solid foundation for an everyday outfit – especially during the winter months – the right staple can truly smarten up any outfit, or add a touch of nonchalance to a formal essential. Below, LE MILE’s edit has you covered. You’re welcome.

Christian wears a blazer and shirt by ZEGNA with pants by CELINE. Francesco wears a coat by CELINE, a jacket by RIER, a shirt by ISABEL MARANT, and pants by RANDOM IDENTITIES by Stefano Pilati.

Francesco wears a total look by PRADA

Christian wears a total look by PRADA

Christian wears a sweater by FERRAGAMO, a long-sleeved top by LABO.ART, and pants by QUARTO ATTO. Francesco wears a sweater by CELINE and pants by ZEGNA.

Kaisla wears a hat by LORO PIANA, a dress and bag by FERRAGAMO, and shoes by JIMMY CHOO

Francesco wears a total look by GUCCI

Christian wears a sweater by ZEGNA, a t-shirt by CELINE, and pants by BRIONI. Francesco wears a shirt by CELINE, a sweater by ZEGNA, and pants by CELINE.

Christian wears a coat, blazer, and scarf by BRIONI, a sweater by ISABEL MARANT, a shirt and pants by ZEGNA, and shoes by CHURCH’S

credits
all Images (c) LE MILE
and Francesco D’Amico

seen FRANCESCO D’AMICO
creative fashion direction CHIDOZIE OBASI
head of production JESSICA LOVATO
fashion coordination ALBERTO MICHISANTI + EDWARD PUSCA
make up MARTA CUPAIOLI via MKS MILANO
hair GIUSEPPE DI GUGLIELMO via MKS MILANO
talents CHRISTIAN FRASCARO + FRANCESCO CRISTIANO
photography assistant QUENTIN BUTTIN
fashion assistants CHARISSE ORDINARIA + THEA OLOFSSON ROWCLIFFE + SIMONA VERNAZZA

FW25 Womenswear - Moment of Subtlety

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MOMENT OF SUBTLETY
*with Edith Marchiani

written CHIDOZIE OBASI

Breezy textures are categorically not a winter winner, being impractical for cold weather, let alone rain or snow. But, if you’re willing to embrace a little chill, there are occasions where they can be worn – and these are dependent on what else is on your attire.

To put it plainly: you need to shroud yourself in layers to avoid getting chills. Suits or blazers are, of course, more sensible options, but a knee-long short shouldn’t be banished to the back of your wardrobe the moment temperatures drop. Pile on the thermals, curduroys, wools and cashmeres and put your pumps to good use, we say. The ultimate style to wear during winter?
A frilly collar which, following a season permeated with simplification, brings another offering to the fore. If you’re keen to for a plush take on timeless classics, scroll on for LE MILE’s edit for women’s staples, and become the very embodiment of winter. You’re welcome.

Edith wears a total look by PRADA

Edith wears a total look by VALENTINO

Edith wears a total look by CELINE

Edith wears a blazer by SPORTMAX, pants by LOUIS VUITTON, and shoes by SEBAGO

Edith wears a blazer, vest, and pants by EMPORIO ARMANI, and jewellery by SWAROVSKI

Edith wears a blazer and sweater by PAUL SMITH, a shirt by CELINE, pants by QUARTOATTO, and shoes by SEBAGO

credits
all Images (c) LE MILE / Antonio Crotti

photography ANTONIO CROTTI
fashion direction + styling CHIDOZIE OBASI
head of production JESSICA LOVATO
fashion coordination ALBERTO MICHISANTI + EDWARD PUSCA
hair ANGELICA DAVANZO via @blendmanagement
make up KIM GUTIERREZ via @studiorepossi
model EDITH MARCHIANI via @monster_mgmt
photo assistant GRAZIANO FOLATA
production assistant LORIS VOTTERO
fashion assistance ALESSANDRO GIANESIN + ANGELINA PERSIANI + VALENTINA INVERARDI + CHARISSE ORDINARIA

Eniko Mihalik - The Movement Rehearsal

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ENIKŐ MIHALIK
The Movement Rehearsal

Enikő wears a jacket and trousers by AERON and a top by MIU MIU

Enikő wears a jumpsuit by DOLCE & GABBANA and gloves by MUGLER

Enikő wears earrings and necklace by SWAROVSKI

Enikő wears a suit by MAX MARA, a top by THE ATTICO, shoes by DRIES VAN NOTEN, and sunglasses by TOM FORD

Enikő wears a neckpiece by MAX MARA, a skirt by JIL SANDER, socks by WOLFORD, shoes by BOTTEGA VENETA, and sunglasses by BALENCIAGA

Enikő wears a coat by AERON and a top by MAISON MARGIELA

Enikő wears a jacket and trousers by AERON and a top by MIU MIU

Enikő wears a jumpsuit by DOLCE & GABBANA, gloves by MUGLER, and shoes by TOTEME

Enikő wears a dress by the stylist’s own design

Enikő wears a blazer by AERON, a shirt by LEMAIRE, and a tie by PRADA

Enikő wears a top by MAX MARA, gloves by MUGLER, and a bracelet by SWAROVSKI

Enikő wears a coat by AERON and a top by MAISON MARGIELA

Enikő wears a coat by AERON, a top and trousers by MAISON MARGIELA, and shoes by PRADA

Enikő wears a dress by the stylist’s own design, gloves by IOANA CIOLACU, socks by WOLFORD, and shoes by ANN DEMEULEMEESTER

Enikő wears a dress by the stylist’s own design and gloves by IOANA CIOLACU

credits
all Images (c) LE MILE / Oleg Borisuk

model   ENIKŐ MIHALIK
photography   OLEG BORISUK
styling   DMITRII GRONIC

make up   NANA
hair   ROLAND
movement director   JULIEN KLOPFENSTEIN

studio   NANS
photo assistant   QIAN PETI
film / stylist assistant   VERONIKA NIKULINA

FW25 Menswear - MASC Agency Awakening

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MASC Agency ´s
AWAKENING

written CHIDOZIE OBASI

It’s a painful time to tell stories about the arts. It’s exactly the reason why, in a world shaped by downturns that swing with increasingly furious pace, ideas brimming with invention and driven with full intention are a welcome respite. If there’s one thing for sure, it’s that right now, the future generations are currently one of the most looked at in the fashion industry and in the world at large.

Therefore, brace yourselves: with a handful of innovative and boundary-pushing talents on the rise, MASC Agency — founded by Italian entrepreneur and digital maven Marco Scomparin — is a boutique realm that represents a male-led division of talents, spanning across the worlds of sport, fashion, cinema and far beyond. These rising stars are all emerging as distinctive trailblazers within their respective fields, bringing a unique perspective to the digitalisation phenomena and to that of fashion communication. From timeless classics to experimental offerings, scroll to peruse the edit from LE MILE’s Fashion Director on these talents – who were able to express their personality, identity and style embodying this season’s spirit from a range of Fall's 2025 collections. You’re welcome.

Simone wears a total look by VALENTINO

Giorgio wears a top by LESSICO FAMILIARE, pants by QUARTO ATTO, shoes by CHURCH’S, and accessories by LAG WORLD

Matteo wears a coat by LACOSTE, a cardigan by LUCA LARENZA, a long-sleeved top by LABO.ART, a shirt by CANALI, pants by DOLCE&GABBANA, and shoes by BEPOSITIVE

Flavio wears a sweater and tie by PAUL SMITH, a shirt by CALVIN KLEIN, pants by CANALI, and shoes by SEBAGO

Yusuf wears a sweater by LACOSTE, a shirt by N21, and pants by PAUL SMITH

Andrea wears a cardigan by GIORGIO ARMANI, pants by BERWICH, and shoes by CHURCH’S

Filippo wears a sweater by DRUMOHR, a shirt by TOMMY HILFIGER, pants by GIORGIO ARMANI, and shoes by BEPOSITIVE. Dylan wears a sweater and pants by PHYSIQUE DU ROLE, shoes by DR MARTENS, and a tie by PAUL SMITH.

Biondo wears a blazer by DOLCE&GABBANA, a long-sleeved top by LABO.ART, pants by LEVI’S, and shoes by SEBAGO

Stefano wears a cape by N21, pants by BERWICH, and shoes by CHURCH’S

Filippo wears a vest by DOLCE&GABBANA, a skirt by HAIKURE, shoes by SEBAGO, and a tie from the ARCHIVE

Vittorio wears a coat by LUCA LARENZA, a sweater by DIESEL, a shirt by ALESSANDRO GHERARDI, pants by AGNONA, and shoes by SANTONI

Mattia wears a jacket by CASCINELLI, a vest by ONAR STUDIOS, a sweater by DRUMOHR, a shirt by WOOD WOOD, pants by ISSEY MIYAKE, and shoes by CHURCH’S. Gabriele wears a jacket by MORDECAI, a t-shirt by RIER, a shirt by PAUL SMITH, pants by THE LATEST, and shoes by SEBAGO.

Gabriele wears a cardigan by N21

Carlo wears a blazer by AVANT-TOI, jeans by HAIKURE, and shoes by CHURCH’S

Mattia wears a jacket and blazer by DRUMOHR and jeans by NUMERI 0123456789

Giorgio wears a jacket by LESSICO FAMILIARE, a brown shirt by ROVI LUCCA, a patterned shirt by HAIKURE, pants by RANDOM IDENTITIES by Stefano Pilati, and shoes by DR MARTENS

Matteo wears a sweater by MICHAEL KORS, a shirt by DRUMOHR, and pants by RANDOM IDENTITIES by Stefano Pilati

Biondo wears a total look by LORO PIANA

Simone wears a vest by CANALI and pants by QUARTO ATTO. Flavio wears a sweater by CANALI, pants by RIER, and shoes by DR MARTENS.

Yusuf wears a coat by THE FRANKIE SHOP, a cardigan by LACOSTE, a sweater by LUCA LARENZA, a shirt by ALESSANDRO GHERARDI, and pants by DIESEL

Stefano wears a sweater and shirt by TOMMY HILFIGER, pants by GIORGIO ARMANI, and shoes by CHURCH’S

Dylan wears a blazer by GIORGIO ARMANI, a shirt by ISSEY MIYAKE, and pants by TELA

Andrea wears a total look by LORO PIANA

Vittorio wears a coat by THE FRANKIE SHOP, a shirt by WOOD WOOD, pants by PHYSIQUE DU ROLE, and shoes by CHURCH’S

Matteo wears a total look by DOLCE&GABBANA. Vittorio wears a shirt by WOOD WOOD, pants by PHYSIQUE DU ROLE, and shoes by CHURCH’S.

fashion credits / group image
Stefano wears a sweater and shirt by TOMMY HILFIGER, pants by GIORGIO ARMANI, and shoes by CHURCH’S. Vittorio wears a coat by LUCA LARENZA, a sweater by DIESEL, a shirt by ALESSANDRO GHERARDI, pants by AGNONA, and shoes by SANTONI. Carlo wears a blazer by AVANT-TOI, jeans by HAIKURE, and shoes by CHURCH’S. Matteo wears a coat by LACOSTE, a cardigan by LUCA LARENZA, a long-sleeved top by LABO.ART, a shirt by CANALI, pants by DOLCE & GABBANA, and shoes by BEPOSITIVE. Gabriele wears a jacket by MORDECAI, a shirt by PAUL SMITH, a T-shirt by RIER, pants by THE LATEST, and shoes by SEBAGO. Mattia wears a jacket by CASCINELLI, a vest by ONAR STUDIOS, a sweater by DRUMOHR, a shirt by WOOD WOOD, pants by ISSEY MIYAKE, and shoes by CHURCH’S. Giorgio wears a jacket by LESSICO FAMILIARE, a brown shirt by ROVI LUCCA, a patterned shirt by HAIKURE, pants by RANDOM IDENTITIES by Stefano Pilati, and shoes by DR MARTENS. Filippo wears a vest by DOLCE&GABBANA, a skirt by HAIKURE, shoes by SEBAGO, and a tie from the ARCHIVE. Dylan wears a sweater and pants by PHYSIQUE DU ROLE, shoes by DR MARTENS, and a tie by PAUL SMITH. Yusuf wears a sweater by LUCA LARENZA, a shirt by ALESSANDRO GHERARDI, and pants by DIESEL. Flavio wears a sweater by CANALI, pants by RIER, and shoes by DR MARTENS. Andrea wears a total look by LORO PIANA. Simone wears a vest by CANALI, pants by QUARTO ATTO, and shoes by SEBAGO for RANDOM IDENTITIES. Marco wears a total look by CANALI. Biondo wears a total look by LORO PIANA.

credits
all Images (c) LE MILE /
Cosimo Buccolieri

photography   COSIMO BUCCOLIERI via STUDIOREPOSSI
fashion direction + styling   CHIDOZIE OBASI
head of production   JESSICA LOVATO

fashion coordinators   ALBERTO MICHISANTI + EDWARD PUSCA
make up   DIANA DJURDJEVSKI via STUDIOREPOSSI + GIORGIA PRINI via MKSMILANO
hair   DAVIDE NUCARA
video   SARA FINEZZO

photography assistant   ANTONIO CROTTI
production assistant   LORIS VOTTERO
hair assistant   DANIELE CANCEMI
video assistant   MATTEO BAGINI
fashion assistants   CLOE RUBINATO + ANNA REGAZZONI + MARTINA MUSMARRA
+ CHARISSE ORDINARIA + THEA OLOFSSON ROWCLIFFE + ANGELINA PERSIANI + SIMONA VERNAZZA + ALESSANDRO GIANESIN

talents via MASC Agency

ANDREA ARRU
SIMONE BALDASSERONI
FILIPPO TENCA
GIORGIO RAMONDETTA
MATTEO GUERRIERI
SIMONE BREDARIOL
STEFANO BELOTTI
VITTORIO MENOZZI
YUSUF PANSERI
GABRIELE GRECO
MATTIA CIVIDINO
CARLO FIORENTINI
DYLAN CARUSO
FLAVIO VALABREGA via MASCAGENCY